scholarly journals Acontecimento e resistência em a Peste de Albert Camus

2020 ◽  
Vol 20 (3) ◽  
pp. 39-52
Author(s):  
Cicero Cunha Bezerra ◽  
Ricardo Itaboraí Andrade de Oliveira
Keyword(s):  
Gilles Deleuze ◽  
Albert Camus ◽  
Slavoj Zizek ◽  
Slavoj Žižek

A presença dos acontecimentos enquanto fenômeno, e seu contraponto, o hábito, ecoam numa inter-relação contínua ao longo de todo o enredo do romance A Peste (1947) de Albert Camus. O presente artigo consiste na investigação do conceito de acontecimento e suas relações com a noção mediadora de linguagem - do mesmo modo que a ideia de resistência - à luz de uma leitura das reflexões de Gilles Deleuze, Slavoj Zizek e John Caputo acerca desse tema. Para tanto, estarão expostas correlações possíveis entre construção ficcional e filosofia na análise desta obra que é considerada uma das mais simbólicas do século XX.

Inside the Zone

2021 ◽  
pp. 43-64
Author(s):  
Jon Hoel
Keyword(s):  
Gilles Deleuze ◽  
Soren Kierkegaard ◽  
Film Theory ◽  
Central Question ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
Nuclear Age

This is the largest chapter in the book and takes a closer look at the mysterious ineffable Zone that exists at the center of the film’s narrative. What is the Zone, and are we in it, is the central question posed by the chapter, and brings into conversation a larger framework of film theory, including analyses from thinkers like Gilles Deleuze, Søren Kierkegaard, and Slavoj Žižek among others. The film examines the speculative space of the Room, and what the prospect of its power: the ability to grant the greatest inner desire of its occupants. Is this power real? The film plays with this question, along with imagery of potential speculative radiation consequences of the nuclear age, with careful allusions to Soviet nuclear disasters of the time.

scholarly journals Paranoia e História, patologia e verdade

rth | ◽  
2021 ◽  
Vol 23 (2) ◽  
pp. 246-272
Author(s):  
Danilo De Ávila
Keyword(s):  
Gilles Deleuze ◽  
Slavoj Zizek ◽  
Max Horkheimer ◽  
Slavoj Žižek ◽  
Theodor Adorno

Este estudo objetiva propor uma abertura da psicanálise à história por meio da noção de paranoia. Uma categoria tradicional da clínica, sua construção remonta ao círculo freudiano e o célebre caso do presidente Schreber para se espraiar no século XX-XXI nas obras de Theodor Adorno, Max Horkheimer, Gilles Deleuze e Slavoj Zizek. Percorrendo os usos da noção para estes filósofos, psicanalistas e sociólogos, podemos retrabalhar o acúmulo gerado pelos usos da noção para na historiografia. Richard Hofstadter, cunhador do estilo paranoico durante os anos 1960, começou este trabalho do lado da História e trouxe ganhos políticos, evidentes aos olhos de hoje. Cabe a este artigo, desenvolvê-lo, mas não para projetá-lo – expediente próximo a paranoia – em outras formações históricas, mas para repensar outros modelos críticos para a historiografia na tensão entre patologia e verdade, antinomia da noção de paranoia.

scholarly journals Cinema and Philosophical Education: from Wittgenstein to Deleuze

2015 ◽  
Vol 3 (1) ◽  
pp. 21
Author(s):  
Jūratė Baranova
Keyword(s):  
Gilles Deleuze ◽  
The Other ◽  
Slavoj Zizek ◽  
Stanley Cavell ◽  
Philosophical Education ◽  
Slavoj Žižek ◽  
Other Hand ◽  
Philosophical Questions

Bruce Russell argues, that cinema cannot create the philosophical knowledge for the reason that the answers to philosophical questions are contradictory and not obvious, the explicit argumentation is needed if the person is inclined to give justified answers to philosophical questions. Given examples are not satisfactory for philosophizing. On the other hand Slavoj Žižek, Stanley Cavell and Gilles Deleuze seems do not see this obvious gap between cinema and philosophy. They discuss the cinema as philosophy. What presumptions are needed for this approach? How this approach could be adapted in the philosophy education?

Interpassivity and Misdemeanours: The Art of Thinking in Examples and the Žižekian Toolbox

2018 ◽  
Author(s):  
Robert Pfaller
Keyword(s):  
Specific Role ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
The Sublime

Starting from a passage from Slavoj Žižek`s brilliant book The Sublime Object of Ideology, the very passage on canned laughter that gave such precious support for the development of the theory of interpassivity, this chapter examines a question that has proved indispensable for the study of interpassivity: namely, what does it mean for a theory to proceed by examples? What is the specific role of the example in certain example-friendly theories, for example in Žižek’s philosophy?

Slavoj Žižek

2020 ◽  
Author(s):  
Hyun Kang Kim ◽  
Ansgar Lorenz ◽  
Ansgar Lorenz
Keyword(s):  
Slavoj Zizek ◽  
Slavoj Žižek

Ivan Cankar’s National Narrative and Its Role in the Formation of the Slovenian Cultural Identity

2018 ◽  
Vol 13 (3-4) ◽  
pp. 108-117
Author(s):  
Anna G. Bodrova
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Symbolic Order ◽  
National Narrative ◽  
Cultural Space ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
The Subject

Ivan Cankar (1876–1918), who occupies an honorable place in the Slovenian cultural canon, once changed the course of development of Slovenian literature and influenced the formation of national identity. The national narrative of Cankar was based on contradictions: living far from his people, he sometimes glorified them and sometimes attacked them with heavy criticism; he correlated his homeland with his mother, the mother though being dead. Cankar’s concentration on the subject of mother and homeland is interpreted here in the framework of psychoanalysis. Following Slavoj Žižek, the author develops the idea that it was the mother who became the Symbolic Order representative or Super-Ego for the writer. The concept of “Cankar’s mother”, which became a symbol of self-sacrifice and at the same time repressiveness in the Slovenian cultural space, is considered.

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