Gendering inequalities: the case of Irish women

Paragraph ◽  
1993 ◽  
Vol 16 (1) ◽  
pp. 5-22 ◽  
Author(s):  
SABINA SHARKEY
Keyword(s):  
Irish Women

‘The well-known, old, but still unbeaten track’: Women Poets and Irish Periodical Culture in the Mid-Twentieth Century

2012 ◽  
Vol 42 (1) ◽  
pp. 32-52 ◽  
Author(s):  
Anne Mulhall
Keyword(s):  
Twentieth Century ◽  
Literary Culture ◽  
Woman Writer ◽  
Double Bind ◽  
Women Poets ◽  
Substantial Body ◽  
Growing Body ◽  
Critical Attention ◽  
Irish Women ◽  
Under Construction

While neglected Irish male poets of the mid century have seen some recuperation in recent decades, the work of Irish women poets still languishes in obscurity. A growing body of scholarship has identified the need to bring critical attention to bear on this substantial body of work. In this essay I explore the positioning of Irish women poets in mid-century periodical culture, to flesh out the ways in which the terms of this ‘forgetting’ are already established within the overwhelmingly masculinist homosocial suppositions and idioms that characterized contemporary debates about the proper lineage and aesthetic norms for the national literary culture that was then under construction. Within the terms set by those debates, the woman writer was caught in the double bind that afflicted any woman wishing to engage in a public, politicized forum in post-revolutionary Ireland. While women poets engage in sporadic or oblique terms with such literary and cultural debates, more often their voices are absent from these dominant discourses – the logic of this absence has continued in the occlusion of these women poets from the national poetic canon.

Fat as a Floating Signifier

2019 ◽  
pp. 143-163
Author(s):  
Sabrina Strings
Keyword(s):  
United States ◽  
Discourse Analysis ◽  
The United States ◽  
Anglo Saxon ◽  
National Belonging ◽  
Time Period ◽  
Irish Women ◽  
Stuart Hall ◽  
Fat Phobia ◽  
Fat Stigma

Studies on the development of fat stigma in the United States often consider gender, but not race. This chapter adds to the literature on the significance of race in the propagation of fat phobia. I investigate representations of voluptuousness among “white” Anglo-Saxon and German women, as well as “black” Irish women between 1830 and 1890—a time period during which the value of a curvy physique was hotly contested—performing a discourse analysis of thirty-three articles from top newspapers and magazines. I found that the rounded forms of Anglo-Saxon and German women were generally praised as signs of health and beauty. The fat Irish, by contrast, were depicted as grotesque. Building on the work of Stuart Hall, I conclude that fat was a “floating signifier” of race and national belonging. That is, rather than being universally lauded or condemned, the value attached to fatness was related to the race of its possessor.

Injury risk profile of amateur Irish women soccer players and players’ opinions on risk factors and prevention strategies

2021 ◽  
Author(s):  
Tahani A. Alahmad ◽  
Audrey C. Tierney ◽  
Roisin M. Cahalan ◽  
Nassr S. Almaflehi ◽  
Amanda M. Clifford
Keyword(s):  
Risk Factors ◽  
Injury Risk ◽  
Risk Profile ◽  
Soccer Players ◽  
Prevention Strategies ◽  
Irish Women

Irish/woman/artwork: Selective Readings

1995 ◽  
Vol 50 (1) ◽  
pp. 89-110 ◽  
Author(s):  
Hilary Robinson
Keyword(s):  
Lived Experience ◽  
Women Artists ◽  
Irish Woman ◽  
Irish Women

This paper concentrates upon particular artworks from Irish women artists. It demonstrates that there are certain themes which recur in their artwork. These include dislocation, particularities about place and contestation around language, all of which are rooted in the lived experience of being Irish, being female and being an artist. At the same time the paper provides readings of this artwork which demonstrate that these experiences are diverse, and that the areas of representation within which the artists are working are socially produced constructs. There is therefore no romantic essentialist category of ‘Irish woman artist’, but rather the richly interplaying histories, readings and contexts of Irish/woman/artwork.

‘Irishness’, the 1937 Constitution, and Citizenship: A Gender and Ethnicity View

1998 ◽  
Vol 8 (1) ◽  
pp. 5-24 ◽  
Author(s):  
Ronit Lentin
Keyword(s):  
National Identity ◽  
Feminist Studies ◽  
Republic Of Ireland ◽  
Limited Access ◽  
Central Factor ◽  
Irish Women ◽  
Narrow Definition ◽  
The Republic ◽  
And Gender ◽  
Definition Of

This paper argues that ‘Irishness’ has not been sufficiently problematised in relation to gender and ethnicity in discussions of Irish national identity, nor has the term ‘Irish women’ been ethnically problematised. Sociological and feminist analyses of the access by women to citizenship of the Republic of Ireland have been similarly unproblematised. This paper interrogates some discourses of Irish national identity, including the 1937 Constitution, in which difference is constructed in religious, not ethnic terms, and in which women are constructed as ‘naturally’ domestic. Ireland's bourgeois nationalism privileged property owning and denigrated nomadism, thus excluding Irish Travellers from definitions of ‘Irishness’. The paper then seeks to problematise T.H. Marshall's definition of citizenship as ‘membership in a community’ from a gender and ethnicity viewpoint and argues that sociological and feminist studies of the gendered nature of citizenship in Ireland do not address access to citizenship by Traveller and other racialized women which this paper examines in brief. It does so in the context of the intersection between racism and nationalism, and argues that the racism implied in the narrow definition of ‘Irishness’ is a central factor in the limited access by minority Irish women to aspects of citizenship. It also argues that racism not only interfaces with other forms of exclusion such as class and gender, but also broadens our understanding of the very nature of Irish national identity.

Sign in / Sign up

Export Citation Format

Share Document