Entangled Yoga Bodies

Somatechnics ◽  
2021 ◽  
Vol 11 (3) ◽  
pp. 340-358
Author(s):  
Allison Jeffrey ◽  
Karen Barbour ◽  
Holly Thorpe

In this article, we draw upon the work of leading new materialist Karen Barad to explore the possibilities for knowing women's yoga bodies differently. Engaging insights gathered from an embodied ethnography on contemporary Yoga in dialogue with Barad's concept of entanglement, we contemplate the complexity of a lived experience in a Yoga body. Engaging the voices and movement experiences of 19 committed women yoga practitioners, we explain ‘Yogic union’ as states of absorption facilitating an awareness of an existence that is complex, interconnected and involving both human and non-human materiality. Specifically, we work within and between the embodied experiences of the researcher and her participants, feminist new materialist theory, and creative writing to present Yoga bodies as phenomena that are always entangled.

2016 ◽  
Vol 17 (2) ◽  
pp. 204-221 ◽  
Author(s):  
Kylie Cardell ◽  
Kate Douglas

This article considers our experiences teaching a hybrid literature/creative writing subject called “Life Writing.” We consider the value of literature students engaging in creative writing practice—in this instance, the nonfiction subgenre of life writing—as part of their critical literary studies. We argue that in practicing life writing, our literature students are exposed to and gain wider perspective on the practical, critical, creative, and ethical issues that arise from working with literary texts. Such an approach is not with risk. As we discuss in this article, life writing texts can often narrate difficult or traumatic material. However, we want to show how life writing, with its particular focus on actual lives and lived experience, creates a particularly conducive ethical, intellectual, and creative space for learning about and practicing writing.


Author(s):  
John R. Shook

Louise Rosenblatt (b. 1904–d. 2005) was a highly influential thinker in literary and critical theory, reading pedagogy, and education. She was professor of education at New York University from 1948 until 1972, and she continued to teach for many years at other universities. The impact of her writings extends to aesthetics, communication and media studies, and cultural studies. Her transactional theory of reading literature earned a permanent place among methodologies applied to the study of reader comprehension and improving the teaching of reading, from preschool to college-age years. She is most widely known for her “reader response” theory of literature. The process of reading is a dynamic transaction between the reader and the text, in which meaningful ideas arise for readers from their own thoughtful and creative interpretations. Her first book, Literature as Exploration, which was published in 1938, has gone through five editions and remains in print in the early 21st century. Her last book, Making Meaning with Texts: Selected Essays, was published in 2005 and contained selected essays from each decade of her career. Rosenblatt’s view of literary experience threw down a challenge to a dominant paradigm during the 1940s and 1950s, namely the New Criticism. New Criticism held that authentic meanings of a piece of creative writing—a novel, story, drama, poem, and so on—are already within the text itself, requiring attention to that somewhat concealed yet objective truth. Rosenblatt took the pragmatist approach, starting from the aesthetics of reading. As a member of the Conference on Methods in Philosophy and the Sciences at Columbia University during the 1930s, she studied John Dewey, Charles Peirce, and William James. During this time, she married the pragmatist philosopher Sidney Ratner. Rosenblatt applied her knowledge of pragmatism to the question of understanding creative writing. For pragmatism, all experiences are creative fusions of intersecting processes, some from within and some from without. Any comprehension of a text blends the reader’s particular approach for appreciating it together with the capacity of the text to provoke a variety of stimulating ideas. The emotional and the factual are rarely found in pure forms; only a gradual range from the affective to the cognitive can characterize lived experience. Understanding the process of reading in its fundamental experiential situation has been a revolutionary philosophical position, impacting both childhood education and literary theory. Rosenblatt’s work continues to inspire fresh academic research and curricular innovations.


Music ◽  
2019 ◽  
Author(s):  
Neil Lerner ◽  
Blake Howe

In the final decades of the 20th century, as disability rights activists protested ableist prejudice and discrimination, scholars began to group themselves around the topic of disability. In 1982 the Society for Disability Studies was founded; 1990 saw the passage of the US Americans with Disabilities Act, a piece of landmark legislation that sought to address systemic discrimination on the basis of physical and mental disabilities; and conferences and journals devoted to Disability Studies began to flourish in the 1990s. The relatively young interdisciplinary field of Disability Studies approaches disability beyond the traditional epistemologies of medical science and instead considers bodily and mental differences as both embodied experiences and constructs of particular cultures and societies. Following earlier work done on gender, sexuality, and race/ethnicity, Disability Studies explores the social, cultural, and historical meanings of disability as a manifestation of human variety, celebrating disability as a difference while acknowledging the lived experience of possessing a bodily or mental impairment. While music scholars have long been aware of the possibility of composers and performers with impairments—Beethoven’s deafness is central to the narrative of Western music history—they only began to engage with ideas from Disability Studies in the first decade of the 21st century. The year 2006 was notable for both an article in a major music journal (Straus 2006, cited under Music and Disability Studies) and the first book-length study on disability in music (Lerner and Straus 2006, also under Music and Disability Studies). A large body of music scholarship quickly followed, including dissertations, conferences papers, journal articles, and monographs, and the scope and approaches to music and disability have been as varied and distinct as the human bodies and minds under study.


2020 ◽  
pp. 107780042097873
Author(s):  
David Carless

Mathew and Me is a musical performance autoethnography that explores embodied experiences of same-sex attraction between men within heteronormative sport cultures. The performance comprises a layering of original songs, performance poetry, and personal narrative. Songwriting is used as a critical arts-based methodology to discover, interrogate, and communicate fragmentary, sensory, and embodied remembrances of lived experience. Alongside a textual representation of the performance, reflections are offered on the two methodological issues: first, the challenges of sharing music and songs within conventional academic publication and, second, the possibilities and nuances of songwriting as a methodology for critical qualitative inquiry.


Humanities ◽  
2020 ◽  
Vol 9 (3) ◽  
pp. 84
Author(s):  
Nicholas Leonard

During highly polarized times, issues are quickly addressed in ways that emphasize divisions. To support the healing of our polarized culture through art, new materialist theory as presented by Karen Barad and Rosi Braidotti will be entangled with art and artmaking according to Dennis Atkinson and Makoto Fujimura to argue for art as an act of environmental and cultural stewardship, creating new possibilities and differences in the virtual that are merciful, graceful, and hopeful. To form this argument, first a summary of new materialism and ethics through Agential Realism and Affirmative Ethics is addressed. Next, a cartography including scientific and theological perspectives is presented for a diffractive reading regarding the concepts of mercy, grace, and hope to develop a new materialist understanding through a philosophy of immanence to counter the circular perpetuation of violence. These concepts are then individually addressed through the proposed new materialist framework to further break from material-discursive dualistic thought. This approach is then explored through various artworks to investigate the co-constructing material-discursive nature of art to create new relations and possibilities in the world. Finally, an in-depth study of the artworks Becoming Us by Megan Constance Altieri and Teeter-Totter Wall by Ronald Rael are addressed to detail how a new materialist approach to art that focuses on the concepts of mercy, grace, and hope can position art as an act of stewardship.


2021 ◽  
Author(s):  
◽  
Beth Cameron

<p>The human body is what we come to know the world by. Everything is relative. Using a body centred approach, the relationships held between the Body, Clothing and Architecture are explored through the identification of Skin, Intimacy and Boundary. Beginning with the layers and skins closest to the body, a process of building around and working out is used to establish an understanding of the relationships held between the three subjects. This methodological approach is used throughout the thesis, both theoretically and by design. The body is approached from a phenomenological perspective where experiential design methodologies are employed with the intent of altering the body’s understanding of itself; its lived experience, embodied cognition and sensory perception. Photographic images capture experiential design moments, translating and expressing the theories being discussed throughout. The architectural conditions studied are contained within the parameters of the domestic. This environment represents the most intimate architectural expression of the self, grounding the body in context. A 1:1 scale structural model identifies the potentials of what contemporary architecture can be and how it can act on and with the body to alter the lived experience. It generates dynamic spatial conditions, demonstrating architectures ability to engage with the body. The interactive spatial changes experienced stimulate both physical and psychological shifts and as a result generate new embodied experiences. As the body is used to ground the generative design processes, clothing and architecture are bought together through the amalgamation of skin, intimacy and boundary, resulting in the production of the Embodied Architecture structure. The theoretical basis for the production of this architectural intervention seeks to be pushed further, challenging contemporary architecture to engage the body and enrich the lived experience.</p>


2015 ◽  
Vol 28 (2) ◽  
pp. 177-193 ◽  
Author(s):  
Sid Lowe ◽  
Astrid Kainzbauer ◽  
Slawomir Jan Magala ◽  
Maria Daskalaki

Purpose – The purpose of this paper is to discuss the interactive processes linking lived embodied experiences, language and cognition (body-talk-mind) and their implications for organizational change. Design/methodology/approach – The authors use an “embodied realism” approach to examine how people feel/perceive/act (embodied experiences), how they make sense of their experiences (cognition) and how they use language and communication to “talk sense” into their social reality. To exemplify the framework, the authors use a cooking metaphor. In this metaphor, language is the “sauce”, the catalyst, which blends raw, embodied, “lived” experience with consequent rationalizations (“cooking up”) of experience. To demonstrate the approach, the authors employ the study of a Chinese multinational subsidiary in Bangkok, Thailand, where participants were encouraged to build embodied models and tell their stories through them. Findings – The authors found that participants used embodied metaphors in a number of ways (positive and negative connotations) in different contexts (single or multicultural groups) for different purposes. Participants could be said to be “cooking up” realities according to the situated context. The methodology stimulated an uncovering of ineffable, tacit or sensitive issues that were problematic or potentially problematic within the organization. Originality/value – The authors bring back the importance of lived embodied experiences, language and cognition into IB research. The authors suggest that embodied metaphors capture descriptions of reality that stimulate reflexivity, uncover suppressed organizational problems and promote the contestation of received wisdoms when organizational change is pressing and urgent. The authors see the approach as offering the potential to give voice to embodied cultures throughout the world and thereby make IB research more practically relevant.


2007 ◽  
Vol 55 (3) ◽  
pp. 531-549 ◽  
Author(s):  
Chris Shilling ◽  
Philip A. Mellor

Two trends have dominated recent sociological analyses of embodiment. There has, on the one hand, been a proliferation of analyses identifying bodies as the experiential vehicles through which we exist and interact in the world. On the other hand, this has been accompanied by a large growth in studies suggesting that technological advances have both increased our exposure to instrumental rationality and radically weakened the boundaries between humans and machines. Considered together, these trends raise an important question which has, however, been marginalised in the literature: if bodies are increasingly shaped and even constituted by the performative demands and invasive capacities of technology, what implications does this have for our lived experience of ourselves and our social and natural environment? In addressing this issue, our paper revisits Heidegger's discussion of the technological ‘enframing’ of humans and asks two questions. First, what have we lost experientially by being positioned as a ‘standing reserve’ for technologically driven demands for efficiency in contemporary society? Second, can the analysis of religious attempts to reframe human experience provide us with a perspective from outside this technological culture that enables us to appreciate the embodied experiences, dispositions and potentialities of humans in fresh ways? Our approach to these issues proceeds via a comparative study of the ‘body pedagogics’ of modern technological culture and two, very different, religious cultures.


2021 ◽  
Author(s):  
◽  
Beth Cameron

<p>The human body is what we come to know the world by. Everything is relative. Using a body centred approach, the relationships held between the Body, Clothing and Architecture are explored through the identification of Skin, Intimacy and Boundary. Beginning with the layers and skins closest to the body, a process of building around and working out is used to establish an understanding of the relationships held between the three subjects. This methodological approach is used throughout the thesis, both theoretically and by design. The body is approached from a phenomenological perspective where experiential design methodologies are employed with the intent of altering the body’s understanding of itself; its lived experience, embodied cognition and sensory perception. Photographic images capture experiential design moments, translating and expressing the theories being discussed throughout. The architectural conditions studied are contained within the parameters of the domestic. This environment represents the most intimate architectural expression of the self, grounding the body in context. A 1:1 scale structural model identifies the potentials of what contemporary architecture can be and how it can act on and with the body to alter the lived experience. It generates dynamic spatial conditions, demonstrating architectures ability to engage with the body. The interactive spatial changes experienced stimulate both physical and psychological shifts and as a result generate new embodied experiences. As the body is used to ground the generative design processes, clothing and architecture are bought together through the amalgamation of skin, intimacy and boundary, resulting in the production of the Embodied Architecture structure. The theoretical basis for the production of this architectural intervention seeks to be pushed further, challenging contemporary architecture to engage the body and enrich the lived experience.</p>


Author(s):  
Paula McDonald

Patient and carer involvement in medical education has been shown to lead to improved outcomes. There is a vast amount of online narrative material describing the lived experience of patients that could be systematically used in medical education. This chapter describes a creative writing module which encourages students to research and create a fictional character with a chronic disorder and then write about them in the new narrative genre of clinical realism. This genre is defined as ‘fictional writing where health problems are systematically represented, not as a metaphor, not as a plot point, and not as the central topic of the writing, but as a part of a character’s personal identity and day-to-day experience.’ The students reported that by writing repeatedly about the same character, they felt more empathic towards them, even if they initially felt little affinity with the character. This chapter discusses the practicalities and benefits of running the course.


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