scholarly journals A Feminist Rhetorical Analysis of Anti-feminist Poetry in English and Arabic

2021 ◽  
Vol 3 (139) ◽  
pp. 9-26
Author(s):  
Hatim F. Ali ◽  
Mahdi I. Al-Utbi

Language is the fundamental element of communication and understanding in society. It relates immediately to human thoughts and is embodied in written or spoken signs or signals. The field that scientifically studies language (its forms and structures) is called Linguistics. Among the linguistic studies of language is Rhetoric which studies the importance of speech or texts for the audience. Rhetoric is the art of persuasion; it comprises different arguments raised by the speaker/writer depending on social, religious, moral or even traditional evidence in order to prove that the raised arguments are real. In this way, the writer/speaker associates the language to similar or related realities in order to reach the purpose of her/his language. However, presenting arguments and evidence it not always accurate because there are arguments that rely on weak evidence. The purpose of argumentative techniques is still to persuade the audience about a personal view or a societal concept. From this perspective, the feminist linguists suggest that rhetoric is actually masculine; that is, rhetoric is anti-feminist. Therefore, linguists presented a great deal of evidence to prove this theory and bring the feminist ideology into rhetoric. This study aims at providing a feminist rhetorical analysis of the anti-feminist poetry to study the status of women in rhetoric and whether the arguments that demean women are true or not. For this purpose, the current study utilizes Fiorenza’s (1995) model of analysis; a feminist rhetorical tool to analyze anti-feminist poems written by male poets in English and Arabic in order to study the arguments as well as the evidence the poets present against women.

2018 ◽  
Vol 22 (2) ◽  
Author(s):  
Benita Bunjun

The Royal Commission on the Status of Women in Canada (RCSW), embedded in liberal hegemonic feminist ideology, is largely the landscape that influenced and continues to influence the simultaneous politicising and depoliticisation of the mainstream women’s movement in Canada since the 1970s. The testimonies and recommendations of the RCSW predominately represented the needs and voices of white, heterosexual, Anglophone and Francophone, able-bodied, middle-class women. Using an intersectional critical race feminist framework, this article analyses the “making” of RCSW “against the grain” in relation to discourses of nation-building and racialisation. Drawing on extensive historical archival data and relevant in-depth expert interviews, I argue that the RCSW as a colonial archive furthered nation-building projects while crystallising Indigenous women and women of colour as the Other. The article illustrates how the feminist organisation, Vancouver Status of Women, is embedded in the colonial archive of the RCSW, one that reproduced nation-building discourses of essentialism, racialisation, and exclusion.


2004 ◽  
Author(s):  
Amy B. Caiazza ◽  
April Shaw
Keyword(s):  

Author(s):  
Amy B. Caiazza ◽  
April Shaw
Keyword(s):  

2012 ◽  
Author(s):  
Cynthia Hess ◽  
Rhiana Gunn-Wright ◽  
Claudia Williams
Keyword(s):  

1999 ◽  
Vol 16 (1) ◽  
Author(s):  
Murad Wilfried Hofmann

This article examines the state of Islamic jurisprudence with regard to many sensitive issues, such as the status of women and minorities in Islam, Islam and Democracy, hudud punishments. The author explores the current state of Islamic discourse on jurisprudence and identifies three approaches-traditional, secular and reformist. The paper explores the positions of the traditional ulama and the reformist muj­tahids on the mentioned topics and finds the reformist position more sensible and closer to the position of ihe Qur'an and Sunnah. This paper while advocating neo-ijtihad, makes an impressive case for the merit???? and Islamic credibility of the reformist jurisprudence.


Author(s):  
Manju Dhariwal ◽  

Written almost half a century apart, Rajmohan’s Wife (1864) and The Home and the World (1916) can be read as women centric texts written in colonial India. The plot of both the texts is set in Bengal, the cultural and political centre of colonial India. Rajmohan’s Wife, arguably the first Indian English novel, is one of the first novels to realistically represent ‘Woman’ in the nineteenth century. Set in a newly emerging society of India, it provides an insight into the status of women, their susceptibility and dependence on men. The Home and the World, written at the height of Swadeshi movement in Bengal, presents its woman protagonist in a much progressive space. The paper closely examines these two texts and argues that women enact their agency in relational spaces which leads to the process of their ‘becoming’. The paper analyses this journey of the progress of the self, which starts with Matangini and culminates in Bimala. The paper concludes that women’s journey to emancipation is symbolic of the journey of the nation to independence.


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