Irish Immigrants and Radical Movements in the West of Scotland in the Early Nineteenth Century

1988 ◽  
Vol 39 (1) ◽  
pp. 46-60
Author(s):  
John F. McCaffrey
Author(s):  
Nikita I. Khrapunov ◽  

Following its annexation by Russia in 1783, the Crimea became a stage on the Western grand tour. Foreign travelogues informed their readers about the country, previously almost unknown in Europe. This paper addresses the British travelogues that played an important role in shaping notions of the Crimea and Russia's role in its history, many of which still exist today. The travellers created works of different kinds: unedited letters and journals, encyclopaedic descriptions, imagined journeys, and pseudo-correspondences. Their authors had varied levels of intelligence, motivations, and passions, intricately entwining empirical observations with stereotypes. Geographically located in Europe, the Crimea was understood as a country featuring distinctive features of the East. Its image possessed traits of paradisiacal nature, inhabited by naïve and lazy persons resembling Rousseau's utopia, with an extraordinarily rich archaeological heritage, the romantic culture of Islam, and various ethnic and religious types. The British offered plans for the establishment of Western colonists in the Crimea, as well as the development of communications, trade, agriculture, and industry. William Eton and Matthew Guthrie considered the Russian occupation of the Crimea historically progres-sive, which would bring prosperity and well-being to the country and its residents. However, Edward Clarke interpreted the Russians as the avatar of barbarism and developed a plan to return the peninsula to the Ottomans. Some negative stereotypes originating from his book continue nowadays and are restated in periods of aggravated relations between Russia and the West.


Slavic Review ◽  
1993 ◽  
Vol 52 (2) ◽  
pp. 233-255 ◽  
Author(s):  
Boris Mironov

While the topic of local government in Russia before the reforms of the 1860s was popular in prerevolutionary historiography, it did not attract much attention from Soviet historians; historians in the west have shown greater interest in the problem. The necessity of using a narrow, class approach forced Soviet historians to interpret the problems of local government in a simplistic and one-sided fashion. The a priori assumption that an independent local government was impossible, especially under absolutism, and the importunate desire to interpret each reform, each action of the crown as a realization of class goals by an exploiting gentry have, in my opinion hampered investigation of the correlation between crown rule and estate self-government in the local government system.


2021 ◽  
Vol 2 ◽  
pp. 39-65
Author(s):  
Livia Bevilacqua

This article aims to a preliminary reassessment of the silk veil preserved in the Treasury of Trieste cathedral. The cloth is unparalleled in Byzantine as well in western medieval art, in that it is painted with tempera on both sides. It depicts a youthful martyr in a court costume, and bears an inscription that identifies the saint as St. Just. Since its alleged recovery from a reliquary in the early nineteenth century, the cloth has been often addressed by the scholars, who ascribed it either to a Byzantine or to a local master and dated it between the eleventh and the fourteenth century. Despite being referred to in several more general studies, it has been rarely considered individually. In this paper I address the many questions that the Trieste veil raises, including problems of chronology, provenance, function, and iconography. After careful observation and based on both primary sources and visual evidence, I argue that it was produced in Byzantium, possibly at an early date, to serve as a liturgical implement; later, it was brought to the West, where the saint was given a new identity and the cloth was reused as a banner after being painted on the reverse.


2001 ◽  
Vol 11 (2) ◽  
pp. 191-217 ◽  
Author(s):  
Crispin Branfoot

AbstractThe Pudu Mandapa (‘New Hall’) in Madurai is one of the best-known monuments from the Nayaka period of Tamilnadu (c. 1550–1700). It was built around 1630 under the patronage of Tirumala Nayaka as a major addition to the Minaksi-Sundaresvara temple complex that dominates the centre of this major Tamil town and Hindu pilgrimage centre. The Pudu Mandapa is well known in the West from the aquatint produced by Thomas and William Daniell, but this is only one of numerous other illustrations by Western and Indian artists in the late eighteenth and early nineteenth century of this single Tamil temple structure. A discussion of the Pudu Mandapa as an example of a major architectural type, the festival mandapa, is followed by an examination of the structure's architectural sculpture. The final section discusses the Royal Asiatic Society's collection of drawings of this mandapa and the European documentation of the south Indian temple more generally.


1969 ◽  
Vol 31 (1) ◽  
pp. 108-120
Author(s):  
James Tunstead Burtchaell

Looking backward from the early nineteenth century, the Catholic Church in England had disappointingly little scholarly achievement of which to boast since the Reformation. Henry Holden, Charles Butler, John Lingard—all were men to be proud of, but Catholics of such intellectual bent were so few. And understandably so. The penal laws had effectively deprived the recusants of any access to higher education, and would perdure until the latter nineteenth century. Squires whose sons were barred for their faith from most schools and from the two universities had to be content to enroll them quietly at one or another of the exile schools across the channel. The Irish immigrants who later came to fill and overspill the churches in the nineteenth century had even less exposure to—and perhaps appetite for—scholarship. And the clergy who shepherded this extraordinary flock of secluded gentry and boisterous working folk pursued a highly sacramental and understandably unsophisticated pastorate. The Church naturally felt itself somewhat put upon, and fell into rather defensive postures. Scholarship would appear as a luxury at best, and at worst as a weapon that the Establishment seemed always more adept and smooth at handling.


2000 ◽  
Vol 34 (2) ◽  
pp. 307-331 ◽  
Author(s):  
P. J. Marshall

Late eighteenth and early nineteenth-century Calcutta was the setting for the first sustained encounter between Asian intellectuals and the west. An Indian intelligentsia living in Calcutta responded in a most creative way to aspects of European culture that became available to them in the city. Much about this response is now contentious. If the term Bengal Renaissance is still generally applied to it, the implications of that term are disputed. It is no longer necessarily assumed that ‘modern’ India was born in early nineteenth-century Calcutta by a fusing of what was western and what was ‘traditional’. Assumptions that Indian cultures in general and that of Hindu Bengal in particular lacked a capacity to change and to develop on their own internal dynamics, whatever the input from the west, now look more than a little ‘orientalist’. Furthermore, even if the Bengal Renaissance can be shown to have had its roots in its own culture, to some recent critics it was still a movement whose impact was severely limited by the very narrow base on which it rested: an elite group enclosed in a colonial situation. Yet, however the Renaissance may be reassessed, there can still be no doubt that Calcutta under the East India Company contained Indian intellectuals of exceptional talent, who absorbed much from the west. ‘The excitement over the literature, history and philosophy of Europe as well as the less familiar scientific knowledge was deep and abiding’, Professor Raychaudhuri has recently written.


1963 ◽  
Vol 37 (4) ◽  
pp. 345-368 ◽  
Author(s):  
Harry N. Scheiber

As an important business figure in the development of the West, Micajah Williams' career well illustrates the interlocking character of public and private economic interests during the early nineteenth century. This article suggests comparable functions of entrepreneurs such as Williams in public-works agencies and profit-oriented firms, and argues that the state canal enterprises served to recruit and train a significant number of western business leaders.


2020 ◽  
pp. 21-40
Author(s):  
Rohan McWilliam

This chapter explores the little-studied world of early nineteenth century consumerism. It argues that the West End became productive of new forms of shopping aimed principally at an elite market but one that was increasingly colonized by the growing middle classes. It looks at the development of Regent Street, at the construction of shopping arcades (including the Burlington Arcade on Piccadilly) and bazaars that, it argues, anticipated the department store. The chapter also looks at the development of elite tailoring (Savile Row) and the importance of West End bookshops such as Hatchard’s in the construction of intellectual networks.


Sign in / Sign up

Export Citation Format

Share Document