„Branding Tschechien“. Public Diplomacy und Nation Branding als Instrumente der Außenpolitik

2016 ◽  
pp. 84-106
Author(s):  
Šárka Waisová ◽  
Ladislav Cabada

The article develops the traditional theoretical framework of public diplomacy, used in international relations since decades, into the new approach – the nation branding. The nation branding became very popular practice within the public diplomacy and more general “applied foreign cultural policy” in the last two decades. The development of new communication tools such as the Internet and social networks challenged the public diplomacy approaches and brought search for new communication tools the state can use towards the public of other states. Our analysis focus on the Czech example that is incorporated into more general East-Central European frame.

2010 ◽  
Vol 5 (1-2) ◽  
pp. 125-150 ◽  
Author(s):  
Ellen Huijgh

Calls to involve a wide range of actors in public diplomacy are coming thick and fast. Federated entities are waiting in line, hoping to advance their international influence and search for distinctiveness and self-affirmation. Despite the increasing interest the development of most federated entities’ public diplomacy has not yet moved out of the early phases: a borderline activity of ‘nation-branding’ and ‘paradiplomacy’. This is true not only in practice but also in the current research, a situation that this article aims to amend. To this end, it is not necessary to start anew but to expand upon more advanced cases in the field. Particular interest is given to Quebec, which is busy creating a distinct profile for public diplomacy and alluding to a more normatively inspired network model. This article examines the public diplomacy model of Quebec’s ministry of international relations, and interprets the findings for federated entities in light of new evolutions in the field. The article concludes that despite significant discourse on public diplomacy development, major reforms remain in the realm of theory.


2003 ◽  
Vol 30 (2) ◽  
pp. 63-67
Author(s):  
Mihály Szilágyi-Gál

AbstractThese words of Victor Burgin serve as the motto of the first issue of the Review. In fact, the very same sentences can be taken as the motto also of this review of the Review. One of the authors in Idea's first issue, Boris Groys recalls Greenberg's words, that the avant-gard imitates art, and art imitates the world itself - the avant-gard imitates art because art is part of the world. Idea leaves the impression of a report of an avant-gard renaissance in the present art of the East-Central European and Balkan regions. It does not commit itself to any particular artistic current: its foci are the aesthetic phenomena of everyday life, and the concordant relationship between art and society.


2020 ◽  
Vol 16 (2) ◽  
pp. 353-365
Author(s):  
Jerzy J. Wiatr

AbstractPost-communist states of East Central Europe face the authoritarian challenge to their young democracies, the sources of which are both historical and contemporary. Economic underdevelopment, the retarded process of nation-building and several decades of communist rul made countries of the region less well prepared for democratic transformation than their Western neighbors, but better than former Soviet Union. Combination of economic and social tensions, nationalism and religious fundamentalism creates conditions conducive tom the crises of democracy, but such crises can be overcome if liberal and socialist forces join hands.


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