scholarly journals Management of acute sigmoid volvulus in a tertiary hospital north central nigeria: The place of advanced radiodiagnostics

2021 ◽  
Vol 5 (3) ◽  
pp. 19-26
Author(s):  
Edwin Oseni-Momodu ◽  
◽  
Hassan Shehu ◽  
Jaejeok Lee

Background: Volvulus involves the twisting of an air-liquid stool-filled thin-walled segment of an intestine around its necessarily narrow mesenterial base, thereby strangulating the blood vessels, which often causes necrosis of this redundant intestinal segment. Intestinal volvulus had always been supposed to be a disease of the blacks from West African and the Bushmen natives of South Africa. The West African subset became the index region. Surgery was the best treatment for the full-blown disease. Conservative methods of management have only just been developed and studied in the Scandinavian countries. Scandinavian early rectosigmoidoscopic reductions of the twisted colonic segment have offered some valuable alternative helps. Methods: We studied the documents of all the 44 patients who had a presumptive diagnosis of acute or subacute colonic volvulus and were admitted to surgical management. Biostatistics, exact history taking of the patients, carefully structured physical examination, and a good digital scout X-ray investigation of the abdomen helped to make a rapid diagnosis. Laparotomies confirmed such a diagnosis. We did not regularly attempt to do recto-sigmoidoscopic untwisting of the volvuli. All had Hartmann’s procedure surgeries with terminal colostomies. Results: Of the 41 patients admitted to surgical management, 31 were males and 10 were females with a ratio of 3:1. The timing of surgery influenced mortalities and morbidities greatly. Conclusion: The diagnosis of acute volvulus was simple. We needed to record the medical history, took the proper physical examination, correctly explained the examination results, and only studied the abdominal X-ray film without resorting to advanced computer tomography.

2020 ◽  
Vol 28 (Supplement) ◽  
pp. 86-109
Author(s):  
Kehinde Ibrahim

The judgments of the ECOWAS Court, which are final and immediately binding, are vital for the realisation of ECOWAS aims and objectives. The enforcement of its judgments is particularly important in the case of individuals whose enjoyment of fundamental human rights, as guaranteed under the ECOWAS Community laws, is dependent on effective enforcement. Yet, an existential puzzling paradox emanates through a poor record in the implementation of the ECOWAS Court's judgments. This problem, which is not limited to the West African region deserves scrutiny and concrete proposals. Legal and political considerations surface in assessing the existence of this paradox, and despite the lack of a consistent political will, to implement the decisions of ECOWAS Court relevant judicial actors have roles to play. National courts could take a bolder approach in complementing the work of the ECOWAS Court. The ECOWAS Court itself could put in place concrete mechanisms and adopt certain practices to address this poor record of non-implementation. It is yet to be seen how substantive mechanisms would work in practice.


Author(s):  
Daniel Bailey ◽  
Jane Shallcross ◽  
Christopher H. Logue ◽  
Simon A. Weller ◽  
Liz Evans ◽  
...  

2018 ◽  
Vol 25 (2) ◽  
pp. 97 ◽  
Author(s):  
Lotanna M. Nneji ◽  
Adeniyi C. Adeola ◽  
Fang Yan ◽  
Agboola O. Okeyoyin ◽  
Ojo C. Oladipo ◽  
...  
Keyword(s):  

2020 ◽  
Author(s):  
Robert Q. Oaks ◽  
◽  
Susanne U. Janecke ◽  
Tammy M. Rittenour ◽  
Thad L. Erickson ◽  
...  

BMJ ◽  
1904 ◽  
Vol 1 (2257) ◽  
pp. 806-807
Author(s):  
G. R. Hall
Keyword(s):  

1978 ◽  
Vol 9 (2) ◽  
Author(s):  
A. ARNONE ◽  
L. CAMARDA ◽  
L. MERLINI ◽  
G. NASINI ◽  
D. A. H. TAYLOR
Keyword(s):  

Religions ◽  
2021 ◽  
Vol 12 (3) ◽  
pp. 172
Author(s):  
Alan West-Durán

The article draws on the Kongo term mpambu nzila of crossroads, that equally signifies altar, to discuss the paintings and drawings of Cuban-born artist José Bedia. He is a practitioner of Palo Briyumba, a syncretic Afro-Cuban religion that combines Kongo religious beliefs, Regla de Ocha, Spiritism, and Catholicism. The article examines six works by the artist from 1984 to 1999 and how Bedia represents Palo in his art. Additionally, the centrality of the nganga (a cauldron that paleros use to work for and protect them) is discussed historically, philosophically, and religiously as a physical and spiritual embodiment of the crossroads. Bedia’s work is also analyzed using the Sankofa bird as metaphor (of flying forward and looking back) and as an example of the West African notion of coolness. The article also examines Palo as a de-colonial way of knowing and ends with the crossroads through the example of Lucero Mundo (Elegguá).


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