scholarly journals The historical way of embroidery of traditional clothing

2021 ◽  
Author(s):  
Anastasiіa Varyvonchyk
Keyword(s):  
Art History ◽  
Scientific Objectivity ◽  
Clothing Design ◽  
Current State ◽  
History Analysis ◽  
Fashion Designer ◽  
Unique Experience ◽  
Technical Innovations ◽  
Folk Dress ◽  
Historical Origins

Purpose of the article. Trace the historical origins and genesis of embroidery decoration of traditional Ukrainian clothing and analyze the implementation of technological and technical innovations in the decoration of Ukrainian clothing. The methodology is based on the principles of historicism, art history analysis, scientific objectivity, and consistency in the study of the genesis of the decoration of the Ukrainian dress. Scientific novelty. The current state of embroidery decoration of traditional Ukrainian clothing is revealed and the issue of introducing innovative technologies in modern clothing design is raised. Conclusions. Based on the results of the study, we can conclude that modern decoration imitates the traditions of folk dress, including more and more the latest technologies. The unique experience of modern masters is analyzed and the ways of development in the direction of the art of embroidery decoration are determined. A variety of embroidery techniques with limitless skillful potential appear alongside machine embroidery works. Keywords: traditions, fashion designer, embroidery, creativity, innovation, education.

scholarly journals Formation and development of Ukrainian tapestry in the environment design

2021 ◽  
Author(s):  
Anastasiіa Varyvonchyk
Keyword(s):  
Research Methods ◽  
Art History ◽  
Environmental Design ◽  
Historical Evolution ◽  
Environment Design ◽  
Modern Design ◽  
Decorative Art ◽  
History Analysis ◽  
Innovative Techniques ◽  
Historical Origins

The purpose of the article is to highlight the provisions and track the historical evolution of a special Ukrainian art craft, known as the art of tapestry in environmental design. The research methods are based on art history analysis, the principles of historicism, scientific consistency, and objectivity in the study of Ukrainian tapestry. Scientific novelty. The historical origins of tapestry art are revealed, the issue of introducing innovative techniques for making tapestry is raised, which influenced the modern design of the environment of the XXI century. Based on the results of the study, we can conclude that the art of tapestry follows the traditions of folk carpet weaving. In modern conditions, the tapestry is able to actively fill the ethnocultural environment, in rare cases, it is a monumental decorative art. From aristocratic and elite art, it becomes more democratic, decorating the interiors of the premises of the XXI century. Keywords: tapestry, carpet weaving, tradition, innovation, environmental design.

GENRE OF LANDSCAPE IN THE WORK OF M. M. SHABANOV

2021 ◽  
pp. 94-100
Author(s):  
Zaripat Abdullaevna Akhmedova
Keyword(s):  
Art History ◽  
History Analysis

The article deals with the genre of landscape in the work of the People's Artist Magomed Magomedovich Sha-banov. The author gives a brief art history analysis of many works of the landscape genre. Comes to the con-clusion that the artist's landscapes changed depending on the era, time of creation.

scholarly journals CONCEPT OF THE STUDY OF ART BY R.J. COLLINGWOOD AS AN OBJECT OF THEORETICAL ANALYSIS

2020 ◽  
pp. 36-40
Author(s):  
M. V. Ternova
Keyword(s):  
Theoretical Analysis ◽  
Art History ◽  
Art Criticism ◽  
The Other ◽  
Historical Period ◽  
Rudyard Kipling ◽  
Cultural Traditions ◽  
Avant Garde ◽  
History Analysis ◽  
The One

The article analyzed concept of the study of art by Robin George Collingwood (1889-1943), a well-known English neo-hegelian philosopher. His significant part of the theoretical heritage is connected with the explanation of the nature of art and with the consideration of its condition during the period of the changing Oscar Wilde era to the era of Rudyard Kipling. The circle of problem such as content and form, character, image, mimesis, reflection, emotion, art and "street man" identified. All of them in Collingwood's presentation and interpretation significantly expanded the space of research not only English, but also European art criticism. The concept of study of art is "built" on the basis of an active understanding of historical and cultural traditions accented. The concept of art criticism of R.G. Collingwood – a famous English philosopher of the XIX-XX centuries, on the one hand, has self-importance, and on the other, although based on the traditions of contemporary humanities, still expands art history analysis of aesthetics through aesthetics and psychology. Recognizing the exhaustion of the English model of romanticism, R.G. Collingwood tries to outline the prospects for the development of art in the logic of the movement "romanticism – realism – avant-garde", which leads to the actualization of the problem of "mimesis – reflection". At the same time, the theorist's attention is consciously concentrated around the concept of "subject", the understanding of which is radically changing at the turn of the XIX-XX centuries. Theoretical material in the presentation of R.G. Collingwood is based on the work of Shakespeare, Reynolds, Turner, Cezanne, whose experience allows us to focus on the problem of "artist and audience". It is emphasized that Collingwood's position is ahead of its time, stimulating scientific research in the European humanities. The existence of indicative tendencies, which are distinguished in the logic of European cultural creation of the historical period, is emphasized.

scholarly journals Forest plant communities and their degeneration in the urban forests of Warsaw

2018 ◽  
Vol 60 (4) ◽  
pp. 269-280
Author(s):  
Wojciech Ciurzycki ◽  
Katarzyna Marciszewska
Keyword(s):  
Plant Communities ◽  
Urban Forests ◽  
Urban Agglomeration ◽  
Surface Protection ◽  
Current State ◽  
Fundamental Significance ◽  
Forestry Management ◽  
Historical Origins

Abstract This paper presents the results of an inventory of plant communities of the urban forests in Warsaw. It covers the occurrence of forest associations and forest plant communities in individual forest complexes. Due to their location within the boundaries of a large urban agglomeration, Warsaw’s city forests are particularly exposed to anthropopressure. The share of various degrees of degeneration and dominant forms of degeneration in individual complexes and over the whole surface under investigation was assessed. Possible causes of the conditions existing in the forests have been discussed; in particular, within the context of the development and use of these forests for tourism and recreation. Particular forests’ distinct historical origins, forestry management, and existing forms of surface protection possess fundamental significance for the determination of their current state.

Silver Nanoparticles: Transport and Fate in the Environment

2018 ◽  
Vol 2 (08) ◽  
Author(s):  
Kayla Dean ◽  
Felicia Jefferson
Keyword(s):  
Silver Nanoparticles ◽  
Consumer Products ◽  
Engineered Nanoparticles ◽  
Practical Application ◽  
Potential Toxicity ◽  
Current State ◽  
History Analysis ◽  
Potential Risks ◽  
Analytical Tools ◽  
The Impact

Within the previous few years major advances in the development of nanotechnologies and practical application of artificial nanoparticles (NPs) and nanomaterials (NMs) have resulted. As society becomes further aware that the use of nanomaterials is ever growing in consumer products and their presence in the environment, critical interest on the impact of this emerging technology has grown. A major concern is whether the unknown risks of engineered nanoparticles, in particular, their impact on health and environment, outweighs their established benefits to society. The goal is to evaluate their potential toxicity in the environment. Silver nanoparticles exhibit an important effect on microbial processes in environmental exposures. This study provides a brief review over the current state-of-knowledge about AgNPs from various studies in this area, including the history, analysis, source, transport, fate, and potential risks of AgNPs. In order to fully investigate the transport and fate of AgNPs in the environment, appropriate methods for the pre-concentration, separation, and speciation of AgNPs should be developed, and analytical tools for the characterization and detection of AgNPs in complicated environmental studies must be incorporated.

scholarly journals Siberian Identity in Traditions and Innovations of Art Culture

2020 ◽  
pp. 914-923
Author(s):  
Marina V. Moskalyuk ◽  
Anastasiya P. Grishchenko
Keyword(s):  
Computer Graphics ◽  
Visual Arts ◽  
Art History ◽  
Indigenous Art ◽  
Cultural Process ◽  
History Analysis ◽  
Art Works ◽  
Cultural Processes

The article considers the transformation of visual signs reflecting the Siberian identity. The phenomenon of the Siberian identity could be seen at some aspects of visual arts: the primitive art of petroglyphs, ethnographic elements of indigenous art and the legacy of the Siberian artist V.I. Surikov. Based on the philosophical and art history analysis of art works some visual signs of the studied aspects were identified, such as primitive pictures of people, ethnic clothing and patterns and, the painting “The Capture of the Snow Town” by V. Surikov. The most innovative ways of their interpretation in the modern cultural process have been identified. The article considers major Siberian festivals (for example Siberian Maslenitsa and the Krasnoyarsk Universiade), computer graphics, work of clothing designers and design of the facilities of the Krasnoyarsk Universiade. This study has resulted in understanding that there are certain visual signs that carry the burden of the formation of the regional Siberian identity in modern cultural processes

scholarly journals The Concept of a Romantic Hero in the Sculpture of Argentina in the 20–40s of the 20th Century

2020 ◽  
pp. 140-145
Author(s):  
Nataliya Abramovna Rozenberg
Keyword(s):  
20Th Century ◽  
Art History ◽  
Remote Region ◽  
Huge Number ◽  
Original Population ◽  
Romantic Hero ◽  
History Analysis ◽  
History Of ◽  
The Russian Federation

The interest in the history and culture of Argentina in the Russian Federation today has a special char-acter. It is believed that the presence of a huge number of immigrants from Europe, including from Russia, distinguishes Argentina culturally from oth-er countries of the New World, makes its culture more understandable. There is a perception that this is the most Europeanized country in South America. To a large extent, this ideologeme is the result of foreign policy pursued by Argentina itself. At the same time, the process of the formation of national identity in here was complicated and did not end until the 40s of the 20th century. The relevance of the study is to reveal the inconsistency of this process on the material of sculpture as a document of the era, to show the rejection by masters from a remote region of the country, the province of Chaco, the prevailing ideas about the barbarity and savagery of the Indians and Gauchos, the original population of this province and part of other territories of the state. The novelty lies in the comparative compari-son of the positions of the academic art history of Argentina and academic art in the understanding of Indian themes and in how it was interpreted by re-gional masters – K. Dominguez (died in 1969), C. Schenone (1907–1963), J. de la Mena (1897–1954), as well as in the art history analysis of significant works of the considered problematic and the roman-tic tendencies manifested in them. It is advisable to correlate the process of “Europeanization” of Indi-ans, bloody and long-term hostilities in order to expel the gaucho and Indians from their ancestral lands with the understanding of who was the true hero of history in the creations of their descendants. The works of the sculptors Chaco, romantic in spirit, are related to the great J. Hernandez’s poem “Martin Fierro”. Today they are kept not only in the capital of Chaco, Resistencia, but also in museums in Buenos Aires and foreign collections

scholarly journals Argentine Period of the Stepan Erzia’s Creativity (1927–1950). Searching and Findings

2020 ◽  
pp. 87-94
Author(s):  
Natalia Abramovna Rozenberg
Keyword(s):  
20Th Century ◽  
Art History ◽  
Buenos Aires ◽  
Visual Language ◽  
Tropical Species ◽  
Cultural Meanings ◽  
History Analysis ◽  
The Press ◽  
The World ◽  
Research Task

Relevance: The problem of studying the work of one of the outstanding masters of the Russian Diaspora – Stephan Erzia, who created several hundred sculp-tures in Argentina, has been raised. Their specificity, connection with the culture of the country hasn’t been studied properly, and cultural and art history analysis has not been carried out. At the same time, identifying the reasons why the Argentineans per-ceive his art in relation to the Argentine one, is an essential research task. Moreover, Erzia’s exhibitions of recent years, held in Buenos Aires, Moscow and St. Petersburg, were successful. Novelty: The uniqueness of Erzia’s work is due to his double mentality. He saw the world not only as Russian, but also as Argentinean. New cultural meanings are in-dicated in the problems of his sculptures and in the visual language itself. Erzia’s stay in Argentina is considered in the context of the formation of na-tional art. Including the example of the synthesis of architecture and sculpture of representative build-ings created by European masters. Although the 20–40s of the 20th century were an era of prosperity for Argentina, their own architects will only make them-selves known in the 1930s. Many of them worked in Europe and Argentina. The interest in Erzia’s art before his first exhibition in Buenos Aires was pre-pared by the press. The articles emphasized that the sculptor would show the works that were success-fully demonstrated in 1926 in Paris. The audience became convinced of the high professionalism and genre diversity of the master's works. A year after his arrival, Erzia turns less to marble and bronze, more to the tree of local tropical species – quebracho and algarroba. They possessed exceptional density, mul-tiplicity of color shades, and expressive texture. Er-zia’s works were formed in cycles. These are por-traits and nudes, monumental images of geniuses of humanity, the theme of motherhood. A bold change in iconographic canons distinguishes the best works of the master.

FARMING IN RUSSIA: HISTORY, ANALYSIS OF THE CURRENT STATE AND FACTORS OF DEVELOPMENT

2020 ◽  
Vol 2 (10) ◽  
pp. 39-44
Author(s):  
R. I. SAFIULLAEVA ◽  
◽  
A. V. NESTERENKO ◽  
T. N. URYADOVA ◽  
◽  
...  
Keyword(s):  
Historical Development ◽  
Industrial Sector ◽  
Agricultural Market ◽  
Agricultural Producers ◽  
Privileged Position ◽  
Current State ◽  
History Analysis ◽  
Peasant Farm ◽  
Modern Level

Despite the recognition by society of the objective need to reform the agrarian system according to the farm vector, these transformations in Russia were once again slowed down. In the agro-industrial sector of the country, the privileged position of large and super-large agricultural producers is still preserved, which does not allow small forms of farming to fully compete in the agricultural market. The authors of the article tried to find the reasons for this situation in the historical development of farming in Russia. Based on the analysis, the article assesses the modern level of development of peasant (farm) farms. Particular attention is paid to the identification of catalyst factors and inhibitor factors that influence the development of Russian farming.

Formation and Development of the Kyiv School of Art Textiles: Traditions and Innovations

2021 ◽  
pp. 158-165
Author(s):  
Olena Maydanets-Barhylevych
Keyword(s):  
Cultural Identity ◽  
Art History ◽  
Decorative Arts ◽  
Teaching Staff ◽  
Artistic Process ◽  
Decorative Art ◽  
Current State ◽  
Creative Contribution ◽  
Ethnic Memory ◽  
History Approach

The purpose of the article is to outline – based on analyzing the development of the Kyiv School of Decorative Arts in context of the historical and artistic process of the XXth to XXIst centuries – the main principles of specialization Art Textiles on the ground of the Mykhaylo Boychuk Kyiv State Academy of Decorative and Applied Arts and Design. The methodology consists of applying an art history approach to historical and artistic analyses of works of artistic textiles, as well as the systematic consideration of peculiarities of the Kyiv School of Decorative Arts. The scientific novelty lies in the substantiation of a phenomenon of the Kyiv School of Art Textiles, creative-pedagogical and scientific-methodological means in teaching students, themes of diploma theses as an important component in preserving ethnic memory, and national-cultural identity. Conclusions. The results of the study highlight the features of the artistic language of the Kyiv School of Textiles, the specifics of scientific and pedagogical methods used in the Academy, as well as the creative guidelines of the teaching staff. Defined are prospective trends of development and strengthening of the Department of Art Textiles and Costume Modelling, principles of comprehending the conventional art and its transformation into the newest stylistic forms to meet today’s requirements. The scientific research gives an idea of ​​the current state of decorative art and artistic textiles, and the creative contribution of the scientific and pedagogical staff of the ATCM Department in the context of the integration of Ukrainian art into the European cultural space.

Sign in / Sign up

Export Citation Format

Share Document