Conceptual Metaphors in Poetic Texts

2013 ◽  
2019 ◽  
Vol 80 (1) ◽  
pp. 20-25
Author(s):  
Nina S. Bolotnova

This article is aimed at presenting a methodology for the conceptual analysis of poetic texts based on their lexical structure using the theory of communicative stylistics. The lexical structure of the literary text is considered to be a means of aсquainting the reader with the values manifested therein. The study of values intertwined within written works is particularly significant for the development of an axiological approach to teaching the Russian language. This article proposes a method for a sequential analysis of the lexical structure of a poetic text, which can be used at Russian language lessons.


Author(s):  
Zoltán Kövecses

The chapter reports on work concerned with the issue of how conceptual metaphor theory (CMT) functions as a link between culture and cognition. Three large areas are investigated to this effect. First, work on the interaction between conceptual metaphors, on the one hand, and folk and expert theories of emotion, on the other, is surveyed. Second, the issue of metaphorical universality and variation is addressed, together with that of the function of embodiment in metaphor. Third, a contextualist view of conceptual metaphors is proposed. The discussion of these issues leads to a new and integrated understanding of the role of metaphor and metonymy in creating cultural reality and that of metaphorical variation across and within cultures, as well as individuals.


Author(s):  
Tom Phillips

This volume addresses issues central to the study of ancient Greek performance culture: the role played by music in performed poetry; the ancients’ understanding of the relationship between music, poetry, and performance; and music’s relation to other areas of ancient intellectual life. This chapter comprises a brief discussion of the evidential difficulties involved in attempting to appreciate the effects created by ancient Greek music in conjunction with poetic texts. Some contemporary methodological approaches are canvassed as aids to this attempt, and an overview is provided of the chapters that make up the volume.


2020 ◽  
Vol 31 (1) ◽  
pp. 125-158
Author(s):  
NATHANIEL MILLER

AbstractThe term isrāʾ, based on the first verse of sūra 17, is typically rendered as ‘Night Journey’. There is little compelling evidence that this was the original meaning of the Qur'anic text, and medieval lexicographers and exegetes preserved a number of alternative meanings, such as that asrā was a denominal verb meaning ‘to travel through the uplands (al-sarāh)’. Another explanation is that asrā is a denominal verb of the noun sariyya (pl. sarāyā), a military expedition. By drawing on early historiographical descriptions of sarāyā and South Arabian inscriptions, which give evidence that the word sariyya is of Sabaic origin, the Qur'anic meaning of asrā was evidently something like ‘to send on a royal expedition’. Early Islamic Arabic poetic texts also offer extremely compelling evidence that the first Muslims were familiar with some of the key concepts of South Arabian royal authority as they appear in Sabaic inscriptions.


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