La "fossa comune" del Museo Lombroso e il "lager" di Fenestrelle: il centocinquantenario dei neoborbonici

2012 ◽  
pp. 105-118
Author(s):  
Silvano Montaldo

The article reconstructs the transition from a perspective of cultural controversy to that of a political proposal that the varicoloured world of anti-Risorgimento revisionism encountered on the occasion of the 150th anniversary of Italian unification. Through the demonstrations against the reopening of the Lombroso Museum, unjustly seen as an uncritical return to the theories of the Veronese scientist, and the revival of the legend of Fenestrelle prison as a death camp for Neapolitan inmates, a functional controversy was launched in order to collocate the memory of the unification process within a context of a colonial warfare. This position was upheld by neo-Bourbon revisionist texts, while the celebration of bandits as a new symbol of identity materialised with a demand for the "return" of the exhibits from Lombroso's collections, an issue which has yet to be resolved.

Author(s):  
Luigi Cajani

AbstractDuring the celebration of the 150th anniversary of Italian unification in 2011 three disparaging views of the Risorgimento were publicly expressed: the first by ultraconservative Catholics, the second by the neo-Bourbon movement and the third by the Lega Nord. This article analyses their cultural roots, evolution and mutual relations, with a particular focus on the neo-Bourbon movement, the most active during recent years.


Author(s):  
Cormac Newark

This chapter interrogates the political valency of the operatic canon. The case study is familiar, Giuseppe Verdi’s Nabucco, but rather than the opera’s political status (re-confirmed in a recent noted performance of the opera in the context of celebration of the 150th anniversary of Italian unification), the emphasis here is on its canonic status, which is both multiplicitous and contentious. In particular, its presence in the influential canone del Risorgimento proposed by Alberto Banti is revealing of certain aspects of operatic canonicity more generally: the difficulties inherent in characterizing reception in the theater, the significance of memory and “rememberedness” in canonic thinking, and the importance to the operatic canon not only of instantiation but also of participation. This chapter is paired with Mark Berry’s “‘Blow the opera houses into the air’: Wagner, Boulez, and Modernist canons.”


2012 ◽  
pp. 152-155
Author(s):  
A. Tulokhonov

The article gives an assessment of P. A. Stolypin's political, economic and social reforms, their significance for the contemporary development of Russia, including the eastern territories. The author believes that the basic principles of the reform system proposed by Stolypin are relevant today and can become fundamental for improving the country's competitiveness.


2011 ◽  
pp. 119-136
Author(s):  
M. Voeikov

The paper deals with the problem of the establishment of capitalism in Russia in the late 19 - early 20th centuries. Using a wide array of historical research and documents the author argues that the thesis on the advanced state of capitalism in Russia in the beginning of the 20th century does not stand up to historical scrutiny, and the role of the famous Emancipation reform of 1861 appears to be of limited importance.


2019 ◽  
Vol 41 (4) ◽  
pp. 7-35
Author(s):  
Andrea Lynn Smith

The centerpiece of New York State’s 150th anniversary of the Sullivan Expedition of 1779 was a pageant, the “Pageant of Decision.” Major General John Sullivan’s Revolutionary War expedition was designed to eliminate the threat posed by Iroquois allied with the British. It was a genocidal operation that involved the destruction of over forty Indian villages. This article explores the motivations and tactics of state officials as they endeavored to engage the public in this past in pageant form. The pageant was widely popular, and served the state in fixing the expedition as the end point in settler-Indian relations in New York, removing from view decades of expropriations of Indian land that occurred well after Sullivan’s troops left.


2020 ◽  
Vol 17 (5) ◽  
pp. 550-559
Author(s):  
Aleksandr Yu. Samarin

The article introduces a previously unpublished speech of the outstanding Russian scientist-physicist, President of the USSR Academy of Sciences, academician Sergey Ivanovich Vavilov, which was delivered by him at the anniversary meeting held on June 5, 1949, at the monument to Alexander Pushkin in Moscow in connection with the celebration of the 150th anniversary of the great Russian poet’s birth. S.I. Vavilov was a great connoisseur of Pushkin’s poetry and literature about him. In the second half of the 1940s, Vavilov actively participated in projects to prepare the anniversary celebrations dedicated to Alexander Pushkin and perpetuate the memory of the poet. Analysis of S.I. Vavilov’s speech, which, unlike his other “Pushkin speeches”, was not intended for the press, shows that in evaluating the great poet’s work, along with the use of cliches, traditional for the epoch, the scientist also took certain liberties. In particular, he did not utter the ritual words praising Stalin, the Communist Party and the Soviet State. The poet Ya.P. Polonsky quoted by Vavilov was not among the classics recognized by Soviet literary criticism, and the selected quote from him could be interpreted as a hint of condemnation of the surrounding Stalinist reality. Numerous fragments of the scientist’s personal diaries indicate his critical attitude towards the latter, in particular.


Author(s):  
S.P. TORSHIN ◽  
◽  
V.D. NAUMOV ◽  
G.A. SMOLINA

The paper is a tribute to the famous mineralogist, one of the founders of biogeochemistry, a leading specialist in phosphorites to professor Yakov V. Samoilov. The authors show the development of the outstanding Russian scientist as a researcher and a teacheк and emphasize Ya.V. Samoilov’s contribution to development of mineralogy, fertilizers industry, agrochemistry and agriculture of our country. The paper is written in connection with 150th anniversary to Ya.V. Samoilov.


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