scholarly journals ‘Nauseous Tides of Seductive Debauchery’: Irish Story Papers and the Anti-Vice Campaigns of the Early Twentieth Century

2015 ◽  
Vol 45 (2) ◽  
pp. 263-280 ◽  
Author(s):  
Stephanie Rains
Keyword(s):  
Twentieth Century ◽  
Large Scale ◽  
Publishing Industry ◽  
Symbiotic Relationship ◽  
Popular Press ◽  
Nationalist Movements ◽  
Strong Emphasis ◽  
Early Twentieth Century ◽  
Leisure Reading ◽  
The Relationship

This essay explores the relationship between anti-vice campaigns and the popular publishing industry of early-twentieth century Ireland. Specifically, it argues that there existed an informal but strongly symbiotic relationship between the two. The Irish anti-vice campaigns emphasised their objections to imported ‘pernicious literature’ in the form of British newspapers and story papers, thus allying themselves with both religious and nationalist movements of the time in Ireland. The Irish popular press, especially the story papers in direct and unequal competition with their large-scale British equivalents such as the Boys Own Paper, were able to use these moral attacks upon their competitors to position themselves as alternative leisure reading which was both wholesome and patriotic. This essay examines the ways in which Irish story papers such as the Emerald and Ireland's Own were able to use social purity rhetoric as a marketing technique against their British competitors. This occurred even though, as the essay outlines, in many cases the content of their stories was equally sensationalist and also had a strong emphasis upon violence, lurid plotlines and sometimes even sexually-suggestive advertising. Despite this, the anti-vice campaigns reserved their condemnations almost entirely for British publications, thus maintaining a co-operation with Irish publications which benefitted both parties.

Japanese Phenomenology

2015 ◽  
pp. 630-648 ◽  
Author(s):  
Tōru Tani
Keyword(s):  
Twentieth Century ◽  
Fundamental Aspect ◽  
Human Relationships ◽  
Early Twentieth Century ◽  
Nishida Kitaro ◽  
The Relationship

This chapter is an introduction to Japanese phenomenology, which was brought to Japan in the early twentieth century by Nishida Kitarō and others, soon after Husserl launched the movement in Germany. Beginning with a brief historical and cultural overview, the chapter focuses on four major phenomenologists: Sakabe Megumi, Nitta Yoshihiro, Noé Keiichi, and Washida Kiyokazu. Each of the four, each in a different way, articulates a fundamental aspect of Japanese phenomenology: the criticism of subject-object dualism and the attending idea of an autonomous being-in-itself. All attempt to inquire more deeply into the nondual dimensions underlying that dualism: Sakabe through an inquiry into betweenness (aida or awai), encounter, and reflection (utsushi); Nitta by probing the depths of “verticality” and “mediality”; Noé by investigating the relationship between narrative and experience; and Washida by transgressing the borders of philosophy and pursuing more “reversibility” in human relationships.

Border Blurs

2019 ◽  
Author(s):  
Greg Thomas
Keyword(s):  
Twentieth Century ◽  
Social Reconstruction ◽  
Scottish Literature ◽  
Concrete Poetry ◽  
Artistic Style ◽  
Early Twentieth Century ◽  
Counter Culture ◽  
The Sixties ◽  
The 1960S ◽  
The Relationship

This book presents the first in-depth account of the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s-70s. Concrete poetry was a literary and artistic style which reactivated early-twentieth-century modernist impulses towards the merging of artistic media while simultaneously speaking to a gamut of contemporary contexts, from post-1945 social reconstruction to cybernetics, mass media, and the sixties counter-culture. The terms of its development in England and Scotland also suggest new ways of mapping ongoing complexities in the relationship between those two national cultures, and of tracing broader sociological and cultural trends in Britain during the 1960s-70s. Focusing especially on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard, and Bob Cobbing, Border Blurs is based on new and extensive archival and primary research. It fills a gap in contemporary understandings of a significant literary and artistic genre which has been largely overlooked by literary critics. It also sheds new light on the development of British and Scottish literature during the late twentieth century, on the emergence of intermedia art, and on the development of modernism beyond its early-twentieth-century, urban Western networks.

Not a Fanatic

2017 ◽  
Author(s):  
Robert Wuthnow
Keyword(s):  
Twentieth Century ◽  
Middle Class ◽  
Self Control ◽  
American Religion ◽  
Religious Leaders ◽  
Popular Press ◽  
Public Officials ◽  
Early Twentieth Century

One of the more difficult aspects of middle-class respectability has been getting it right when it comes to displays of emotion—too little and a person seems stoical, indifferent, cold; too much and a person is likely to be accused of wearing their feelings on their sleeve, incapable of self-control, being dangerous, overzealous, a fanatic. Religion is a particularly interesting context in which to consider the display of emotion. This chapter examines how accusations of zealotry populated nineteenth- and early twentieth-century discussions of American religion. Zealotry was a contested idea that religious leaders, public officials, scholars, and the popular press discussed repeatedly. It was good, many commentators argued, for Americans to be zealous. But it was not good to be labeled a zealot. Zealots were led too much by their emotions. They were easily confused, frequently irrational, and sometimes dangerous.

Untimely Reasoning about Two Monuments. Between Architecture, Sculpture and Site

2020 ◽  
Vol 4 (2) ◽  
Author(s):  
Anton Danailov ◽  
Keyword(s):  
Twentieth Century ◽  
Visual Arts ◽  
Large Scale ◽  
Architectural Theory ◽  
Surrounding Environment ◽  
The One ◽  
The Relationship ◽  
Artistic Analysis

The report compares the form-formation principles, key to the architecture of the Wexner Center for the Visual Arts (1983/89) Columbus, Ohio – of the American Peter Eisenmann – with some of the techniques used in the spatial – compositional solution of the destroyed Sofia monument “1300 Years Bulgaria” (1980/81–2017). The text refers to the 80’s of the twentieth century and the creative approaches, distinctive for some of the lastest „large-scale monuments“ realized in Bulgaria. These approaches are considered in the light of one opened architectural theory, absolutely oppositional to the one typical to our country at this time. The comparison aims to are to expand, within this date, the scope of the spatial-artistic analysis, committed to the relationship between the architecture, sculpture and the surrounding environment.

Stranded Modernity

2022 ◽  
Author(s):  
Daishiro Nomiya
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Large Scale ◽  
Developmental Pattern ◽  
World War ◽  
Historical Process ◽  
Post World War Ii ◽  
Early Twentieth Century ◽  
Nation States

High modernity claims that the modernity project gave rise to institutional organs of modern nation states, culminating in an emergence of ultra-military states with wartime economy in the early twentieth century. It also argues that the same developmental pattern continued to dominate in the post-World War II period. This chapter examines this high-modernity thesis, employing Japan and Hiroshima as cases to be analyzed. Against the high-modernity thesis, many believe that Japan had a historical disjuncture in 1945, being ultramilitary before the end of World War II and a peaceful nation after. Examinations show that, while the modernity project controlled a large-scale historical process in Japan, it met vehement resistance, and became stranded in Hiroshima.

The participant-photographer

2020 ◽  
pp. 168-195
Author(s):  
Christopher Morton
Keyword(s):  
Twentieth Century ◽  
Research Method ◽  
Participant Observation ◽  
Careful Examination ◽  
Note Taking ◽  
Photographic Record ◽  
Early Twentieth Century ◽  
The Relationship ◽  
Visual Engagement ◽  
Insight Into

Chapter 7 examines Evans-Pritchard’s photographic record of the Nuer rite of gorot, witnessed in 1936, and raises questions about the relationship between photography and participant-observation as a core research method in early twentieth-century anthropology. The chapter explores the question of why Evans-Pritchard’s record of this ritual is characterized by a sustained visual engagement with two distinct stages of the rite, and why other aspects of the ceremony are not recorded. In order to explore this question, the chapter proposes the model of Evans-Pritchard as ‘participant-photographer’—a model that understands his involvement with the ritual as being composed of periods of photographic engagement interposed with observation and note-taking. Placing Evans-Pritchard back into the field through a careful examination of his fieldwork records of a particular event enables us to gain a new insight into not just his fieldwork methods, but his proximity, involvement, and perspective on key elements of the ritual as they unfolded.

‘Even If You Don’t Want to Drink, You Still Have to Drink’

2020 ◽  
Author(s):  
Joseph Lawson
Keyword(s):  
Twentieth Century ◽  
Historical Perspective ◽  
Historical Narratives ◽  
Historical Texts ◽  
Early Twentieth Century ◽  
Invented Tradition ◽  
History Of ◽  
Relationship Of ◽  
The Relationship

This chapter considers the history of alcohol in Nuosu Yi society in relation to the formal codification of a Yi heritage of alcohol-related culture, and the question of alcohol in Yi health. The relationship of newly invented tradition to older practice and thought is often obscure in studies that lack historical perspective. Examining the historical narratives associated with the exposition of a Yi heritage of alcohol, this study reveals that those narratives are woven from a tapestry of threads with histories of their own, and they therefore shape present-day heritage work. After a brief overview of ideas about alcohol in contemporary discourses on Yi heritage, the chapter then analyses historical texts to argue that many of these ideas are remarkably similar to ones that emerged in the context of nineteenth and early twentieth century contact between Yi and Han communities.

Philosophy and Common Sense

Philosophy ◽  
1988 ◽  
Vol 63 (244) ◽  
pp. 161-174 ◽  
Author(s):  
Keith Campbell
Keyword(s):  
Twentieth Century ◽  
Common Sense ◽  
Large Scale ◽  
Natural Philosophy ◽  
The Other ◽  
Jerry Fodor ◽  
Rational Acceptability ◽  
Three Stages ◽  
The One ◽  
The Relationship

This paper raises once more the question of the relationship between philosophy on the one hand and common sense on the other. More particularly, it is concerned with the role which common sense can play in passing judgment on the rational acceptability (or otherwise) of large-scale hypotheses in natural philosophy and the cosmological part of metaphysics. There are, as I see it, three stages through which the relationship has passed in the course of the twentieth century. There is the era of G. E. Moore, the Quine–Feyerabend period, and now a new and modest vindication of common sense is emerging in the work of Jerry Fodor.

7. The fortunes of ritual

2015 ◽  
Author(s):  
Barry Stephenson
Keyword(s):  
Twentieth Century ◽  
Causal Connection ◽  
Group Solidarity ◽  
Ritual Theory ◽  
Early Twentieth Century ◽  
History Of ◽  
Social Functionalism ◽  
The Relationship

‘The fortunes of ritual’ charts the history of ritual, its study, and its reception beginning with the Confucian text Liji. This outlines means to counter humanity's fallen state through devices, guides, and practices called li, which are imagined as knots binding society together. Jumping to Enlightenment Europe, ritual came to be viewed as staid and outmoded, a superstitious remnant of a primitive past, a past that prevented humanity from truly advancing. In the early twentieth century, ritual was given some credibility via the Durkhemian tradition of social functionalism and Julian Huxley's causal connection between society's ills and ineffectual ritualization in society. Recent ritual theory articulates the relationship between ritual and group solidarity as seen through participation in contemporary festivals.

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