scholarly journals “Are You Sure, Sweetheart, That You Want to Be Well?”: The Politics of Mental Health and Long-Suffering in Toni Cade Bambara’s The Salt Eaters

Religions ◽  
2019 ◽  
Vol 10 (4) ◽  
pp. 263
Author(s):  
Belinda Waller-Peterson

In analyzing the woman-centered communal healing ceremony in Toni Cade Bambara’s The Salt Eaters, this article considers how these types of womb-like spaces allow female protagonists to access ancestral and spiritual histories that assist them in navigating physical illnesses and mental health crises. It employs Bell Hooks’ Sisters of the Yam: Black Women and Self-Recovery alongside Arthur Kleinman’s definition of illness as social and transactional to demonstrate that the recognition of illness, and the actualization of wellness, necessitates collective and communal efforts informed by spiritual and cultural modes of knowledge, including alternative healing practices and ancestral mediation.

2021 ◽  
Vol 20 (1-2) ◽  
pp. 247-255
Author(s):  
Quenette L Walton ◽  
Rosalyn Denise Campbell ◽  
Joan M Blakey

COVID-19 has significantly impacted a substantial number of Black Americans. Black women, in particular, are facing challenges financially, physically, and mentally during this unprecedented time. Between serving as frontline workers, being concerned about contracting the virus, contributing to their families financially, and worrying about their loved ones’ health, Black women are experiencing great strain on their mental health and well-being. These stressors illustrate the need for social work researchers and practitioners to address Black women’s mental health. This paper presents our reflections, experiences, and response to COVID-19 as Black women and scholars. Guided by our reflections and personal experiences, we put forth suggestions and reflexive thoughts for social work researchers and practitioners to prioritize Black women’s mental health during and after these unprecedented times.


2021 ◽  
pp. 009579842110212
Author(s):  
Martinque K. Jones ◽  
Tanisha G. Hill-Jarrett ◽  
Kyjeila Latimer ◽  
Akilah Reynolds ◽  
Nekya Garrett ◽  
...  

The Strong Black Woman (SBW) schema has been consistently linked to negative mental health outcomes among Black women. However, few have begun to explicate the mechanisms by which the endorsement of the SBW schema may influence mental health outcomes. Accordingly, the current study examined coping styles (social support, disengagement, spirituality, and problem-oriented/engagement) as mediators in the association between endorsement of the SBW schema and depressive symptoms in a sample of Black women. Data from 240 Black women ( Mage = 22.0, SD = 4.0 years) were collected assessing SBW schema endorsement, coping styles, and depressive symptoms. Parallel multiple mediation analysis was conducted using PROCESS Macro. Of the four coping styles examined, disengagement coping partially mediated the association between greater endorsement of the SBW schema and greater depressive symptoms. Study findings add depth to our understanding of the association between the SBW schema and mental health outcomes and lend themselves to research and clinical implications.


Organization ◽  
2021 ◽  
pp. 135050842110153
Author(s):  
Lara Pecis ◽  
Karin Berglund

Innovation is filled with aspirations for solutions to problems, and for laying the groundwork for new technological and social breakthroughs. When a concept is so positively charged, the hopes expressed may create blindness to potential shortcomings and deadlocks. To disclose innovation blind spots, we approach innovation from a feminist viewpoint. We see innovation as a context that changes historically, and as revolution, offering alternative imaginaries of the relationship between race, gender and innovation. Our theoretical framework combines bell hooks (capitalist patriarchy and intersectionality), Mazzucato (the entrepreneurial state and the changing context of innovation) and Fraser (redistributive justice) and contributes with an understanding of innovation from the margin by unveiling its political dimensions. Hidden Figures, the 2016 biographical drama that follows three Black women working at NASA during the space race, provides the empirical setting of the paper. Our analysis contributes to emerging intersectionality research in management and organisation studies (MOS) by revealing the subject positions and dynamics of inclusion/exclusion in innovation discourses, and by proposing a radical – and more inclusive – rethinking of innovation. With this article, we aim to push the margins to the centre and invite others to discover the terrain of the margin(alised). We suggest that our feminist framework is appropriate to study other organisational phenomena, over time and across contexts, to bring forward the plurality of women’s experiences at work and in organisations.


1997 ◽  
Vol 81 (1) ◽  
pp. 67-75
Author(s):  
Sylvia A. Linares ◽  
Freddy A. Paniagua ◽  
Michael O'Boyle

Paniagua, et al. suggested that the definition of a “difficult” case in psychotherapy implies a relational definition involving the characteristics of the patient, the case, and the therapist. This study concerned this hypothesis with 44 graduate students in social work who received the Difficult Case Questionnaire representing examples of variables across each domain, e.g., motivation of the client, nature of the disorder, generic factors, and orientation of the therapist. The results were compared with the 1993 findings reported by Paniagua, et al., for a group of professionals in mental health practice. As in the earlier study, the present sample also agreed that, although all such domains are important in the formulation of that definition, their importance is not equal. Whereas professionals rated patient's, case's, and therapist's characteristics as the most important order of domains in that definition, students in this study agreed on the order of therapist's, patient's, and case's characteristics.


2020 ◽  
Vol 7 (1) ◽  
Author(s):  
Ilenia Caleo

Language "is a place of struggle," says bell hooks. The relationship between art and feminism is complex and stratified, for this reason the definition of "feminist art" is tricky. I attempt here a recognition of theoretical landmarks and epistemologies come forth in the debate that examined the intersection between artistic practices and experiments of feminist policies, from the historical speeches of Nochlin, Pollock, Phelan to the Italian anomaly marked by Carla Lonzi’s eccentric work, up to to the most recent openings. From this scheme, questions active at present appear, relating to the patriarchal myth of authorship, to the status of the work, to the invisibility of material processes and to cultural appropriation. The prospect is one of a thought of practices destabilizing the canon through strategies of decolonization, countercultural practices, "positional geographies" and new epistemologies.


2016 ◽  
Vol 30 (2) ◽  
pp. 41-52
Author(s):  
Mzukisi J. Lento

This article investigates the shifts in the concept of double consciousness as depicted in bell hooks’ Bone black (1996). According to Du Bois, the idea of ‘double consciousness’ refers to being both black and American. In Du Boisian understanding, double consciousness refers to a condition of being black and American in which ‘One ever feels his two-ness – an American, a Negro; two souls, two thoughts, two unreconciled strivings’ (Du Bois 1989, 5). bell hooks agrees with this view but she also revises the concept in order to take on board the fact that black women have other experiences in addition to double consciousness in America (Hooks 1996).


2017 ◽  
Vol 51 (3) ◽  
pp. 407-411 ◽  
Author(s):  
Silvana Galderisi ◽  
Andreas Heinz ◽  
Marianne Kastrup ◽  
Julian Beezhold ◽  
Norman Sartorius
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