scholarly journals Hedeggerian Thinking and The Role of Memory in Shakespeare's The Winter's Tale

2021 ◽  
Vol 1 (1) ◽  
pp. 86-94
Author(s):  
Chahra Beloufa
Keyword(s):  
The Winter's Tale ◽  
Winter's Tale ◽  
Final Scene ◽  
The Gift

Heidegger’s existentialism goes beyond the limits of the human brain’s functioning where thinking is more than what rationality may generate. In his essay “What is called Thinking?” Heidegger mentions that thinking and thanking are related. This relationship is clarified in Margaret Visser’s The Gift of Thanks, where she describes gratitude emphasizing the role of memory in expressing it. On this basis, one explores how thanking is performed in Shakespeare’s Winter’s Tale examining both memory and thinking interferences in the course of the characters’ thanking. Leontes sudden jealousy makes him loose all positive thoughts imprisoning Hermione, who expects reward having but obeyed his wishes to convince his friend to stay. After the trial scene, Paulina brings Leontes' recollections into life; by enumerating his wife's amiable personality. In act five, the remorseful king blames himself for his ingratitude. One considers this as the recovery of his memory since “both memory and thanks move their being in the thanc” as Heidegger asserts it. The final scene proves one’s assumption, that to thank is to think where Leontes thanks Paulina graciously by marrying her to his most honest servant Camillo. In short, to utter “thankfulessness would be thoughtlessness”

The Role of Autolycus in The Winter's Tale

1969 ◽  
Vol 9 (2) ◽  
pp. 283
Author(s):  
Lee Sheridan Cox
Keyword(s):  
The Winter's Tale ◽  
Winter's Tale

Patriarchal Structures in The Winter's Tale

PMLA ◽  
1982 ◽  
Vol 97 (5) ◽  
pp. 819-829 ◽  
Author(s):  
Peter B. Erickson
Keyword(s):  
Sexual Politics ◽  
The Winter's Tale ◽  
Winter's Tale ◽  
Dramatic Action ◽  
Role Of Women

From the perspective of sexual politics, The Winter's Tale is a remarkable achievement: it recovers the possibility of harmonious male-female relations from the destructive antagonism between the sexes in the tragedies. In particular, it expands the role of women, making the combined forces of Hermione, Paulina, and Perdita central to the dramatic action. This development is so moving that we tend simply to welcome it without inquiring into the centrality of women and the terms of the sexual reconciliation. I argue that such an inquiry must be made. A sentimental reading of the play looks exclusively at its positive aspects and fails to recognize that women s power remains strictly circumscribed within the patriarchal framework. Acknowledging this limitation provides for a multiple rather than a monolithic response to the play and makes it possible both to affirm and to dissent from the ending. (PBE)

Spectres of Female Sovereignty in Shakespeare’s Plays

2016 ◽  
pp. 111-130
Author(s):  
Susan Frye
Keyword(s):  
Early Modern ◽  
Political Thought ◽  
Female Body ◽  
The Political ◽  
Elizabeth I ◽  
Henry Viii ◽  
The Winter's Tale ◽  
Henry V ◽  
Winter's Tale

Spectres of historical queens in several of Shakespeare’s plays recall the political importance not only of queens themselves, but of the vexed issue of sovereignty as it was gendered in early modern political thought. Representations of and allusions to Elizabeth I and Mary Queen of Scots in Henry V, Henry VIII, and The Winter’s Tale expose the strategies through which actual queens as well as their supporters authorized and defended early modern female sovereignty. At the same time, because female sovereignty rests on the connection between the female body and the political body, definitions of female sovereignty remain unstable, capable of both reinforcing and disrupting the connection. When Shakespeare creates his historical and fictional queens, he raises their spectres as untimely versions of female sovereignty as well as the uncanny role of the female body in representing time itself.

scholarly journals Maternity and Absence in Shakespearean Romance

2016 ◽  
Vol 3 (1) ◽  
pp. 17-27
Author(s):  
Helen Hopkins
Keyword(s):  
Public Life ◽  
Private Life ◽  
The Winter's Tale ◽  
Winter's Tale ◽  
Ideal Society ◽  
The Public ◽  
The Tempest ◽  
The Sacrifice ◽  
The Ideal

Abstract The equivocation of the private life of Elizabethan and Jacobean subjects with the public life of monarchy and state endowed mothers with an import, and therefore a power, not previously acknowledged. These changes provoked a fear of female disruption to patriarchal structures which found its way onto Shakespeare’s stage by the representation of mothers as ‘unnatural’ agents of chaos, associated with witchcraft, murder, dangerous ambition, and infidelity; if not by complete absence, which “posits the sacrifice of the mother’s desire as the basis of the ideal society” (Rose, 1991: 313). I suggest that in the late romances, specifically The Winter's Tale and The Tempest, Shakespeare found a form that could demonstrate the complexity of the mother’s position, while still resolving the action with a satisfactory ending that presented a stable continuation of patriarchal lineage. The fathers rely on a fantasy of parthenogenesis to relocate the role of the mother in themselves, ensuring the children are free from her corruptive influence and the bloodlines are safe. However, as all themes return to maternity - chastity, fertility, lineage for example - the fantasy of eradicating the mother is shown to be limited even in the artificial realm of the romance.

Shakespearean Melancholy

2018 ◽  
Author(s):  
J. F. Bernard
Keyword(s):  
Sigmund Freud ◽  
Judith Butler ◽  
The Winter's Tale ◽  
Twelfth Night ◽  
Winter's Tale ◽  
The Core ◽  
Robert Burton

What’s so funny about melancholy? Iconic as Hamlet is, Shakespearean comedy showcases an extraordinary reliance on melancholy that ultimately reminds us of the porous demarcation between laughter and sorrow. This richly contextualized study of Shakespeare’s comic engagement with sadness contends that the playwright rethinks melancholy through comic theatre and, conversely, re-theorizes comedy through melancholy. In fashioning his own comic interpretation of the humour, Shakespeare distils an impressive array of philosophical discourses on the matter, from Aristotle to Robert Burton, and as a result, transforms the theoretical afterlife of both notions. The book suggests that the deceptively potent sorrow at the core of plays such as The Comedy of Errors, Twelfth Night, or The Winter’s Tale influences modern accounts of melancholia elaborated by Sigmund Freud, Judith Butler, and others. What’s so funny about melancholy in Shakespearean comedy? It might just be its reminder that, behind roaring laughter, one inevitably finds the subtle pangs of melancholy.

Feminist Shakespeares: Adapting Shakespeare for a Modern Audience in the Hogarth Shakespeare Project

2018 ◽  
Author(s):  
Colleen Etman
Keyword(s):  
Margaret Atwood ◽  
Female Characters ◽  
Adaptation Theory ◽  
Contemporary Culture ◽  
The Winter's Tale ◽  
Winter's Tale ◽  
Female Authors ◽  
The Tempest ◽  
And Gender ◽  
Female Characterization

The Hogarth Shakespeare Project presents a way to view Shakespeare’s plays through a different lens. These books allow for a feminist reading of Shakespeare, looking at some of Shakespeare’s ill-treated female characters to construct a new idea of female characterization. Three of the plays adapted, The Winter’s Tale, The Tempest, and The Taming of the Shrew, were adapted by female authors. By investigating how these plays are being adapted for a more contemporary audience, with modern conceptions of feminism and gender roles, we can gain insight as to how these concepts have changed since Shakespeare’s time. By looking at these modern adaptations, we can interrogate how modern audiences as a whole conceptualize and, potentially, idealize Shakespeare, as well as understanding the progression of treatment of women in contemporary culture since Shakespeare’s time. The novels addressed in this project are The Gap of Time by Jeannette Winterson, Hag-Seed by Margaret Atwood, and Vinegar Girl by Anne Tyler. The project concludes that, of the three, Vinegar Girl does the most effective job addressing the problematic aspects of its adapted play in a new way, distinguishing it from previous adaptations of The Taming of the Shrew. This project also investigates the role that adaptation theory plays in addressing Shakespeare adaptations, particularly the Hogarth Shakespeare Project.

"‘A Peculiar Gift of Providence": The Power-Imbalance Caused by Gift-Giving in Millenium Hall

2015 ◽  
Vol 2 (1) ◽  
Author(s):  
Elisia Snyder
Keyword(s):  
Eighteenth Century ◽  
Power Imbalance ◽  
Gift Giving ◽  
The Gift

Sarah Scott's eighteenth-century novel Millenium Hall canvasses the role of gift-giving in the dynamics heteronormative-domestic, economic, and spiritual relationships. The pharmakon of the gift plays a central role in Scott's understanding of philanthropy, and the construction of her female-inhabited, female-run utopia. This article's principle occupation is to show that all instances of gift-giving in Millenium Hall create power-imbalances between the superior giver and the inferior receiver; however, Sarah Scott's female utopia constructs the most preferable type of subservience.

In the Middle of Life

2018 ◽  
Author(s):  
Amanda Anderson
Keyword(s):  
Social Psychology ◽  
Cognitive Science ◽  
Emotional Experience ◽  
Literary Texts ◽  
The Winter's Tale ◽  
Winter's Tale ◽  
Moral Repair ◽  
Moral Frameworks ◽  
Moral Time

This chapter explores the specific challenges that cognitive science and social psychology pose to those literary concepts and modes that are grounded in traditional moral understandings of selfhood and action, including integrity of character and notions such as tragic realization and moral repair. Focusing on the concept of moral time, the chapter explores two literary texts in which profound middle-of-life dramas take place: Henry James’s “The Beast in the Jungle” and Shakespeare’s The Winter’s Tale. A form of slow psychic time entirely lost to view in recent cognitive science is shown to take place in James’s tale, while The Winter’s Tale insists on the forms of moral and emotional experience that are beyond reflection and explanation. The readings presented are set in relation to key critical debates on the works, to challenge a persistent evasion of moral frameworks in contemporary anti-normative approaches.

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