scholarly journals Confessional conversions on the territory of Belarus in the second half of the 19th – early 20th century: overview of historiography

2021 ◽  
pp. 82-89
Author(s):  
Marharyta M. Karol
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
State Policy ◽  
Early 20Th Century ◽  
General State ◽  
Present Stage ◽  
Religious Issues ◽  
Points Of View ◽  
The 19Th Century

The article examines the stages of the formation of historiography devoted to the problems of confessional conversions in the second half of the 19th century on the territory of the Belarusian provinces. The historiographic trends that formed from the end of the 19th century to the beginning of the 21st century were identified and analysed. The authour studies the peculiarities of Belarusian and foreign historiography at the present stage, when a large number of works on religious issues has appeared, including confessional conversions. It is argued that in Soviet times, the issue of transitions from Catholicism to Orthodoxy was practically not touched upon. In their approaches and assessments, some researchers continue the traditions of pre-revolutionary historiography, but the majority of modern scientists strive to give an objective picture of religious processes on the Belarusian lands, to show them in the context of general state policy. The relevance of the article is due to the coverage of various points of view on the problem of confessional conversions. It is noted that pre-revolutionary researchers, first of all, sought to prove the voluntariness of conversions to Orthodoxy, but during this period, works were also created in which this thesis was questioned.

scholarly journals Panorámica historiográfica de los estudios sobre el Mitra védico, avéstico y romano

2018 ◽  
Vol 29 ◽  
pp. 297
Author(s):  
Israel Campos Méndez
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Early 20Th Century ◽  
Global Understanding ◽  
Scientific Nature ◽  
The 19Th Century ◽  
Accidental Discovery

Resumen: El interés que ha suscitado la figura del dios Mitra ha dejado como reflejo estudios que se remontan al periodo romano. Sin embargo, a partir del Renaci­miento el descubrimiento casual de piezas escul­tóricas de asunto mitraico, atrajo el interés de in­vestigadores que indagaron en sus escritos sobre la identidad de la divinidad que aparecía matando un toro. Durante los siglos XVI al XVIII, la temática solar y la identificación del Mitraísmo se convirtió en el contenido de estos estudios. A partir del s. XIX, empieza a tomar forma una investigación de carácter más científico sobre la cuestión mitraica, que encontrará su nacimiento formal con los tra­bajos de F. Cumont a principios del s. XX. Este si­glo pasado ha sido el que ha visto florecer el mayor y más profundo volumen de estudios desentrañan­do los misterios vinculados al dios Mitra, tanto en su vertiente de divinidad de los panteones védicos y avésticos, como en el ámbito del culto mistérico desarrollado en el marco del Imperio Romano. En los comienzos del siglo XXI, todavía permanecen abiertas algunas hipótesis iniciales, pero sí se cons­tata una vitalidad en los estudios para la compren­sión global del Mitraísmo.Palabras clave: Mitra, Mitraísmo, Avesta, Veda, Cumont.Abstract: One mark of the interest attached to the god Mithra is the line of studies dating back to the Ro­man period. It was, however, during the Renais­sance that the accidental discovery of sculptural pieces of a Mithraic subject attracted the interest of researchers, who sought to identify the bull-ki­lling divinity. Between the 16th and 18th centuries, this field of research re-oriented itself to the solar theme and the identification of Mithraism. In the 19th century, it took on a scientific nature, and the landmark the studies of F. Cumont saw the light of day in early 20th century. As the century progres­sed ambitious in-depth studies flourished, unra­velling the mysteries linked to the cult of the god Mithra, both in terms of the divinity of the Vedic and Avestan pantheons and of the sphere of the mystery cult established in the context of the Ro­man Empire. At the beginning of the 21st century, some initial hypotheses remain open, but the vi­tality of studies pursuing a global understanding of Mithraism remains unchallenged.Key words: Mithra, Mithraism, Avesta, Veda, Cumont.

G. W. M. Reynolds

2011 ◽  
Author(s):  
Anne Humpherys
Keyword(s):  
United States ◽  
Middle Class ◽  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Popular Literature ◽  
The United States ◽  
Early 20Th Century ◽  
Periodical Press ◽  
The 19Th Century

George William Macarthur Reynolds (b. 1814–d. 1879) was at his death labeled “the most popular writer of our time” by the Bookseller in its short obituary. This popularity rested on two achievements: first, the mammoth twelve-volume series of “mysteries” novels, The Mysteries of London (1846–1848) and The Mysteries of the Court of London (1848–1855), and, second, his involvement with Chartist politics, which led in 1850 to his founding and editing the radical Sunday newspaper Reynolds’s Newspaper, which lasted in some form until 1962. The Mysteries novels were also constantly in print in a variety of cheap formats for most of the 19th century. Reynolds was a controversial figure both among working-class radicals, who doubted his commitment, and among the middle-class literary establishment, which abhorred his popular sensationalist novels. Dickens was probably referring to him as the “draggled fringe on the Red Cap, Pander to the basest passions of the lowest natures—whose existence is a national reproach” in the opening number of Household Words in 1850. Sometime shortly after 1860, Reynolds essentially stopped writing and editing. But the influence of his mysteries series continued, especially in the United States, India, and other countries. His novels fell out of print in the early 20th century; he himself became relatively unknown among historians and literary critics. This neglect lasted until the second half of the 20th century, at which point a number of scholars began to analyze Reynolds’s importance in 19th-century popular literature, politics, and the periodical press, a development that gathered force in the first decade of the 21st century. There is now a G.W.M. Reynolds Society, available online.

scholarly journals Orthography of books and their authors at the end of the 19th and the beginning of the 20th century

2020 ◽  
pp. 1-15
Author(s):  
Jurgita Venckienė
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Early 20Th Century ◽  
Standard Language ◽  
The Press ◽  
Prayer Books ◽  
The 19Th Century ◽  
Research Period

During development of the Standard Lithuanian language at the end of the 19th century, the dialectal basis was chosen first, and the orthography varied yet for another twenty years. This article analyses the dual orthography – of books and personal orthography of their authors. The study is designed to find out whether the books published during that period reflect the orthographic model chosen by their authors; what factors, in addition to the author’s choice, may have influenced the orthography of the books.The influence of printers on the orthography of books during that period was smaller than before, as many authors did the proofreading themselves. Thus, printers were able to change the orthography in cases where books were printed without the author’s knowledge or consent, such as prayer books. If the author chose unusual, rare, or even self-invented characters, a limited inventory of prints could be a serious obstacle to keep their orthography in the book. As the case of Jonas Basanavičius shows, even when the author offered to finance the acquisition of the necessary prints, this was not necessarily done.At the end of the 19th century, books were published as supplements to periodicals. The editors of newspapers Ūkininkas and Tėvynės sargas adapted the orthography of such books to their periodicals. Under the terms of the press ban, it was often important for authors just to print a book, and the spelling model was chosen by the publisher. However, authors such as Basanavičius, who considered themselves the creators of the standard language, took care to present their chosen or created model of orthography in their books as well.As the cases of Liudvika Didžiulienė, Dominykas Tumėnas and Basanavičius show, two orthographic standards emerged during the research period: correspondence was written one way and books were printed another. Hence, it is not always possible to judge the orthographic model chosen by the authors in books published at the end of the 19th century and the early 20th century. 

Giftedness from the perspective of research on genius: Some precautionary implications

2021 ◽  
pp. 026142942110463
Author(s):  
Dean Keith Simonton
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Research Literature ◽  
Early 20Th Century ◽  
Specific Domain ◽  
Domain Specific ◽  
Empirical Relations ◽  
The 19Th Century ◽  
Iq Tests

The terms giftedness and genius entered the research literature in the 19th century. Although not synonymous, both terms were defined according to potential or actual achievement in a specific domain. However, in the early 20th century, both terms became defined according to performance on domain-generic IQ tests. Given the empirical relations between achievement and intelligence, this transfer of meaning is unjustified. Both giftedness and genius must be defined with respect to potential or actual domain-specific achievements.

An Israeli University-Level Approach to Judezmo (Ladino), Traditional Language of the Sephardic Jews

2020 ◽  
pp. 214-226
Author(s):  
David Monson Bunis
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Social Pressure ◽  
Speech Community ◽  
Sephardic Jews ◽  
Israeli Government ◽  
Traditional Language ◽  
Hebrew University ◽  
The 19Th Century

Judezmo, or Ladino or Judeo-Spanish, is the traditional language of the Sephardic or Iberian Jews who after 1492 resettled in the Ottoman Empire, many of them remaining in the region into the 21st century. Structurally, Modern Judezmo is composed mostly of elements of popular medieval Ibero-Romance, Ibero-Arabic, Hebrew and Aramaic, Turkish and Balkan languages, and Italian and French. Into the first half of the 20th century, the language was written primarily in the Hebrew alphabet; from the second half of the 19th century, Romanization was also used, leading to the unique Romanization which predominates today. The language was not taught formally in the speech community until the 19th century; instead language study focused on Hebrew. In the late 1970s, popular social pressure led the Israeli government to acknowledge the important role played by Judezmo in the Sephardic Diaspora by introducing Judezmo courses in Israeli universities. The chapter focuses on the challenges of teaching Judezmo at The Hebrew University of Jerusalem.

3. History and heroes

2018 ◽  
pp. 46-82
Author(s):  
Ben Hutchinson
Keyword(s):  
Comparative Literature ◽  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Culture Wars ◽  
Empire Building ◽  
Jewish Diaspora ◽  
History Of ◽  
The 19Th Century ◽  
Western Perspective

Seen from a Western perspective, the history of comparative literature can be divided into three categories: how European literatures have been compared inside Europe; how European literature has been compared with other cultures outside Europe; and how literatures outside Europe have been compared among themselves. ‘History and heroes’ explains how from the empire building of the 19th century, via the Jewish diaspora of the 20th century, to the postcolonial culture wars of the 21st century, the problems and prejudices of comparative literature have formed a cultural counterpart to the problems and prejudices of modernity. To understand its history, in this spirit, is to understand why it matters.

Anti-Semitism including the Holocaust

2018 ◽  
Author(s):  
Joshua Schuster
Keyword(s):  
Cultural Values ◽  
20Th Century ◽  
19Th Century ◽  
Minority Group ◽  
Early 20Th Century ◽  
Anti Semitism ◽  
The Holocaust ◽  
The 19Th Century

Anti-Semitism, a term coined in Europe at the end of the 19th century, is the hatred of Jews and Jewishness, the latter being perceived in widely varying and contradictory ways. By the early 20th century, Jewishness was associated negatively with capitalism as well as with Communism and an adherence to ancient, outmoded beliefs and keenness toward urban and modernist sensibilities. Purveyors of anti-Semitism drew caricatures of Jews to fit a variety of exclusionary agendas, casting blame on the minority group for upsetting Christian, nativist, and purist values in politics, nationalism, religion, or culture. Modernist artists who were prone to agree with arguments that foretold the decline of civilization drew on the figure of the Jew to embody a series of malaises, depicting Jews as unwanted, archetypal Others to Western cultural values.

Classical Architecture in Europe and North America since 1700

Classics ◽  
2018 ◽  
Author(s):  
Elizabeth Macaulay-Lewis
Keyword(s):  
United States ◽  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
The United States ◽  
Classical Antiquity ◽  
Early 20Th Century ◽  
Classical Architecture ◽  
Greco Roman ◽  
The 19Th Century

Since the Western Roman Empire collapsed, classical, or Greco-Roman, architecture has served as a model to articulate the cultural, artistic, political, and ideological goals of later civilizations, empires, nations, and individuals. The Renaissance marked the first major, widespread re-engagement with classical antiquity in art, literature, and architecture. Debates over classical antiquity and its relation to the modern world continued ever since. One such important debate was that of the quarrel between the Ancients and Moderns, which resulted when Charles Perrault published his Parallèles des anciens et des modernes in 1688. This dispute focused on whether the modern age could surpass antiquity, especially in literature. The Greco-Roman controversy (1750s and 1760s) was another example of Europeans engaging with the classical past; this debate focused on whether Greek or Roman art was of greater historical value; an argument has continued unabated to this day. Figures like Johann Joachim Winckelmann argued (in publications such as Winckelmann 1764, cited under Early Archaeological Publications on Greece and Classical Ruins in the Roman East, on Greek art) for the supremacy of Greek forms, while others like Giovanni Battista Piranesi (whose 1748–1778 views of Rome are reproduced in Ficacci 2011, cited under Early Archaeological Publications on Italy) advocated for Rome’s preeminence. Such debates demonstrate how classical antiquity was an essential part of the intellectual and artistic milieu of 18th-century Europe. This bibliography focuses on the appropriation of classical architecture in the creation of built forms from 1700 to the present in Europe and North America, which is typically called neoclassical or neo-classical, both of which are acceptable. Scholars often define the neoclassical period as lasting from c. 1750 to 1830, when European art and architecture predominantly appropriated classical forms and ideas. The influence of classical architecture continued in popularity throughout the 19th century and early 20th century in the United States. The early 19th century saw the flourishing of the Greek Revival, where Greek forms dominated artistic and architectural production, both in Europe and the United States. The ascendance of Queen Victoria in 1837 marked a shift toward a preference for the Gothic and Medieval forms. Neoclassical forms saw a resurgence in the second half of the 19th century, as Roman architectural forms became increasingly popular as an expression of empire. The term “Neo-classical” was coined as early as January 1872 by Robert Kerr, who used the term positively. It later took on certain negative overtones, when it was used as a derogatory epithet by an unknown writer in the Times of London in 1892. Neoclassical architecture has fared no better with the rise of modernism in the early 20th century onward and since then it has been seen as old-fashioned and derivative. Neoclassical architecture was not a mindless imitation of classical architectural forms and interiors. The interest in classical architecture and the creation of neoclassical architecture was spurred on by important archaeological discoveries in the mid-18th century, which widened the perception of Greek and Roman buildings. The remarkable flexibility of ancient architecture to embody the grandeur of an empire, as well as the principles of a nascent democracy, meant that it had great potential to be interpreted and reinterpreted by countless architects, patrons, empires, and nation states—in different ways and at different times from the 18th to the 20th century. This bibliography is organized thematically (e.g., General Overviews; Companions, Handbooks, and Theoretical Works; Reference Works; Early General Archaeological Publications; The Reception of Pompeii, Herculaneum, and the Bay of Naples; and World’s Fairs and Expositions) and then geographically, creating country- or region-specific bibliographies. While this model of organization has some flaws, it aims to avoid repetition and highlights the interconnected nature and process of the reception of classical architecture in later periods.

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