scholarly journals Predicting the Patriarchal Politics of Pandemics From Mary Shelley to COVID-19

2021 ◽  
Vol 6 ◽  
Author(s):  
Eileen Hunt Botting
Keyword(s):  
Science Fiction ◽  
Political Science ◽  
Margaret Atwood ◽  
Mary Shelley ◽  
First Century ◽  
The Political ◽  
Political Dynamics ◽  
Octavia Butler ◽  
Twenty First Century ◽  
The Last Man

I examine the predictive powers of the political science fictions of Mary Shelley, Octavia Butler, and Margaret Atwood for understanding the patriarchal—or men-dominant—dynamics of the politics of pandemics in the twenty-first century. Like her literary followers in post-apocalyptic plague literature, Butler and Atwood, Shelley foresaw that the twenty-first century would be the age of lethal pandemics. Their post-apocalyptic fictions also projected the ways that patriarchal and authoritarian forms of populism could shape the cultural circumstances that can turn a local outbreak of a new and deadly contagious disease, like COVID-19, into a politically chaotic and economically devastating global plague. Modern feminist political science fiction born of Shelley's great pandemic novel The Last Man (1826) is seemingly clairvoyant not because of any supernatural powers of the authors but rather because of their studied attention to the wisdom of plague literature, the lessons of epidemic history, and the political dynamics of patriarchy and populism.

The Last Man

2008 ◽  
Author(s):  
Mary Wollstonecraft Shelley
Keyword(s):  
Mary Shelley ◽  
Percy Bysshe Shelley ◽  
First Century ◽  
The Novel ◽  
Human Race ◽  
Ruling Elite ◽  
The Future ◽  
Twenty First Century ◽  
Last Man ◽  
The Last Man

The last man! I may well describe that solitary being’s feelings, feeling myself as the last relic of a beloved race, my companions extinct before me.’ Mary Shelley, Journal (May 1824). Best remembered as the author of Frankenstein, Mary Shelley wrote The Last Man eight years later, on returning to England from Italy after her husband’s death. It is the twenty-first century, and England is a republic governed by a ruling elite, one of whom, Adrian, Earl of Windsor, has introduced a Cumbrian boy to the circle. This outsider, Lionel Verney, narrates the story, a tale of complicated, tragic love, and of the gradual extermination of the human race by plague. The Last Man also functions as an intriguing roman à clef, for the saintly Adrian is a monument to Percy Bysshe Shelley, and his friend Lord Raymond is a portrait of Byron. The novel offers a vision of the future that expresses a reaction against Romanticism, as Shelley demonstrates the failure of the imagination and of art to redeem her doomed characters.

The Political and Aesthetic Power of the Everyday in Beckett's Happy Days

2019 ◽  
Vol 28 (1) ◽  
pp. 52-66
Author(s):  
Julie Bates
Keyword(s):  
Second World War ◽  
First Century ◽  
Environmental Crisis ◽  
The Political ◽  
Algerian War ◽  
Material Resources ◽  
The Social ◽  
The Everyday ◽  
The Last Man ◽  
Second World

Happy Days is contemporaneous with a number of seminal contributions to the concept of the everyday in postwar France. This essay suggests that the increasingly constrained verbal and physical routines performed by its protagonist Winnie constitute a portrait of the everyday, and goes on to trace the affinities between Beckett's portrait and several formulations of the concept, with particular emphasis on the pronounced gendering of the everyday in many of these theories. The essay suggests the aerial bombings of the Second World War and methods of torture during the Algerian War as potential influences for Beckett's play, and draws a comparison with Marlen Haushofer's 1963 novel The Wall, which reimagines the Romantic myth of The Last Man as The Last Woman. It is significant, however, that the cataclysmic event that precedes the events of Happy Days remains unnamed. This lack of specificity, I suggest, is constitutive of the menace of the play, and has ensured that the political as well as aesthetic power of Happy Days has not dated. Indeed, the everyday of its sentinel figure posted in a blighted landscape continues to articulate the fears of audiences, for whom the play may resonate today as a staging of twenty-first century anxiety about environmental crisis. The essay concludes that in Happy Days we encounter an isolated female protagonist who contrives from scant material resources and habitual bodily rhythms a shelter within a hostile environment, who generates, in other words, an everyday despite the shattering of the social and temporal framework that conventionally underpin its formation. Beckett's play in this way demonstrates the political as well as aesthetic power of the everyday in a time of crisis.

American Custom, Ritual, and Holidays

2018 ◽  
pp. 255-276
Author(s):  
Jack Santino
Keyword(s):  
Nineteenth Century ◽  
Life Course ◽  
First Century ◽  
The Political ◽  
Public Events ◽  
Close Study ◽  
Twenty First Century ◽  
The Life Course ◽  
Comprehensive Study

Since the nineteenth century, attention in folklore and folklife studies has shifted from viewing certain customary symbolic actions such as “calendar customs” and rituals of the life course to a more inclusive performance-oriented perspective on holidays and customs. Folklorists recognize the multiplicity of events that people may consider ritual and festival, and the porous nature of these categories. The concept of the “sacred” has expanded to include realms other than the strictly religious, so as to include the political and other domains, both official and unofficial. A comprehensive study of ritual and festival incorporates a close study of folk and popular actions as well as institutional ceremony. In the twenty-first century, approaching events as both carnivalesque and ritualesque allows folklorists to describe purpose and intention in public events, and to account for political, commemorative, celebratory, and festive elements in any particular event.

The Younghusband-Waddell Collection and Its People: the Social Life of Tibetan Books Gathered in a Late-colonial Enterprise

Inner Asia ◽  
2012 ◽  
Vol 14 (1) ◽  
pp. 131-171
Author(s):  
Hildegard Diemberger
Keyword(s):  
Digital Technology ◽  
Social Life ◽  
First Century ◽  
The Political ◽  
Academic Institutions ◽  
Cultural Biography ◽  
The Social ◽  
Twenty First Century ◽  
New Perspective ◽  
Insight Into

AbstractIn this paper I follow the social life of the Tibetan books belonging to the Younghusband-Waddell collection. I show how books as literary artefacts can transform from ritual objects into loot, into commodities and into academic treasures and how books can have agency over people, creating networks and shaping identities. Exploring connections between books and people, I look at colonial collecting, Orientalist scholarship and imperial visions from an unusual perspective in which the social life and cultural biography of people and things intertwine and mutually define each other. By following the trajectory of these literary artefacts, I show how their traces left in letters, minutes and acquisition documents give insight into the functioning of academic institutions and their relationship to imperial governing structures and individual aspirations. In particular, I outline the lives of a group of scholars who were involved with this collection in different capacities and whose deeds are unevenly known. This adds a new perspective to the study of this period, which has so far been largely focused on the deeds of key individuals and the political and military setting in which they operated. Finally, I show how the books of this collection have continued to exercise their attraction and moral pressure on twenty-first-century scholars, both Tibetan and international, linking them through digital technology and cyberspace.

Prophetic Imagination and Empire in Asia

2018 ◽  
Vol 1 (1) ◽  
pp. 91-116
Author(s):  
Jude Lal Fernando
Keyword(s):  
East Asia ◽  
Personal Narrative ◽  
First Century ◽  
The Political ◽  
Empire Building ◽  
Christian Communities ◽  
Political Reality ◽  
Political Analysis ◽  
Prophetic Imagination ◽  
Twenty First Century

The aim of this article is to identify the glimpses of prophetic imagination amongst the Christian communities in Asia, particularly in Korea and Japan, who are engaged in resisting the new round of militarization in the twenty-first century. This resistance denounces the globalist security complex in the region and announces a nonmilitaristic alternative forming a praxis that is necessary for a new theology of peace in East Asia and in Asia broadly. The political reality of the new round of military empire-building will be discussed with a personal narrative and a political analysis after which the theological meaning of prophetic imagination as opposed to imperial consciousness will be analyzed, correlating the personal and political with the theological. The ways in which the resistance to militarization resonates with the prophetic imagination of an alternative consciousness and community will be examined through an analysis of memories and renunciation of war by the churches. Broad implications of these resonances for a peace theology in Asia will be identified.

Fighting for the Future

2020 ◽  
Keyword(s):  
Cultural Studies ◽  
Science Fiction ◽  
Political Science ◽  
Media Studies ◽  
Star Trek ◽  
Literary Studies ◽  
The Political ◽  
Television Series ◽  
Political Issues ◽  
The Moment

The first two seasons of the television series Star Trek: Discovery, the newest instalment in the long-running and influential Star Trek franchise, received media and academic attention from the moment they arrived on screen. Discovery makes several key changes to Star Trek’s well-known narrative formulae, particularly the use of more serialized storytelling, appealing to audiences’ changed viewing habits in the streaming age – and yet the storylines, in their topical nature and the broad range of socio-political issues they engage with, continue in the political vein of the franchise’s megatext. This volume brings together eighteen essays and one interview about the series, with contributions from a variety of disciplines including cultural studies, literary studies, media studies, fandom studies, history and political science. They explore representations of gender, sexuality and race, as well as topics such as shifts in storytelling and depictions of diplomacy. Examining Discovery alongside older entries into the Star Trek canon and tracing emerging continuities and changes, this volume will be an invaluable resource for all those interested in Star Trek and science fiction in the franchise era.

Kids on Bikes in Twenty-First-Century Nostalgia Science Fiction

2020 ◽  
pp. 189-222
Author(s):  
Jeremy Withers
Keyword(s):  
Science Fiction ◽  
First Century ◽  
Twenty First Century ◽  
Motorized Transport

This final chapter focuses on one of the most recent and most popular trends happening right now in science fiction, the rise of a decidedly nostalgic form of science fiction. In particular, the trend examined in this chapter is one called ‘1980s-nostalgia science fiction’ and is made up of science fiction literary and screen texts from c. 2010-present that exhibit a profound fondness for or interest in the American 1980s. The three nostalgia texts that comprise the focus of this chapter are Super 8, Stranger Things, and Paper Girls. After first discussing what is one of the most influential texts for this 1980s-nostalgia science fiction – Steven Spielberg’s E.T. The Extra Terrestrial – this chapter then analyzes how these nostalgia texts align themselves with Spielberg’s blockbuster film by demonizing motorized transport while simultaneously exalting the bicycle.

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