Historicity of the Qur’anic Dhu al-Qarnayn and the Myths of Alexander

2013 ◽  
Vol 9 (2) ◽  
pp. 126
Author(s):  
Ataullah Bogdan Kopanski
Keyword(s):  
Middle Ages ◽  
Iron Age ◽  
Ancient History ◽  
Early Middle Ages ◽  
Historical Drama ◽  
Diodorus Siculus ◽  
History Of ◽  
The Mediterranean ◽  
Christian Writer ◽  
Of Greece

Several verses of  SËrah al-Kahf (the Qur’an 18:85-98) contains   a didactic lesson of history  which  unlike the moralistic lesson of Plato on the rise, growth  and fall of mythical Atlantis, is  an abridged record on events in  the unnamed  Eurasian empire  threatened by  terror of the raiding hordes of ferocious nomads from the Northeast  in the Iron Age.  It is neither history of Alexander the Macedon’s conquest of Greece, Phoenicia, Egypt, Persia and India  reported  by Arrian, Quintus Curtius, Diodorus Siculus, Polybius, Appian, Plutarch and Justin  nor  the Alexandrine Romance  composed by the anonymous Syrian Christian writer (or writers) in the early Middle Ages of the Mediterranean.  Didactica of this Qur’anic SËrah  is  not based  on the Persian Iskander-name, either. Like the life of the historical Prophet Isa (Jesus,a.s.), the historicity of Qur’anic monotheistic ruler DhË al-Qarnayn deeply divides  the Muslim, Jewish, Christian and agnostic readers of the ancient history. Their opinions are intellectual mirrors of continuous struggle between monotheism, henotheism and secularism, contextualized into historical drama  of  divided  nations and empires. 

scholarly journals Finds of Artifacts from the Charyshsky District of the Altai Territory

2021 ◽  
Vol 33 (2) ◽  
pp. 44-60
Author(s):  
Grushin S. ◽  
◽  
Afanasieva E. ◽  
Keyword(s):  
Bronze Age ◽  
Middle Ages ◽  
Iron Age ◽  
Fluorescence Analysis ◽  
The Body ◽  
Ancient History ◽  
Early Middle Ages ◽  
History Of ◽  
First Time

The paper is devoted to the generalization and characterization of random finds from the territory of the Charyshsky district of the Altai Territory. The summary includes both previously published items and new artifacts, information about which was received by the authors during the archaeological research of the Ust-Teplaya burial ground in 2020. The collection of artifacts published for the first time consists of three items. This is a double-headed iron psalium with sculptural design of the tips in the form of the heads of mythical birds with an elongated beak, a horn double-headed psalium and a bronze knife with a ring pommel. These items supplement the body of random finds from the area under consideration, which includes items already published in the scientific literature, such as stone drilled axes belonging to the Afanasyevo culture of the Eneolithic era of the 31st — 27th centuries BC, stone mace pommel and bronze dagger of the early and Middle Bronze period of the 22nd — 15th centuries BC and bronze bits of the Early Scythian time of the 8th — 6th centuries BC. The paper also presents the results of X-ray fluorescence analysis of a metal knife and bit, which showed that the objects were cast from a copper-tin alloy. The analyzed artifacts, random finds from the territory of the Charyshsky district of the Altai Territory, reflect various historical and cultural stages of the development of the population of Northern Altai. The artifacts add to the collection of archaeological sources on the ancient history of the region, from the Eneolithic to the early Middle Ages inclusively. Keywords: random finds, artifacts, psalia, bits, knife and dagger, mace pommel, stone axes, Eneolithic, Afanasiev culture, Bronze Age, Early Iron Age, Early Scythian time, Pazyryk culture, Early Middle Ages

Poet of the Medieval Modern

2021 ◽  
Author(s):  
Francesca Brooks
Keyword(s):  
Twentieth Century ◽  
Material Culture ◽  
Middle Ages ◽  
Early Medieval ◽  
Far Right ◽  
Early Middle Ages ◽  
History Of ◽  
Catholic History ◽  
In Parenthesis ◽  
Stone Sculpture

The early Middle Ages provided twentieth-century poets with the material to reimagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895–1974), and represents the first extended study of the influence of early medieval culture and history from England on Jones and his novel-length late modernist poem The Anathemata (1952). The Anathemata, the second major poetic project after In Parenthesis (1937), fuses Jones’s visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones’s Library, Poet of the Medieval Modern reads with Jones in order to trouble the distinction we make between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in modernist and medieval studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages—including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography—to re-envision British Catholic identity in the twentieth-century long poem. In The Anathemata Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponized in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore up and challenge English hegemonies across modern British culture.

1. On the Philological Genius and Character of the Neo-Hellenic Dialect

1875 ◽  
Vol 8 ◽  
pp. 31-31
Author(s):  
Blackie
Keyword(s):  
Middle Ages ◽  
Present State ◽  
Historical Review ◽  
Popular Literature ◽  
The Other ◽  
Greek Language ◽  
Modern Language ◽  
The Past ◽  
History Of ◽  
Of Greece

The Author showed by a historical review of the fortunes of Greece, through the Middle Ages, and under the successive influences of Turkish conquest and Turkish oppression, how the Greek language had escaped corruption to the degree that would have caused the birth of a new language in the way that Italian and the other Roman languages grew out of Latin. He then analysed the modern language, as it existed in current popular literature before the time of Coraes, that is, from the time of Theodore Ptochoprodromus to nearly the end of the last century, and showed that the losses and curtailments which it had unquestionably suffered in the course of so many centuries, were not such as materially to impair the strength and beauty of the language, which in its present state was partly to be regarded as a living bridge betwixt the present and the past, and as an altogether unique phenomenon in the history of human speech.

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