scholarly journals Bandits, Militants, and Martyrs: Sub-state Violence as Claim to Authority in Late Antique North Africa

2021 ◽  
Author(s):  
Gregory Goalwin

Fourth Century North Africa was a site of intense religious and political conflict. Emerging from a period of persecution and newly legitimized by the Roman state, the Christian Church immediately fractured into two competing camps. Now known as the Donatist schism, this fracture was the result of competing claims to religious authority between two camps of bishops, but the doctrinal debate at its core precipitated a specific form of violence: attacks on clergy and property perpetrated by roving groups of militant bandits. Known as circumcellions, these bands acquired a perverse reputation for religious zeal, a desire for martyrdom, and what their opponents described as the ‘madness’ and ‘insanity’ of their violence. Here I analyze sources produced by both Donatists and Catholics to trace patterns of circumcellion violence. I draw on borderland theory and research on non-state violence to argue that such acts were not mad, but rather the result of strategic efforts to consolidate religious and political power. In this, Donatism and the sectarian violence that accompanied it provide important insights into how banditry and peasant rebellions can se.rve as alternate sources of social and political power, avenues through which heterodox movements challenge the power state and religious hierarchies alike

Author(s):  
Irina Anatol’evna Zavadskaya ◽  

The paintings of the 11 early Christian burial vaults of Chersonese uncovering the image of the Garden of Eden fully correspond to the traditions of the Late Antique art. There figurative images are very rare, and not all of them have been interpreted properly. Single man’s figures preserved in the painting of three vaults (of the years 1853/1905, 1909 and in the vault on N. I. Tur’s land) are of particular interest for the determination of the time and ways of penetration of this artistic tradition into early Christian Chersonese. A comparative analysis of funeral paintings from different regions of the Eastern Roman Empire makes it possible to determine the function of the mentioned images of men in the painting of these tombs and to explain their origin in early Christian burials. According to the fragments that survived, all three figures of young men are very similar in dress and posture. Probably, they all held a burning candle in the hands, the image of which survived only in the vault of the year 1909. These images are comparable to the figures of servants from a number of tombs discovered in the Balkans, Asia Minor, North Africa, and Levant. The young men from Chersonese are most close to the images of male servants from the tombs in Bulgaria and Serbia. From the analogies given in this paper there are reasons to interpret the figures of young men in the three vaults of Chersonese as images of servants. Figures of servants were widespread in ancient art and also in Christian burials to the end of the fourth century. Most likely, these figures appeared in the paintings of Chersonese under the influence of the Eastern Balkan artistic tradition.


Author(s):  
Michael Lapidge

The Roman Martyrs contains translations of forty Latin passiones of saints who were martyred in Rome or its near environs, during the period before the ‘peace of the Church’ (c. 312). Some of these Roman martyrs are universally known — SS. Agnes, Sebastian or Laurence, for example — but others are scarcely known outside the ecclesiastical landscape of Rome itself. Each of the translated passiones, which vary in length from a few paragraphs to over ninety, is accompanied by an individual introduction and commentary; the translations are preceded by an Introduction which describes the principal features of this little-known genre of Christian literature. The Roman passiones martyrum have never previously been collected together, and have never been translated into a modern language. They were mostly composed during the period 425 x 675, by anonymous authors who who were presumably clerics of the Roman churches or cemeteries which housed the martyrs’ remains. It is clear that they were composed in response to the huge explosion of pilgrim traffic to martyrial shrines from the late fourth century onwards, at a time when authentic records (protocols) of their trials and executions had long since vanished, and the authors of the passiones were obliged to imagine the circumstances in which martyrs were tried and executed. The passiones are works of pure fiction; and because they abound in ludicrous errors of chronology, they have been largely ignored by historians of the early Church. But although they cannot be used as evidence for the original martyrdoms, they nevertheless allow a fascinating glimpse of the concerns which animated Christians during the period in question: for example, the preservation of virginity, or the ever-present threat posed by pagan practices. And because certain aspects of Roman life will have changed little between (say) the second century and the fifth, the passiones throw valuable light on many aspects of Roman society, not least the nature of a trial before an urban prefect, and the horrendous tortures which were a central feature of such trials. Above all, perhaps, the passiones are an indispensable resource for understanding the topography of late antique Rome and its environs, since they characteristically contain detailed reference to the places where the martyrs were tried, executed, and buried. The book contains five Appendices containing translations of texts relevant to the study of Roman martyrs: the Depositio martyrum of A.D. 354 (Appendix I); the epigrammata of Pope Damasus d. 384) which pertain to Roman martyrs treated in the passiones (II); entries pertaining to Roman martyrs in the Martyrologium Hieronymianum (III); entries in seventh-century pilgrim itineraries pertaining to shrines of Roman martyrs in suburban cemeteries (IV); and entries commemorating these martyrs in early Roman liturgical books (V).


2021 ◽  
pp. 002190962110638
Author(s):  
Baskouda S.K. Shelley

Using the example of neotoponyms proliferation in Tokombéré (Northern Cameroon) between 1970 and 2011, this paper questions the banal tactics of naming places as a site of public patriarchy contestation. In fact, young people play a crucial role in reinventing local political power forms of interpellation, which enables them to symbolically reappropriate the space. This helps to establish their presence in the public sphere from which they have been side-lined by social elders. Even though it reflects a political expression, the fact remains that the attribution of toponyms does not really help to reverse their domination into social field.


2018 ◽  
Vol 2 (4) ◽  
pp. 542-566
Author(s):  
Jessica Wright

In late antique theological texts, metaphors of the brain were useful tools for talking about forms of governance: cosmic, political, and domestic; failed and successful; interior discipline and social control. These metaphors were grounded in a common philosophical analogy between the body and the city, and were also supported by the ancient medical concept of the brain as the source of the sensory and motor nerves. Often the brain was imagined as a monarch or civic official, governing the body from the head as from an acropolis or royal house. This article examines two unconventional metaphors of the brain in the work of the fifth-century Greco-Syrian bishop Theodoret of Cyrrhus—the brain as a treasure within the acropolis, and the brain as a node in an urban aqueduct—both of which adapt the structural metaphor of governance to reflect the changing political and economic circumstances of imperial Christianity. Drawing upon medical theories of the brain, Theodoret expands upon the conventional governance metaphor of brain function to encompass the economic and the spiritual responsibilities of the bishop-administrator. Just as architectural structures (acropolis, aqueduct) contain and distribute valuable resources (treasure, water) within the city, so the brain accumulates and redistributes nourishing substances (marrow, blood, pneuma) within the body; and just as the brain functions as a site for the transformation of material resources (body) into spiritual goods (mind), so the bishop stands as a point of mediation between earthly wealth and the treasures of heaven.


2010 ◽  
Vol 23 (1/2) ◽  
pp. 143-160
Author(s):  
Richard Alston

This essay considers the nature of historical discourse through a consideration of the historical narrative of Lucan’s Pharsalia. The focus is on the manner in which Lucan depicts history as capable of being fictionalised, especially through the operation of political power. The discourses of history make a historical account, but those discourses are not, in Lucan's view, true, but are fictionalised. The key study comes from Caesar at Troy, when Lucan explores the idea of a site (and history) which cannot be understood, but which nevertheless can be employed in a representation of the past. yet, Lucan also alludes to a ‘true history’, which is unrepresentable in his account of Pharsalus, and beyond the scope of the human mind. Lucan’s true history can be read against Benjamin and Tacitus. Lucan offers a framework of history that has the potential to be post-Roman (in that it envisages a world in which there is no Rome), and one in which escapes the frames of cultural memory, both in its fictionalisation and in the dependence of Roman imperial memory on cultural trauma.


Arts ◽  
2019 ◽  
Vol 8 (3) ◽  
pp. 103
Author(s):  
Rousseau

Wall painting in the Sardis hypogea expresses a regional visual language situated within the context of Late Antique approaches to decorative surfaces and multivalent motifs of indeterminate religious affiliation. Iconographic ambivalence and a typically Late Antique absence of illusionism creates a supranatural world that is grounded in the familiar imagery of home and gardens but does not quite reflect the natural world. Ubiquitous and mundane motifs were thus elevated and potentially charged with polysemic allusions to funerary practice and belief. Twelve fourth century C.E. hypogea form a distinctive corpus with a largely homogenous decorative program of scattered flowers, garlands, baskets, and birds. Related imagery is common throughout the larger Roman world, but compositional parallels from Western Anatolia suggest a particularly local visual vocabulary. The chronologically, geographically, and typologically discrete nature of the Sardis corpus set it apart from the standard of Rome while underscoring commonalities in late Roman funerary decoration and ritual. The painted imagery evoked funerary processes and ongoing social negotiation between the living and the deceased.


Author(s):  
Rangar H. Cline

Although “magical” amulets are often overlooked in studies of early Christian material culture, they provide unique insight into the lives of early Christians. The high number of amulets that survive from antiquity, their presence in domestic and mortuary archaeological contexts, and frequent discussions of amulets in Late Antique literary sources indicate that they constituted an integral part of the fabric of religious life for early Christians. The appearance of Christian symbols on amulets, beginning in the second century and occurring with increasing frequency in the fourth century and afterward, reveals the increasing perception of Christian symbols as ritually potent among Christians and others in the Roman Empire. The forms, texts, and images on amulets reveal the fears and hopes that occupied the daily lives of early Christians, when amulets designed for ritual efficacy if not orthodoxy were believed to provide a defense against forces that would harm body and soul.


Sign in / Sign up

Export Citation Format

Share Document