E. Anna Claydon, The Representation of Masculinity in British Cinema of the 1960s: ‘Lawrence of Arabia’, ‘The Loneliness of the Long Distance Runner’ and ‘The Hill’

2007 ◽  
Vol 4 (2) ◽  
pp. 408-410
Author(s):  
Andrew Spicer
Keyword(s):  
Distance Runner ◽  
Long Distance ◽  
British Cinema ◽  
The 1960S ◽  
The Hill

scholarly journals The stronghold on Kirkut Hill in Lublin. The state of recognition of the remains of the former stronghold and its role in the medieval Lublin agglomeration

2020 ◽  
Vol 15 ◽  
pp. 165-185
Author(s):  
Rafał Niedźwiadek ◽  
◽  
Andrzej Rozwałka ◽  
Keyword(s):  
Middle Ages ◽  
Early Modern Period ◽  
Limited Range ◽  
The State ◽  
13Th Century ◽  
Long Distance ◽  
Late Middle Ages ◽  
1960S And 1970S ◽  
The 1960S ◽  
The Hill

The aim of the article is to present the state of the research conducted on the remains of a medieval stronghold on Grodzisko Hill, also known as Kirkut Hill (due to the Jewish cemetery from the late Middle Ages and early modern period located on its top), as well as to show the latest approach to dating the remains of the stronghold and its role in the medieval Lublin agglomeration. Archaeological research carried out on the hill and at its foot in the 1960s and 1970s was of limited range due to the existence of the Jewish cemetery. However, it can be considered that they provided an amount of data that enables the reconstruction of stratigraphy of the stronghold and recognition of the structure of its rampart running along the edge of the hill. After many discussions, both among historians and Lublin archaeologists, a certain consensus regarding the chronology and the function of the former stronghold on Grodzisko Hill has now been reached. It seems that it was in the 13th century that the stronghold was built and, then, before the century ended, it was destroyed. It coexisted with an older structure – probably built in the 12th century – namely the castellan stronghold on Zamkowe Hill. Recent research indicates that during the second half of 13th century, or at the turn of the 13th and 14th centuries, a new line of ramparts was built on Staromiejskie Hill. This is how three parts of the Lublin agglomeration were distinguished. Perhaps, in this structure, the stronghold on Kirkut Hill could have functioned as a guard post for a part of the long-distance route located in the area of today’s Kalinowszczyzna Street. The 13th century, and especially its second half, was the time of numerous Yotvingian, Lithuanian, Mongolian, Ruthenian and Tatar invasions.

New Morning: Optimism and Resilience in Tony Richardson's A Taste of Honey and The Loneliness of the Long Distance Runner

2014 ◽  
Vol 11 (2-3) ◽  
pp. 378-396 ◽  
Author(s):  
Robert Murphy
Keyword(s):  
Small Town ◽  
Distance Runner ◽  
New Wave ◽  
Long Distance ◽  
Literary Works

Tony Richardson's major contribution to British and international cinema has been obscured by jejune prejudices over his small-town, north of England origins, his parallel career as a theatre director and his eclectic choice of film subjects. This article concentrates on his two most important contributions to the ‘British New Wave’ – A Taste of Honey and The Loneliness of the Long Distance Runner – in order to demonstrate Richardson's ability to recreate dramatic and literary works as dynamic and innovative films.

THE PAINLESSNESS OF THE LONG DISTANCE RUNNER

1979 ◽  
Vol 2 (4) ◽  
pp. 202-203
Author(s):  
G. B. Chesher ◽  
J. Black ◽  
G. Egger ◽  
G. A. Starmer
Keyword(s):  
Distance Runner ◽  
Long Distance

scholarly journals ‘Pungent Sex’ and ‘Room at the Bottom’: Reframing British Exploitation Films of the 1960s

2014 ◽  
Vol 6 (4) ◽  
Author(s):  
Michael Ahmed
Keyword(s):  
Film Industry ◽  
Early American ◽  
Cultural Currency ◽  
Production Distribution ◽  
British Cinema ◽  
Exploitation Films ◽  
Exploitation Film ◽  
The 1960S ◽  
Exhibition Strategies ◽  
Mode Of Production

Eric Schaefer, in his exploration of the American exploitation industry, has argued that exploitation cinema developed in opposition to mainstream Hollywood products. Furthermore, the topics and subject matter presented in early American exploitation films dealt with subjects Hollywood were unwilling to produce. As a result, the production, distribution and exhibition strategies developed by exploitation filmmakers differed markedly from the American mainstream film industry. However, in Britain (amongst critics and scholars) the exploitation film has no similar defining characteristics and is a term that has been applied to a wide variety of British films without regard to their industrial mode of production, distribution or exhibition. As a result, the cultural currency of the British exploitation film, as it is now understood, has no connection to the films they now describe, and often fails to take into account how these films were originally produced, marketed, distributed and exhibited. In the British film industry during the 1960s, the term ‘exploitation’ was used by the industry to refer to a wide variety of films which are now viewed differently by contemporary critics and academics. In other words, the currency of the term exploitation has changed from its original meaning. Therefore, this article is an attempt to reframe the debate around the meaning of the British exploitation film from the 1960s onwards, and to re-evaluate our understanding of the development of British cinema during this period.

scholarly journals Assessment of the American Flamingo distribution, trends, and important breeding areas

PLoS ONE ◽  
2020 ◽  
Vol 15 (12) ◽  
pp. e0244117
Author(s):  
Leopoldo Torres-Cristiani ◽  
Salima Machkour-M’Rabet ◽  
Sophie Calmé ◽  
Holger Weissenberger ◽  
Griselda Escalona-Segura
Keyword(s):  
The United States ◽  
Wide Distribution ◽  
Global Perspective ◽  
Range Extension ◽  
Technological Advancement ◽  
Science Data ◽  
Long Distance ◽  
The 1960S ◽  
American Flamingo ◽  
Phoenicopterus Ruber

The American Flamingo, Phoenicopterus ruber, is a charismatic bird distributed throughout the Caribbean, North and South America. Its wide distribution, the complexity of international monitoring due to its capacity for long-distance flying, and a focus mostly on local populations, make it difficult to understand the dynamics between sites. Here, we took advantage of the citizen eBird science project to present a global perspective on the distribution of the American Flamingo, and identify the potentially most important countries for breeding. We obtained 16,930 records for the Americas from the 1960s until October 2018, of which 9,283 could be used for our objectives. The eBird database indicated a considerable increase in the total number of records over the last decade (2010s), probably reflecting an increase in tourism facilities, research investment, technological advancement, interest in conservation, and the worldwide availability of eBird. We also observed a range extension in the Gulf of Mexico in the United States and a significant recolonization in the Florida Peninsula. The apparent range extension to the South is more likely to be linked to biases in the data; for example, in any given country the number of records might reflect either reporting efforts or actual numbers. eBird data confirmed that six countries host the main breeding colonies (Bahamas, Bonaire, Cuba, Ecuador, Mexico, and Venezuela). We suggest three additional countries as potential breeding areas for the species (Colombia, Curaçao, Turks and Caicos Islands) for which more field observations are necessary to support this possibility. This global appraisal of the distribution of the American Flamingo using citizen science data provides valuable information for national and international management and conservation programs such as the need to verify the species breeding status in areas where it appears to be expanding its distribution.

scholarly journals Calf Pain Relay - Long Distance Runner

2021 ◽  
Vol 53 (8S) ◽  
pp. 421-421
Author(s):  
Haruki Ishii ◽  
Emma Desjardins ◽  
Tracy Espiritu McKay
Keyword(s):  
Distance Runner ◽  
Long Distance ◽  
Calf Pain

Hammer and British Cinema

2016 ◽  
pp. 23-34
Author(s):  
Victoria Grace Walden
Keyword(s):  
Social Responsibility ◽  
The Other ◽  
National Cinema ◽  
Moving Image ◽  
Good Taste ◽  
The Press ◽  
British Cinema ◽  
History Of ◽  
The 1960S ◽  
The Relationship

This chapter examines the relationship between Hammer Films and British cinema. The history of British cinema has been characterised by a strong dedication to realism, in its many forms. From the documentaries of the 1930s with a focus on social responsibility to the gritty kitchen sink dramas of the 1960s, and even the naturalistic aesthetic of television police dramas, the British moving-image industries have a strong heritage of realism. If this is the case, Hammer horror, despite its international fame as a specifically British brand of filmmaking, does not seem characteristic of British national cinema at all. On one hand, Hammer's horrors are clearly fantastical; on the other hand, they amalgamate infrequent and abrupt moments of gore with a 'neat unpretentious realism'. Moreover, the films were lambasted in the press for not exhibiting 'good taste' or restraint. The chapter then assesses to what extent Hammer horror can be understood as British.

Working Girls

2014 ◽  
pp. 93-114
Author(s):  
Paul Elliott
Keyword(s):  
Sex Workers ◽  
Female Sex Workers ◽  
Gender Politics ◽  
Power Relationships ◽  
Sexual Morality ◽  
Male Prostitution ◽  
British Cinema ◽  
The 1950S ◽  
The 1960S ◽  
Public Views

This chapter focuses on how prostitution is figured in popular British cinema. Like many areas of crime cinema, prostitution provides a fairly accurate barometer of how the British public views itself. If the cinematic gangster offers insights into the nature of masculinity and the heist movie gives insights into greed and economics, then the prostitute film sheds light on the changing face of sexual morality The chapter is divided into three main periods — the 1950s, the 1980s, and the 1990s — and traces how the working girl was presented in each of these. The picture that emerges from this exercise is one of slow change; from the paternalism of the 1950s, through the permissiveness of the 1960s, on to the politicisation of the 1980s. Representations of prostitution are also ineluctably tied to gender politics and the concomitant power relationships of socio-economics. Films about prostitution are almost always written, directed, and produced by men but most often feature women; films that depict male prostitution are few and far between and contain radically different socio-politics as those that feature female sex-workers. This means that any study of cinematic prostitution must always consider the means of production, its context, and its consumption.

Mobility in Prehistory and Early Historic Times

2019 ◽  
pp. 103-121
Author(s):  
D. W. Harding
Keyword(s):  
Roman Empire ◽  
Material Culture ◽  
Western Europe ◽  
Culture Contact ◽  
Migration And Invasion ◽  
Long Distance ◽  
Dna Analyses ◽  
Documentary History ◽  
The 1960S ◽  
North Western

For most of the twentieth century migration and invasion were the default explanation of material culture change in archaeology. This model was largely derived from the record of documentary history, which not only recorded the Gaulish diaspora of later prehistory but the migrations that resulted in the breakup of the Roman Empire. The equation of archaeological distributions—the formula ‘pots = people’—was a model adopted and promoted by Gordon Childe, and remained fundamental to archaeological interpretation into the 1960s. Thereafter diffusionism was discredited among British prehistorians, though less so among European archaeologists and classical or historical archaeologists. Even the Beaker phenomenon became a ‘cult package’ rather than the product of settlers, and it is only as a result of more recent isotopic and DNA analyses that the scale of settlement from the continent introducing Beakers has begun to be demonstrated. Other factors in culture contact including long-distance trade have long been evident, for example, from the distribution of finds of Baltic amber from Northern and North-Western Europe to the Mediterranean, or the distribution of continental pottery and glass via the western seaways in the post-Roman period.

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