scholarly journals Formation and development of Ukrainian tapestry in the environment design

2021 ◽  
Author(s):  
Anastasiіa Varyvonchyk
Keyword(s):  
Research Methods ◽  
Art History ◽  
Environmental Design ◽  
Historical Evolution ◽  
Environment Design ◽  
Modern Design ◽  
Decorative Art ◽  
History Analysis ◽  
Innovative Techniques ◽  
Historical Origins

The purpose of the article is to highlight the provisions and track the historical evolution of a special Ukrainian art craft, known as the art of tapestry in environmental design. The research methods are based on art history analysis, the principles of historicism, scientific consistency, and objectivity in the study of Ukrainian tapestry. Scientific novelty. The historical origins of tapestry art are revealed, the issue of introducing innovative techniques for making tapestry is raised, which influenced the modern design of the environment of the XXI century. Based on the results of the study, we can conclude that the art of tapestry follows the traditions of folk carpet weaving. In modern conditions, the tapestry is able to actively fill the ethnocultural environment, in rare cases, it is a monumental decorative art. From aristocratic and elite art, it becomes more democratic, decorating the interiors of the premises of the XXI century. Keywords: tapestry, carpet weaving, tradition, innovation, environmental design.

scholarly journals The historical way of embroidery of traditional clothing

2021 ◽  
Author(s):  
Anastasiіa Varyvonchyk
Keyword(s):  
Art History ◽  
Scientific Objectivity ◽  
Clothing Design ◽  
Current State ◽  
History Analysis ◽  
Fashion Designer ◽  
Unique Experience ◽  
Technical Innovations ◽  
Folk Dress ◽  
Historical Origins

Purpose of the article. Trace the historical origins and genesis of embroidery decoration of traditional Ukrainian clothing and analyze the implementation of technological and technical innovations in the decoration of Ukrainian clothing. The methodology is based on the principles of historicism, art history analysis, scientific objectivity, and consistency in the study of the genesis of the decoration of the Ukrainian dress. Scientific novelty. The current state of embroidery decoration of traditional Ukrainian clothing is revealed and the issue of introducing innovative technologies in modern clothing design is raised. Conclusions. Based on the results of the study, we can conclude that modern decoration imitates the traditions of folk dress, including more and more the latest technologies. The unique experience of modern masters is analyzed and the ways of development in the direction of the art of embroidery decoration are determined. A variety of embroidery techniques with limitless skillful potential appear alongside machine embroidery works. Keywords: traditions, fashion designer, embroidery, creativity, innovation, education.

On Important Role of the View of Harmony between Man and Nature in Modern Art Designing - Taking Environmental Design as an Example

2012 ◽  
Vol 209-211 ◽  
pp. 23-27
Author(s):  
Gang Lv
Keyword(s):  
Theoretical Basis ◽  
Modern Art ◽  
Environmental Design ◽  
Modern Design ◽  
Man And Nature ◽  
People Orientation ◽  
The Relationship ◽  
Art Designing

This paper mainly discusses the important role of the Chinese ancient view –“harmony between man and nature” in modern design. It focuses on the analysis of popular concepts of “environment orientation” and “people orientation” in environmental design, and holds the view that the concept of “harmony of man and nature” makes up for the deficiencies of the first two. In dealing with the relationship between man and himself or nature, the concept of “harmony between man and nature” offers a good theoretical basis which will surely become new ethics and standard in design.

GENRE OF LANDSCAPE IN THE WORK OF M. M. SHABANOV

2021 ◽  
pp. 94-100
Author(s):  
Zaripat Abdullaevna Akhmedova
Keyword(s):  
Art History ◽  
History Analysis

The article deals with the genre of landscape in the work of the People's Artist Magomed Magomedovich Sha-banov. The author gives a brief art history analysis of many works of the landscape genre. Comes to the con-clusion that the artist's landscapes changed depending on the era, time of creation.

scholarly journals CONCEPT OF THE STUDY OF ART BY R.J. COLLINGWOOD AS AN OBJECT OF THEORETICAL ANALYSIS

2020 ◽  
pp. 36-40
Author(s):  
M. V. Ternova
Keyword(s):  
Theoretical Analysis ◽  
Art History ◽  
Art Criticism ◽  
The Other ◽  
Historical Period ◽  
Rudyard Kipling ◽  
Cultural Traditions ◽  
Avant Garde ◽  
History Analysis ◽  
The One

The article analyzed concept of the study of art by Robin George Collingwood (1889-1943), a well-known English neo-hegelian philosopher. His significant part of the theoretical heritage is connected with the explanation of the nature of art and with the consideration of its condition during the period of the changing Oscar Wilde era to the era of Rudyard Kipling. The circle of problem such as content and form, character, image, mimesis, reflection, emotion, art and "street man" identified. All of them in Collingwood's presentation and interpretation significantly expanded the space of research not only English, but also European art criticism. The concept of study of art is "built" on the basis of an active understanding of historical and cultural traditions accented. The concept of art criticism of R.G. Collingwood – a famous English philosopher of the XIX-XX centuries, on the one hand, has self-importance, and on the other, although based on the traditions of contemporary humanities, still expands art history analysis of aesthetics through aesthetics and psychology. Recognizing the exhaustion of the English model of romanticism, R.G. Collingwood tries to outline the prospects for the development of art in the logic of the movement "romanticism – realism – avant-garde", which leads to the actualization of the problem of "mimesis – reflection". At the same time, the theorist's attention is consciously concentrated around the concept of "subject", the understanding of which is radically changing at the turn of the XIX-XX centuries. Theoretical material in the presentation of R.G. Collingwood is based on the work of Shakespeare, Reynolds, Turner, Cezanne, whose experience allows us to focus on the problem of "artist and audience". It is emphasized that Collingwood's position is ahead of its time, stimulating scientific research in the European humanities. The existence of indicative tendencies, which are distinguished in the logic of European cultural creation of the historical period, is emphasized.

Research on Landscape Environmental Design of Universal Design

2011 ◽  
Vol 71-78 ◽  
pp. 4756-4759
Author(s):  
Dan Zhang
Keyword(s):  
Design Theory ◽  
Design Principle ◽  
Universal Design ◽  
Minority Groups ◽  
Environmental Design ◽  
Environment Design ◽  
Specific Behavior ◽  
User Friendly

In this article, one kind of feasibility design theory and the method is presented. It is on base of the advanced universal design, showing concern to the minority groups, and also by the user-friendly principle. The method is to satisfy the minority groups the specific behavior demand; moreover the paper explores the construction landscape environment design principle and arrives on some suggestion.

scholarly journals Siberian Identity in Traditions and Innovations of Art Culture

2020 ◽  
pp. 914-923
Author(s):  
Marina V. Moskalyuk ◽  
Anastasiya P. Grishchenko
Keyword(s):  
Computer Graphics ◽  
Visual Arts ◽  
Art History ◽  
Indigenous Art ◽  
Cultural Process ◽  
History Analysis ◽  
Art Works ◽  
Cultural Processes

The article considers the transformation of visual signs reflecting the Siberian identity. The phenomenon of the Siberian identity could be seen at some aspects of visual arts: the primitive art of petroglyphs, ethnographic elements of indigenous art and the legacy of the Siberian artist V.I. Surikov. Based on the philosophical and art history analysis of art works some visual signs of the studied aspects were identified, such as primitive pictures of people, ethnic clothing and patterns and, the painting “The Capture of the Snow Town” by V. Surikov. The most innovative ways of their interpretation in the modern cultural process have been identified. The article considers major Siberian festivals (for example Siberian Maslenitsa and the Krasnoyarsk Universiade), computer graphics, work of clothing designers and design of the facilities of the Krasnoyarsk Universiade. This study has resulted in understanding that there are certain visual signs that carry the burden of the formation of the regional Siberian identity in modern cultural processes

scholarly journals Sacred art in the context of the creation and regulation of the religious buildings environment design in Galicia

2020 ◽  
pp. 76-89
Author(s):  
Roman Odrekhivskyi
Keyword(s):  
Environmental Design ◽  
Environment Design ◽  
Sacred Art ◽  
Art And Design ◽  
Religious Buildings ◽  
Cultural Life ◽  
New Churches ◽  
Nineteenth And Twentieth Centuries ◽  
The Creation

Today, while constructing new churches and the restoring the old ones, historical research on the creation and regulation of the environmental design of the Galicia cult buildings is relevant. The purpose of the study is to initiate thorough research on the role of sacred art in the development of the environmental design of the religious buildings of Galicia on the material of the late XIX — early XX century. The methodology of the study is systematic, authentic, historicist, and logical. The author examined hundreds of complexes of sacral buildings in Galicia. Synthesis of sacral art and design played an important role in the creation and regulation of the environmental design of the religious buildings of this region. Nevertheless, the end of the nineteenth — the beginning of the twentieth century is a period of elevation in the national culture's development of the Ukrainians of Galicia. These are interiors of churches in Lviv, Tarnivtka, Drohobych, Vorokhta and other cities and villages of the region made with imitation of the historical epochs and national style. Inheritance of historical styles, such as Ukrainian baroque and folk art traditions, played an important role in the spiritual life of the Ukrainians of Galicia. They became one of the important factors in their national self-identification and in the revival of cultural life at the turn of the nineteenth and twentieth centuries.

scholarly journals The Concept of a Romantic Hero in the Sculpture of Argentina in the 20–40s of the 20th Century

2020 ◽  
pp. 140-145
Author(s):  
Nataliya Abramovna Rozenberg
Keyword(s):  
20Th Century ◽  
Art History ◽  
Remote Region ◽  
Huge Number ◽  
Original Population ◽  
Romantic Hero ◽  
History Analysis ◽  
History Of ◽  
The Russian Federation

The interest in the history and culture of Argentina in the Russian Federation today has a special char-acter. It is believed that the presence of a huge number of immigrants from Europe, including from Russia, distinguishes Argentina culturally from oth-er countries of the New World, makes its culture more understandable. There is a perception that this is the most Europeanized country in South America. To a large extent, this ideologeme is the result of foreign policy pursued by Argentina itself. At the same time, the process of the formation of national identity in here was complicated and did not end until the 40s of the 20th century. The relevance of the study is to reveal the inconsistency of this process on the material of sculpture as a document of the era, to show the rejection by masters from a remote region of the country, the province of Chaco, the prevailing ideas about the barbarity and savagery of the Indians and Gauchos, the original population of this province and part of other territories of the state. The novelty lies in the comparative compari-son of the positions of the academic art history of Argentina and academic art in the understanding of Indian themes and in how it was interpreted by re-gional masters – K. Dominguez (died in 1969), C. Schenone (1907–1963), J. de la Mena (1897–1954), as well as in the art history analysis of significant works of the considered problematic and the roman-tic tendencies manifested in them. It is advisable to correlate the process of “Europeanization” of Indi-ans, bloody and long-term hostilities in order to expel the gaucho and Indians from their ancestral lands with the understanding of who was the true hero of history in the creations of their descendants. The works of the sculptors Chaco, romantic in spirit, are related to the great J. Hernandez’s poem “Martin Fierro”. Today they are kept not only in the capital of Chaco, Resistencia, but also in museums in Buenos Aires and foreign collections

scholarly journals The peculiarities of modern religious painting in the Crimean temple architecture of (on the example of Alexander Nevsky Cathedral in Simferopol and Saint Vladimir Cathedral in Chersonesos)

2021 ◽  
pp. 14-26
Author(s):  
Natal'ya Anatol'evna Zolotukhina
Keyword(s):  
Art History ◽  
Spiritual Values ◽  
Decorative Art ◽  
Aesthetic Form ◽  
The Crimea ◽  
Material Texture ◽  
The Subject ◽  
Religious Painting ◽  
Academic Painting ◽  
Modern Artists

The traditions followed by people throughout history underlie the development of the culture of monumental art, forming the continuity of generations, memory and traditions of temple architecture of the Crimea. The topic of religious monumental painting draws interest of the researchers. The object of this article is the Crimean religious monumental and decorative art; while the subject is the peculiarities of modern religious painting in Alexander Nevsky Cathedral in Simferopol and Saint Vladimir Cathedral in Chersonesos. The goal is determine the modern artistic-aesthetic form of temple painting carried out by the experts of monumental and decorative art, as well as the command of the unique languages of creative reinterpretation of wholeness. Temple religious painting is explored on the works of the modern artists of monumental religious painting, using the analysis of the academic style of painting, use of classical canons in images of the figures, artistic-stylistic, thematic, unique systems in the ornamental painting. The author determines the characteristics of the image such as material texture and plastic modeling of artistic form, which allows combining the modern wall paintings of the Crimean Orthodox churches of into a holistic system of material and spiritual values. The crucial theoretical-methodological vector of research is interweavement of the methods of culturology and art history, which reveals the techniques and peculiarities of academic painting in temple architecture.

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