scholarly journals Towards Interoperable Network Ontologies for the Digital Humanities

2016 ◽  
Vol 10 (1) ◽  
pp. 22-35 ◽  
Author(s):  
Alison Langmead ◽  
Jessica M. Otis ◽  
Christopher N. Warren ◽  
Scott B. Weingart ◽  
Lisa D. Zilinksi
Keyword(s):  
Early Modern ◽  
Functional Data ◽  
Digital Humanities ◽  
Data Models ◽  
Different Types ◽  
Micro Level ◽  
The Many ◽  
Methodological Considerations ◽  
Coherent Body

Scholars have long been interested in networks. Networks of scholarly exchange, trade, kinship, and patronage are some of the many such longstanding subjects of study. Recent and ongoing digital humanities projects are now considering networks with fresh approaches and increasingly complex datasets. At the heart of these digital projects are ‘network ontologies’ — functional data models for distilling the complicated, messy connections between historical people, objects, and places. Although scholars creating network ontologies necessarily focus on different types of content, if these networks are to form a coherent body of scholarship in the future, we must work towards the creation interoperable ontological structures, rather than yet another set of competing standards. Here we examine the methodological considerations behind designing such interoperable ontologies, focusing primarily on the example of Early Modern historical networks. We argue that it would be infeasible to adopt a single ontological standard for all possible digital humanities projects; flexibility is essential to accommodate all subjects and objects of humanistic enquiry, from the micro-level to the longue-durée. However, we believe it possible to establish shared practices to structure these network ontologies on an ongoing basis in order to ensure their long-term interoperability.

scholarly journals Handling the Theme of Hands in early Modern Cross-over Contexts

2018 ◽  
Vol 5 ◽  
pp. 31
Author(s):  
Anne Sophie Haar Refskou ◽  
Laura Søvsø Thomasen
Keyword(s):  
Early Modern ◽  
Human Perception ◽  
Human Hand ◽  
Complex Phenomenon ◽  
Comparative Analyses ◽  
Different Types ◽  
Textual Culture ◽  
The Many ◽  
Frequent Presence

The human hand is a complex phenomenon within the contexts of early modern visual and textual culture. Its frequent presence in early modern texts and illustrations - as well as the many different types of described and depicted hands - raises a number of questions as to its functions and significances. In this article, we examine the role of the hand and two of its familiar functions –pointing and touching – against diverse and diverging understandings of human perception and cognition in the period focussing particularly on relations between bodies and minds. Through comparative analyses of cross-over examples from both medicine, manuals and drama – primarily John Bulwer’sChirologia and Chironomia, William Harvey’s de Motu Cordis and extracts from Shakespeare’s plays – we explore the questions implied by hands and their contributions to the knowledge probed and proposed by these texts and illustrations.

Understanding and preserving caves and karst landscapes

2017 ◽  
Vol 36 (2) ◽  
pp. 318-336
Author(s):  
Dale L. Pate ◽  
Ronal C. Kerbo
Keyword(s):  
National Park ◽  
National Park Service ◽  
Educational Opportunities ◽  
Resource Managers ◽  
Different Types ◽  
Park Service ◽  
Karst Landscapes ◽  
The Many ◽  
Long Term Preservation

ABSTRACT Beginning in 1903 with the creation of Wind Cave National Park, ten National Park Service units have been created because of the caves they contained. Since the establishment of the National Park Service in 1916, over 5,360 caves are known to exist within at least 99 park units. These caves are found in different types of rocks and were formed by several different mechanisms. The most prolific landscapes that have formed caves are those in soluble rocks such as limestone. Known as karst landscapes, at least 114 park units contain some amount of karst. In the early days, cave parks were developed for their commercial and recreational values. Little was known of the processes that created caves or the many resources that encompassed these entire landscapes. With the help of cave and karst enthusiasts and researchers, and the advent of cave and karst resource managers, the National Park Service has made great strides in understanding these resources. This has led to increased educational opportunities and better management decisions that will enhance long-term preservation of these resources.

scholarly journals Testing the New World: early modern chemistry and mineral prospection at colonial Jamestown, 1607–1610

2019 ◽  
Vol 11 (12) ◽  
pp. 6851-6864
Author(s):  
Umberto Veronesi ◽  
Thilo Rehren ◽  
Beverly Straube ◽  
Marcos Martinón-Torres
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Natural Environment ◽  
New World ◽  
High Quality ◽  
Modern Chemistry ◽  
Different Types ◽  
The Many ◽  
New Research ◽  
Copper Ores

AbstractThe paper presents new research on an assemblage of metallurgical crucibles used in the assay of minerals at colonial Jamestown. The aim of the study is to explore the range of chemical operations carried out at the site of the first permanent British settlement in America, for which little is known in the documents. The results show that the colonists used high-quality Hessian crucibles to perform tests on different types of complex polymetallic sulphides. This was done to (1) prospect for potential silver and copper ores and (2) to find suitable sources of zinc and tin to be alloyed into brass and bronze through cementation with imported copper offcuts. This study makes a relevant contribution to the growing field of the archaeology of early chemistry and mineral prospection as well as the archaeology of early European colonies in the New World. In particular, material culture can shed fresh light on how European settlers reacted to the many challenges of a new and unfamiliar natural environment and how they tried to make sense and exploit it for financial profit.

The Acute Effect of Alcohol on Various Memory Processes

2010 ◽  
Vol 24 (4) ◽  
pp. 249-252 ◽  
Author(s):  
Márk Molnár ◽  
Roland Boha ◽  
Balázs Czigler ◽  
Zsófia Anna Gaál
Keyword(s):  
Low Dose ◽  
Short Term Memory ◽  
Acute Effect ◽  
Long Term Memory ◽  
Term Memory ◽  
Memory Processes ◽  
Different Types ◽  
The Brain ◽  
Legal Consequences

This review surveys relevant and recent data of the pertinent literature regarding the acute effect of alcohol on various kinds of memory processes with special emphasis on working memory. The characteristics of different types of long-term memory (LTM) and short-term memory (STM) processes are summarized with an attempt to relate these to various structures in the brain. LTM is typically impaired by chronic alcohol intake but according to some data a single dose of ethanol may have long lasting effects if administered at a critically important age. The most commonly seen deleterious acute effect of alcohol to STM appears following large doses of ethanol in conditions of “binge drinking” causing the “blackout” phenomenon. However, with the application of various techniques and well-structured behavioral paradigms it is possible to detect, albeit occasionally, subtle changes of cognitive processes even as a result of a low dose of alcohol. These data may be important for the consideration of legal consequences of low-dose ethanol intake in conditions such as driving, etc.

“All in a Garden Green”: Shakespeare's Staging of Garden Imagery

2019 ◽  
Vol 26 (2) ◽  
pp. 227-252
Author(s):  
Deborah Solomon
Keyword(s):  
Early Modern ◽  
Literary Tradition ◽  
The Public ◽  
The World ◽  
Audience Interaction ◽  
The Many ◽  
Green World

This essay draws attention to the surprising lack of scholarship on the staging of garden scenes in Shakespeare's oeuvre. In particular, it explores how garden scenes promote collaborative acts of audience agency and present new renditions of the familiar early modern contrast between the public and the private. Too often the mention of Shakespeare's gardens calls to mind literal rather than literary interpretations: the work of garden enthusiasts like Henry Ellacombe, Eleanour Sinclair Rohde, and Caroline Spurgeon, who present their copious gatherings of plant and flower references as proof that Shakespeare was a garden lover, or the many “Shakespeare Gardens” around the world, bringing to life such lists of plant references. This essay instead seeks to locate Shakespeare's garden imagery within a literary tradition more complex than these literalizations of Shakespeare's “flowers” would suggest. To stage a garden during the sixteenth and seventeenth centuries signified much more than a personal affinity for the green world; it served as a way of engaging time-honored literary comparisons between poetic forms, methods of audience interaction, and types of media. Through its metaphoric evocation of the commonplace tradition, in which flowers double as textual cuttings to be picked, revised, judged, and displayed, the staged garden offered a way to dramatize the tensions produced by creative practices involving collaborative composition and audience agency.

‘More, I prithee, more’: Melancholy, Musical Appetite and Medical Discourse in Shakespeare’s Twelfth Night

2018 ◽  
Author(s):  
Pierre Iselin
Keyword(s):  
Early Modern ◽  
Early Modern England ◽  
Medical Discourse ◽  
Modern Music ◽  
Twelfth Night ◽  
The Tempest ◽  
Dramatic Text ◽  
Musical Event ◽  
The Subject ◽  
The Many

Pierre Iselin broaches the subject of early modern music and aims at contextualising Twelfth Night, one of Shakespeare’s most musical comedies, within the polyphony of discourses—medical, political, poetic, religious and otherwise—on appetite, music and melancholy, which circulated in early modern England. Iselin examines how these discourses interact with what the play says on music in the many commentaries contained in the dramatic text, and what music itself says in terms of the play’s poetics. Its abundant music is considered not only as ‘incidental,’ but as a sort of meta-commentary on the drama and the limits of comedy. Pinned against contemporary contexts, Twelfth Night is therefore regarded as experimenting with an aural perspective and as a play in which the genre and mode of the song, the identity and status of the addressee, and the more or less ironical distance that separates them, constantly interfere. Eventually, the author sees in this dark comedy framed by an initial and a final musical event a dramatic piece punctuated, orchestrated and eroticized by music, whose complex effects work both on the onstage and the offstage audiences. This reflection on listening and reception seems to herald an acoustic aesthetics close to that of The Tempest.

Effect of sleep on memory for binding different types of visual information

2020 ◽  
Author(s):  
John J Shaw ◽  
Zhisen Urgolites ◽  
Padraic Monaghan
Keyword(s):  
Visual Information ◽  
Storage Capacity ◽  
Declarative Memory ◽  
Recognition Task ◽  
Forced Choice ◽  
Long Term Memory ◽  
Term Memory ◽  
Different Types ◽  
Types Of Information

Visual long-term memory has a large and detailed storage capacity for individual scenes, objects, and actions. However, memory for combinations of actions and scenes is poorer, suggesting difficulty in binding this information together. Sleep can enhance declarative memory of information, but whether sleep can also boost memory for binding information and whether the effect is general across different types of information is not yet known. Experiments 1 to 3 tested effects of sleep on binding actions and scenes, and Experiments 4 and 5 tested binding of objects and scenes. Participants viewed composites and were tested 12-hours later after a delay consisting of sleep (9pm-9am) or wake (9am-9pm), on an alternative forced choice recognition task. For action-scene composites, memory was relatively poor with no significant effect of sleep. For object-scene composites sleep did improve memory. Sleep can promote binding in memory, depending on the type of information to be combined.

Healing Touch: Clothed Images of the Virgin in Early Modern Portugal

2020 ◽  
pp. 51-78
Author(s):  
Diana Pereira
Keyword(s):  
Early Modern ◽  
Reciprocal Relationship ◽  
Physical Contact ◽  
Religious Art ◽  
Healing Touch ◽  
Devotional Art ◽  
Healing Power ◽  
The Many ◽  
Santa Maria

Over the last decades there was a growing interest in religious materiality, miraculous images, votive practices, and how the faithful engaged with devotional art, as well as a renewed impetus to discuss the long-recognized association between sculpture and touch, after the predominance of the visuality approach. Additionally, the neglected phenomenon of clothing statues has also been increasingly explored. Based on the reading of Santuario Mariano (1707–1723), written by Friar Agostinho de Santa Maria (1642–1728), this paper will closely examine those topics. Besides producing a monumental catalogue of Marian shrines and pilgrimage sites, this source offers a unique insight into the religious experience and the reciprocal relationship between image and devotee in Early Modern Portugal, and is a particularly rich source when describing the believers’ pursuit of physical contact with sculptures. This yearning for proximity is partly explained by the belief in the healing power of Marian sculptures, which in turn seemed to be conveniently transferred to a myriad of objects. When contact with the images themselves was not possible, devotees sought out their clothes, crowns, rosary beads, metric relics, and so forth. Items of clothing such as mantles and veils were particularly used and so it seems obvious they were not mere adornments or donations, but also mediums and extensions of the sculptures’ presence and power. By focusing on the thaumaturgic role of the statues’ clothes and jewels, I will argue how the practice of dressing sculptures was due to much more than stylistic desires or processional needs and draw attention to the many ways believers engaged with religious art in Early Modern Portugal.

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