scholarly journals Get Back: The New Galician Diaspora Goes on Stage

Humanities ◽  
2021 ◽  
Vol 10 (4) ◽  
pp. 111
Author(s):  
María Alonso Alonso

This article analyses Get Back (2016), a play written by Diego Ameixeiras and directed by Jorge Coira. The text will be considered an example of an early Brexit narrative, and it will serve to explore how the new Galician diaspora is represented through the arts. Issues related to migration, racism, and precariousness bloom naturally from a play that gathers four Galician migrants in London, together with a British-born character, inside one of the carriages of the Tube. Old and new waves of Galician migrants will be juxtaposed through different characters, illustrating the complexity of this recent migratory phenomenon. Several stereotypes will be exposed to increase how Ameixeiras constructs generational and gender gaps existing among Pepe, Luisa, Rafa and Iria, four immigrants who find themselves sharing a carriage on the London Underground sometime during the aftermath of Brexit. Thanks to the multiple dichotomies and arguments that create an ambivalent sense of Galician identity abroad, the play runs very smoothly. The different points of view found in the text will reflect on the subaltern status of the characters, who seem to struggle to find their place in their host country.

2009 ◽  
Vol 27 (1) ◽  
pp. 65-92
Author(s):  
Susan Jones

This article explores the diversity of British literary responses to Diaghilev's project, emphasising the way in which the subject matter and methodologies of Diaghilev's modernism were sometimes unexpectedly echoed in expressions of contemporary British writing. These discussions emerge both in writing about Diaghilev's work, and, more discretely, when references to the Russian Ballet find their way into the creative writing of the period, serving to anchor the texts in a particular cultural milieu or to suggest contemporary aesthetic problems in the domain of literary aesthetics developing in the period. Figures from disparate fields, including literature, music and the visual arts, brought to their criticism of the Ballets Russes their individual perspectives on its aesthetics, helping to consolidate the sense of its importance in contributing to the inter-disciplinary flavour of modernism across the arts. In the field of literature, not only did British writers evaluate the Ballets Russes in terms of their own poetics, their relationship to experimentation in the novel and in drama, they developed an increasing sense of the company's place in dance history, its choreographic innovations offering material for wider discussions, opening up the potential for literary modernism's interest in impersonality and in the ‘unsayable’, discussions of the body, primitivism and gender.


2017 ◽  
Author(s):  
Babette Hellemans

This pioneering textbook explores the theoretical background of cultural variety, both in past and present. How is it possible to study 'culture' when the topic covers the arts, literature, movies, history, sociology, anthropology and gender studies? Understanding Culture examines the evolution of a concept with varying meanings depending on changing norms. Offering a long-duration analysis of the relationship between culture and nature, this book looks at the origins of studying culture from an international perspective. Using examples from the several scholarly traditions in the practice of studying culture, Understanding Culture is a key introduction to the area. It identifies the history of interpreting culture as a meeting point between the long-standing historical investigation of 'humanism' and 'postmodernism' and is a comprehensive resource for those who wish to further their engagement with culture as both a historical and contemporary phenomenon.


2018 ◽  
Author(s):  
Masoomali Fatehkia ◽  
Ridhi Kashyap ◽  
Ingmar Weber

Gender equality in access to the internet and mobile phones has become increasingly recognised as a development goal. Monitoring progress towards this goal however is challenging due to the limited availability of gender-disaggregated data, particularly in low-income countries. In this data sparse context, we examine the potential of a source of digital trace `big data' -- Facebook's advertisement audience estimates -- that provides aggregate data on Facebook users by demographic characteristics covering the platform's over 2 billion users to measure and `nowcast' digital gender gaps. We generate a unique country-level dataset combining `online' indicators of Facebook users by gender, age and device type, `offline' indicators related to a country's overall development and gender gaps, and official data on gender gaps in internet and mobile access where available. Using this dataset, we predict internet and mobile phone gender gaps from official data using online indicators, as well as online and offline indicators. We find that the online Facebook gender gap indicators are highly correlated with official statistics on internet and mobile phone gender gaps. For internet gender gaps, models using Facebook data do better than those using offline indicators alone. Models combining online and offline variables however have the highest predictive power. Our approach demonstrates the feasibility of using Facebook data for real-time tracking of digital gender gaps. It enables us to improve geographical coverage for an important development indicator, with the biggest gains made for low-income countries for which existing data are most limited.


Author(s):  
Hester Jones

The first part of this article outlines traditional and Christian ethical arguments about animal autonomy, in particular as these relate to the question of vegetarian practice; it goes on (in the second section) to indicate some ways in which more recent feminist and eco-feminist arguments help to steer a path through what has become something of an ethical dilemma. Some of these arguments point to the arts as most helpfully articulating, or at least beginning to imagine, ways of relating to the animal world. Consequently, the essay concludes by illustrating how one of the arts – poetry – may indeed point to what could be called an eco-spiritual approach to animal life, in particular through its use of metaphorical language, and thus offer a challenge to points of view that justify human dominion over non-human animal life.   La primera parte de este artículo esboza argumentos éticos tradicionales y cristianos sobre la autonomía animal, en especial cuando tienen relación con la cuestión de la práctica vegetariana. La segunda sección muestra alguna de las maneras en las que algunos de los argumentos feministas y ecofeministas más recientes ayudan a abrir un camino a través de lo que se ha convertido en algo parecido a un dilema ético. En algunos de estos argumentos, las artes son consideradas como mecanismos que nos pueden servir para articular más eficazmente - o, al menos, para empezar a imaginar - modos de relación con el mundo animal. Por consiguiente, este artículo concluye ilustrando cómo una de las artes - la poesía - puede efectivamente apuntar lo que podría ser considerado como una aproximación ecoespiritual a la vida animal, en particular a través de su uso del lenguaje metafórico y, por tanto, cuestionar los puntos de vista que justifican el dominio humano sobre la vida animal no humana.  


2020 ◽  
Vol 9 (3) ◽  
pp. 34-46
Author(s):  
Glenda Santana de Andrade

Since 2011, 5.6 million people have fled Syria due to ongoing conflict. In Turkey alone, 3.6 million Syrians are confronted with a series of constraints once in the host country. This paper analyses, within the context of urban exile in Turkey, the different experiences and survival strategies of Syrians who are modulated by particular relations of race, class and gender. It aims to explain how refugees manage to create their own visibility in this new space full of limitations, and further explores how their newfound participation in these urban areas can deconstruct dominant representations of refugees, who are otherwise seen as threats or as voiceless victims. In all, this paper aims to go beyond the vulnerability of refugees, without neglecting the violence they endure. To do so, the study was conducted using a series of semi-structured interviews, complemented by an ethnological approach. oach.


2018 ◽  
Vol 17 (2) ◽  
pp. 515-541 ◽  
Author(s):  
Manoli Cantillo Monjo ◽  
Teresa Lleopart Coll ◽  
Sandra Ezquerra Samper

Objetivos: Cuantificar y caracterizar la producción científica enfermera sobre cuidados informales del período 2007-2016, observar la evolución de la temática durante estos años, adquirir una perspectiva actual sobre el estado de la cuestión y realizar propuestas sobre futuras líneas de investigación e intervención.Metodología: Revisión bibliográfica llevada a cabo mediante dos estrategias: una cuantitativa, y una segunda estrategia cualitativa. Resultados: El tipo de artículo más publicado es el estudio original cuantitativo, aunque se detecta un crecimiento de las publicaciones con enfoque cualitativo. Los temas más tratados son el perfil de la persona cuidadora, los impactos de la atención en su salud y en otros aspectos de su vida cotidiana, las propuestas de intervenciones profesionales para promover el cuidado personal y para evitar la sobrecarga de las personas cuidadoras y, por último, el uso de herramientas de evaluación para la planificación de la atención a las mismas.Conclusiones: Las publicaciones enfermeras identifican con acierto la centralidad del cuidado informal y el giro asistencial hacia el domicilio y la familia. No problematizan, sin embargo, el actual trasvase de responsabilidades hacia el cuidado desde las administraciones públicas hacia el ámbito familiar, ni analizan en profundidad las desigualdades socioeconómicas y de género reinantes en el actual escenario de cuidados. El abordaje a estos dos elementos puede contribuir a abrir nuevas líneas de investigación e intervención en el campo de la enfermería. Goals: To quantify and characterize the scientific production in nursing on informal care from 2007 to 2016, to observe the evolution of the theme during this period, to acquire a current perspective on the state of the arts, and to suggest future directions of both research and professional practice. Methods: Bibliographical review undertaken through two strategies: a quantitative strategy and a qualitative one. Results: The most frequent type of published article is quantitative although there is an increase of qualitative publications. Among the most frequent themes are: the study of the caregiver’s profile, as well as the impacts of care on their health and on their everyday life; practical professional recommendations to promote care and self-care and to prevent caregivers’ overload; and, finally, the use of assessment tools for planning attention of caregivers. Conclusions: While nursing publications rightly identify the centrality of the family and the household in the new care scenario, they do not problematize the current transfer of responsibility for care from public administrations toward the realm of the family. Neither do they problematize the social, economic, and gender inequalities that take place in the context of care. To approach these two themes can contribute to create new research and professional lines in nursing.


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