scholarly journals The Public Lives Of Private Family Albums : A Case Study In Collections And Exhibitions At The Art Gallery Of Ontario And Max Dean : Album

2021 ◽  
Author(s):  
Heather Rigg

This thesis uses Toronto artist Max Dean's performance A survey of the critical literature that addresses the placement of vernacular objects such as family albums and snapshots in the art gallery functions as a preamble to a series of interviews done with scholars, academics and curators in the fields of photography and art history. Drawing on the results of these interviews, this paper examines the challenges that arise when family albums are publicly displayed and exhibited. Terry Barrett's methodology of investigating the context of photographs is considered and applied to family albums and to Dean's

2021 ◽  
Author(s):  
Heather Rigg

This thesis uses Toronto artist Max Dean's performance A survey of the critical literature that addresses the placement of vernacular objects such as family albums and snapshots in the art gallery functions as a preamble to a series of interviews done with scholars, academics and curators in the fields of photography and art history. Drawing on the results of these interviews, this paper examines the challenges that arise when family albums are publicly displayed and exhibited. Terry Barrett's methodology of investigating the context of photographs is considered and applied to family albums and to Dean's


2021 ◽  
Author(s):  
Steven Kramer

This applied thesis examines three albums created by US Army Air Force personnel Robert C. Kraut from 1945-46. The albums were donated by Toronto based artist Max Dean to the Art Gallery of Ontario (AGO), and serve as a case study for the process of cataloguing and contextualizing albums for future researchers and museum staff. This paper includes a literature survey examining care and handling, social and historical evolutions, and cataloguing practices related to both photographic albums and scrapbooks. An historical analysis of the photographic album as a medium, vernacular photography and the donation process of the albums into the AGO's collection follows. A detailed analysis of the narrative, material orientation, annotation, layout and materiality qualities for each album is included. A cataloguing methodology that both accounts for the albums’ unique layouts and holds to the established conventions for cataloguing albums at the AGO is discussed and described in detail.


2021 ◽  
Author(s):  
Jennifer I Yeates

This thesis project uses an incomplete set of twenty six héliogravure prints by Édouard Baldus (1813-1889) from the publication "Les Principaux Monument de la France, reproduit en héliogravure par E. Baldus 1869-70", which are held at the Art Gallery of Ontario. The prints are utilized as a primary means of analysis in an attempt to understand Baldus' working method, as he never published his photogravure process, and about which little is known. The thesis is composed of five sections: 1) a discussion of Baldus' place in photographic history; 2) an examination of the compete set of forty five héliogravures in the publication based on the copy at the Canadian Centre for Architecture; 3) a case study looking at the relationship between Baldus' albumen prints and his héliogravures; 4) a second case study analyzing and comparing the physical nature of the photogravure works of William Henry Fox Talbot, Charles Nègre, Peter Henry Emerson and Alfred Steiglitz; with the intension of, 5) deciphering the method Baldus could have used in printing his héliogravures.


2021 ◽  
Author(s):  
Jennifer I Yeates

This thesis project uses an incomplete set of twenty six héliogravure prints by Édouard Baldus (1813-1889) from the publication "Les Principaux Monument de la France, reproduit en héliogravure par E. Baldus 1869-70", which are held at the Art Gallery of Ontario. The prints are utilized as a primary means of analysis in an attempt to understand Baldus' working method, as he never published his photogravure process, and about which little is known. The thesis is composed of five sections: 1) a discussion of Baldus' place in photographic history; 2) an examination of the compete set of forty five héliogravures in the publication based on the copy at the Canadian Centre for Architecture; 3) a case study looking at the relationship between Baldus' albumen prints and his héliogravures; 4) a second case study analyzing and comparing the physical nature of the photogravure works of William Henry Fox Talbot, Charles Nègre, Peter Henry Emerson and Alfred Steiglitz; with the intension of, 5) deciphering the method Baldus could have used in printing his héliogravures.


2021 ◽  
Author(s):  
Laura C. Gentili

This thesis presents the results of an applied project in Collections Management, comprising the intellectual arrangement of the Fairlie Family fonds at the Art Gallery of Ontario (AGO), and the creation of a finding aid to facilitate future access and research. This project analyzes twelve Canadian family albums from the AGO’s collection of photography that were compiled by the Fairlie family between the years of 1880 and 1950. This project is comprised of three major parts: (1) an analytical paper, (2) extensive inventories and object-level cataloguing records, and (3) the creation of a finding aid for the family documents and related ephemera. The first part of this thesis consists of an analytical paper discussing the historical context of the albums and what they can tell us about the Fairlie family and the time and place in which they were created. The albums document the family’s exploits in photography, from mining in northern Ontario, various travel destinations, summer camping in Temagami, and life in upper-middle-class Toronto during the first half of the twentieth century. The practical component of this project includes genealogical research; detailed inventories for each of the twelve albums; the intellectual arrangement, rehousing, and creation of a finding aid for the textual records and related ephemera; and updated cataloguing records linking the albums with the Fairlie Family fonds in The Museum System database (TMS) so that both the photographic collection and contextual information are more accessible.


Author(s):  
Jackie Sevcik

The issue of representation within the grand Canadian historical narrative is a topic that re‐opens previous notions about the accepted version of the Art Historical canon. While there are many aspects of Canadian Art History that are celebrated as true notions of national identity, there are many indigenous groups and ideas that do not meet the criteria to be included in the canon and are thus, not represented. This paper examines the contemporary Canadian Wing at the Art Gallery of Ontario (AGO) and will focus on showing the changes made to the gallery and how this will help Canadians understand what it means to be Canadian. What is interesting about this newly renovated wing is that the curatorial staff has successfully managed to show Canadian history from a contemporary perspective. By choosing to recognize the importance of different aspects of Canadian history to the understanding of Canadian identity, the AGO takes old practices and turns them into new traditions.


2019 ◽  
Vol 2 (2) ◽  
Author(s):  
Eko Tjiptojuwono

The modern museum management is needed to increase the number of tourists visiting the museum. Museum House of Sampoerna is a museum that has been trying to implement a modern museum management so as to change the public's perception of the museum. In general, people have almost the same perception of museums including that the museum was not clean, has a characteristic odor, poor service, facilities are extremely limited, and the museum only be visited once in a lifetime. This study was conducted to determine the extent of the potential of a modern musem if it is managed as a tourist destination in its efforts to attract foreign tourists and domestic tourists with case study on Museum House of Sampoerna, which is as a major tourist destination of Surabaya. The method used in this research is to analyze the data and information obtained from the field research and documentation using SWOT analysis and describe the results of the analysis to the purpose to be achieved by this research. The results showed that the museum House of Sampoerna has tried to make a modern museum management by providing support facilities are modern that can add convenience and attract tourists to visit this museum. Modern facilities provided by the museum house of sampoerna were art gallery, cafe, souvenir shop, public areas for art events, and bus to Surabaya heritage track program. Modern museum management will increase visits to the museum and even tourists will visit more than one time in a lifetime. This study has limitations that the data and information not obtained from all stakeholders of a museum, but only from researcher observation, documentation and interview with the management. Suggested for further research to use visitors as a respondent to represent the public perception of the museum.


2021 ◽  
Author(s):  
Steven Kramer

This applied thesis examines three albums created by US Army Air Force personnel Robert C. Kraut from 1945-46. The albums were donated by Toronto based artist Max Dean to the Art Gallery of Ontario (AGO), and serve as a case study for the process of cataloguing and contextualizing albums for future researchers and museum staff. This paper includes a literature survey examining care and handling, social and historical evolutions, and cataloguing practices related to both photographic albums and scrapbooks. An historical analysis of the photographic album as a medium, vernacular photography and the donation process of the albums into the AGO's collection follows. A detailed analysis of the narrative, material orientation, annotation, layout and materiality qualities for each album is included. A cataloguing methodology that both accounts for the albums’ unique layouts and holds to the established conventions for cataloguing albums at the AGO is discussed and described in detail.


2021 ◽  
Author(s):  
Laura C. Gentili

This thesis presents the results of an applied project in Collections Management, comprising the intellectual arrangement of the Fairlie Family fonds at the Art Gallery of Ontario (AGO), and the creation of a finding aid to facilitate future access and research. This project analyzes twelve Canadian family albums from the AGO’s collection of photography that were compiled by the Fairlie family between the years of 1880 and 1950. This project is comprised of three major parts: (1) an analytical paper, (2) extensive inventories and object-level cataloguing records, and (3) the creation of a finding aid for the family documents and related ephemera. The first part of this thesis consists of an analytical paper discussing the historical context of the albums and what they can tell us about the Fairlie family and the time and place in which they were created. The albums document the family’s exploits in photography, from mining in northern Ontario, various travel destinations, summer camping in Temagami, and life in upper-middle-class Toronto during the first half of the twentieth century. The practical component of this project includes genealogical research; detailed inventories for each of the twelve albums; the intellectual arrangement, rehousing, and creation of a finding aid for the textual records and related ephemera; and updated cataloguing records linking the albums with the Fairlie Family fonds in The Museum System database (TMS) so that both the photographic collection and contextual information are more accessible.


2020 ◽  
Vol 16 (1) ◽  
Author(s):  
Musa Musa

This research was conducted to determine the Effectiveness of Jakarta Siaga 112 Emergency Services in Fire Management by UPT. Disaster Data & Information Center of BPBD DKI Jakarta Province by paying attention to aspects contained in the Effectiveness of the Jakarta Siaga Emergency Service Program 112. The research method was carried out with a case study method with data collection techniques using interview methods and document review. Interviews were conducted on 10 (ten) key informants, document review focused on documents related to the Jakarta Emergency Alert Service 112 Effectiveness research in Fire Management. The results showed that the Effectiveness of Jakarta Siaga 112 Emergency Services in Fire Management by UPT. The Center for Disaster Data & Information BPBD DKI Jakarta Province Its effectiveness is still low, due to the Implementation of Emergency Services Jakarta Standby 112 in Fire Management implemented by UPT. Disaster Data & Information Center of BPBD DKI Jakarta Province in terms of the Target Group Understanding of the Program, the Achievement of the Program Objectives aspects, and the Program Follow-up aspects. It is recommended to continue to disseminate this Emergency Service to the public, it is necessary to increase the firm commitment of the Head of 8 SKPD related to fire management so that all units play a role in accordance with the Standard Operating Procedures (SOPs) for Fire Management and the evaluation and follow-up of program services that are held periodically 3 once a month.Keywords: Effectiveness, Emergency Services, Fire Handling


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