Understanding Culture

2017 ◽  
Author(s):  
Babette Hellemans

This pioneering textbook explores the theoretical background of cultural variety, both in past and present. How is it possible to study 'culture' when the topic covers the arts, literature, movies, history, sociology, anthropology and gender studies? Understanding Culture examines the evolution of a concept with varying meanings depending on changing norms. Offering a long-duration analysis of the relationship between culture and nature, this book looks at the origins of studying culture from an international perspective. Using examples from the several scholarly traditions in the practice of studying culture, Understanding Culture is a key introduction to the area. It identifies the history of interpreting culture as a meeting point between the long-standing historical investigation of 'humanism' and 'postmodernism' and is a comprehensive resource for those who wish to further their engagement with culture as both a historical and contemporary phenomenon.

2019 ◽  
Vol 18 (2) ◽  
pp. 278-301 ◽  
Author(s):  
Sergey I Resnyansky ◽  
Irina S Amiantova

The article reviews the works of gender studies published over the past 30 years, with the aim to show and generalize what is proposed in historiography and special literature about the relationship between historical sciences and gender studies. Firstly, the paper offers an updated concept of gender in relation to the different periods of the country’s history - tsarist, Soviet and post-Soviet. Secondly, the paper discusses the formation and gradual development of gender studies and gender discourse. The study reveals an uneven growth in the number of descriptive and empirical gender studies, which can be explained in correlation with socio-economic and political changes throughout Russia’s historical path. The correlation between the dynamic evolution of gender and the peculiarities of the historical path of the country has not been sufficiently studied; its analysis offers historians the opportunity to describe and explain the unique models of male/female (gender) relations and their evolution. So far gender studies have little to offer that would help identify, describe and explain the national specificity of gender, correlated with the specifics of national history in chronological and spatial-territorial terms. Future historians should also focus on developing methodological tools and a language that can foster interaction between historical, post-structuralist and feminist approaches. This will require a drastic transition in historical research to previously ignored topics and to more innovative, in-depth and qualitative research methods, such as the history of the life of ethnic groups and peoples of Russia at different stages of development of state and society next to case studies of gender and discourse analysis.


2011 ◽  
Vol 52 (3) ◽  
pp. 365-384 ◽  
Author(s):  
EMILY CALLACI

ABSTRACTThis article explores the relationship between understandings of youth sexuality and mobility, and racial nationalism in late colonial Tanganyika through a history of dansi: a dance mode first popularized by Tanganyikan youth in the 1930s. Dansi's heterosocial choreography and cosmopolitan connotations provoked widespread anxieties among rural elders and urban elites over the mobility, economic autonomy, and sexual agency of youth. In urban commercial dancehalls in the 1950s, dansi staged emerging cultural solidarities among migrant youth, while also making visible social divisions based on class and gender. At the same time, nationalist intellectuals attempted to reform dansi according to an emerging political rhetoric of racial respectability.


2021 ◽  
Vol 17 ◽  
Author(s):  
Mansoureh Refaei ◽  
Soodabeh Aghababaei ◽  
Mansoureh Yazdkhasti ◽  
Farideh Kazemi ◽  
Fatemeh Farahmandpour

Background: Several risk factors have been identified for postpartum hemorrhage, one of which being the duration of the third stage of labour. This stage refers to the interval between the expulsion of the fetus to the expulsion of the placenta. Some bleeding occurs in this stage due to the separation of the placenta Objective: This study aimed to identify the factors associated with the length of the third stage of labour. Methods: In this cross-sectional study, 300 women hospitalized for vaginal birth were selected via convenience sampling. The study data were collected using a researcher-made questionnaire. Then, the data were analyzed using univariate and multivariate linear regression analyses. Results: The mean (SD) age of the participants was 26.41 (6.26) years. Investigation of the relationship between the study variables and the time of placental separation indicated that a minute increase in the length of membranes rupture caused a 0.003minute decrease in the time of placental separation. However, this time increased by 2.75, 6.68, and 2.86 minutes in the individuals without the history of abortion, those with the history of stillbirth, and those who had not received hyoscine, respectively. The results of multivariate analysis indicated that suffering from preeclampsia or hypertension, history of stillbirth, not receiving hyoscine, and not receiving misoprostol increased the length of the third stage by 4.40, 8.55, 2.38, and 6.04 minutes, respectively. Conclusion: Suffering from preeclampsia and having the history of stillbirth increased and using hyoscine and misoprostol decreased the length of the third stage of labour. However, no significant relationship was found between the length of the third stage of labour and mother’s age, gestational age, parity, mother’s body mass index, mother’s chronic disorders, history of manual placenta removal, length of the first and second stages, membranes rupture, induction, amount of oxytocin after delivery, and infant’s weight and gender.


Aspasia ◽  
2020 ◽  
Vol 14 (1) ◽  
pp. 20-36
Author(s):  
Julie Hemment ◽  
Valentina Uspenskaya

In this forum, we reflect on the genesis and history of the Tver’ Center for Women’s History and Gender Studies—its inspiration and the qualities that have enabled it to flourish and survive the political changes of the last twenty years, as well as the unique project of women educating women it represents. Inspired by historical feminist forebears, it remains a hub of intergenerational connection, inspiring young women via exposure to lost histories of women’s struggle for emancipation during the prerevolutionary and socialist periods, as well as the recent postsocialist past. Using an ethnographic account of the center’s twentieth anniversary conference as a starting point, we discuss some of its most salient and distinguishing features, as well as the unique educational project it represents and undertakes: the center’s origins in exchange and mutual feminist enlightenment; its historical orientation (women educating [wo]men in emancipation history); and its commitment to the postsocialist feminist “East-West” exchange.


Author(s):  
Sabine Jacques

This chapter provides an overview of the nature and definition of parody in the context of copyright law. The Court of Justice of the European Union (CJEU) has introduced two requirements that must be satisfied before a work may be considered a ‘parody’: firstly, it must ‘evoke an existing work while being noticeably different from it’, and secondly, it must ‘constitute an expression of humour or mockery’. The chapter first traces the origin and history of parody in the arts, including music, before discussing the relationship of parody with concepts such as satire, caricature, and pastiche. It then examines why a parody exception has been considered necessary in copyright law. The chapter goes on to analyse the legal evolution of parody in France, Australia, Canada, the United States, and the United Kingdom, showing that the existing international human rights framework may influence the definition of parody in intellectual property law.


2000 ◽  
Vol 57 ◽  
pp. 168-170
Author(s):  
John Brac

Gender studies in history are at an intriguing point in their evolution. Having distinguished themselves from traditional historiography through a marked emphasis on language as the primary construction site of power relations, they have created a number of principal research tasks. One involves the retelling of history from the perspective of gender relations. A second consists of a description of the relationship between gender dynamics and those of other categories of identification, such as class and ethnicity. A third is the move from the “how” of the construction of gendered power relations to their “why.” In other words, it is the move from description to explanation. Despite a number of attempts to undertake the second and third tasks, this monograph by Mercedes Steedman most clearly presents itself as a gendered retelling of the history of the Canadian clothing industry, and it is in this light that it should be appreciated.


1982 ◽  
Vol 76 (2) ◽  
pp. 317-327 ◽  
Author(s):  
John G. Gunnell

Recent challenges to traditional approaches and purposes for studying the history of political theory have raised questions about its constitution as both a subject matter and subfield of political science. Methodological arguments advocating what is characterized as a more truly historical mode of inquiry for understanding political ideas and recovering textual meaning have become increasingly popular. The relationship of these hermeneutical claims about historicity, such as that advanced by Quentin Skinner, to the actual practice of interpretation is problematical. Such claims are more a defense of a certain norm of historical investigation than a method of interpretation, and the implications of this norm for the reconstitution of the history of political theory require careful consideration.


2017 ◽  
Vol 27 (2) ◽  
pp. 277-301
Author(s):  
Walter Bernhart

This paper tells a story of the relationship between “words and music” from the viewpoint of changing tendencies to either convergence or distance between the two forms of communication, depending on whether aesthetic dispositions and cultural conditions favour the merging or the drifting apart of both media. Thus, “fusionist” and “separatist” tendencies in the development of the arts are identified as manifested, in Western cultural history, by the impressive span of intermedial interaction extending from early mythical origins (Orpheus) to most recent manifestations (Bob Dylan). The focus is on the history of European musical theatre and the European song tradition. In the latter case, “interpretive” and “non-interpretive” songs are distinguished depending on whether the link between “words and music” is on the semantic or on the prosodic level. Contemporary pop songs, as represented by Dylan, are finally discussed in the context of the terminological framework presented and in view of the age-old tradition of singer-poets.


2020 ◽  
Vol 19 (5) ◽  
pp. 22-33
Author(s):  
Maria V. Vasekha ◽  
Elena F. Fursova

Purpose. The article presents a brief overview of the 30-year period of the development of Russian gender studies and reviews the state of gender studies in Siberia in the last decade. Results. The authors came to the conclusion that the gender approach in Russia was very successful in the field of historical disciplines, especially in historical feminology and women’s studies. The authors analyze the emergence of various areas within this issue, the key topics and approaches that have been developed in the Russian humanities. The main directions were reflected in the anniversary collection digest on gender history and anthropology “Gender in the focus of anthropology, family ethnography and the social history of everyday life” (2019). Conclusion. The authors describe the current position of Siberian gender studies and conclude that gender issues in Siberia are less active in comparison with the European part of Russia. In recent years, Siberian researchers have increasingly replaced the category of “gender” with neutral categories of “family research”, “female”, “male”, and so on. More often researchers choose “classical” historical problems raised in historical science before the “humanitarian renaissance”, which began in the 1990s in Russia. In modern gender studies in the Siberian region, the capabilities of critical feminist optics and gender methodology are rarely used, and queer-issues are not developed.


2020 ◽  
Vol 5 (2) ◽  
pp. 144-149
Author(s):  
Budi Asty Andini ◽  
Khobibah Khobibah ◽  
Mimi Ruspita

Background: Sexual intercourse during pregnancy is a physiological need for pregnant women that is influenced by factors of perception from within oneself and previous experience and gender role factors in the family with the aim of knowing the relationship between gender roles and sexual relations in pregnant women. Methods: Non-experimental research with a population of all pregnant women in the village of Curugsewu in the District of Patean. The total sample of pregnant women receiving antenatal care was 30 with the Kendal statistical test. Results: significance T = 0.022 <0.005 there is a relationship between gender roles and sexual relations of sufficient strength in the negative direction -391*.Conclusion: there is a relationship between gender roles and sexual relations, the husband's role is very dominant but the frequency of sex in early pregnancy is largely not done because it is influenced by cultural factors and a history of previous abortion sex.


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