Most Often Motivated by Social Media: The Who, the What, and the How Much—Experience from Poland

2021 ◽  
Vol 13 (20) ◽  
pp. 11193
Author(s):  
Karol Król ◽  
Dariusz Zdonek

Content published in social media (SM) can be motivating. It can induce action, stimulate demand, and shape opinions. On the other hand, it can demotivate, cause helplessness, or overwhelm with information. Still, the impact of SM is not always the same. The paper aims to analyse the relations between sex, personality, and the way social media is used and motivation to take specific actions. The conclusions are founded on a survey (n = 462). The data were analysed with statistical methods. The study revealed that the use of SM has a significant impact on the motivation to act. Browsing through descriptions and photographs of various achievements posted by others in SM increased the intrinsic motivation of the respondents. Positive comments and emojis had a similar effect. Moreover, women and extraverts noted a significantly greater impact of SM on their intrinsic motivation concerning health and beauty effort, travel, hobby, and public expression of opinions than men and introverts. The results can be useful to recruiters. Extravert women that are open to cooperation, thorough, and well-organised are more likely to be active in SM.

Rhetorik ◽  
2017 ◽  
Vol 36 (1) ◽  
Author(s):  
Michael Klemm

AbstractSocial Media have changed the way we communicate privately or professionally. So the users have to understand the structures and specific conditions, the ›logics‹ and ›ideologies‹ of these new communication frameworks, they have to learn new rhetorical skills. On the other hand the users themselves develop and transform these media permanently in a creative way, as a part of their own media culture. This paper discusses various forms and requirements of ›Social Media Rhetorics‹ between persistence and dynamics, between accomodation and innovation - especially concerning Weblogs, Twitter, Facebook, YouTube and other phenomena as e.g. so called ›memes‹.


Author(s):  
Frank Molendijk

Social media has become an integral part of society compared to only ten years ago and has changed the way we communicate. On the other hand organizations are increasingly working in teams. Key in teamwork is communication, according to Salas et al. communication is invaluable in teamwork. However what is the influence of social media on teamwork with this major adjustment in the way we communicate? This chapter introduces a conceptual model to measure the influence of social media on teamwork aspects.


Author(s):  
Francis L.F. Lee ◽  
Joseph M. Chan

Chapter 8 discusses the impact of digital media on collective memory. The chapter examines both the positive and negative impact of digital and social media. On the one hand, the analysis notes how digital media provided the channels for memory mobilization and the archives for memory transmission. On the other hand, the analysis examines the problematics of memory balkanization. It explicates how political forces have shaped the development of digital and social media in Hong Kong and how competing representations of the Tiananmen Incident and commemoration activities are articulated and reinforced within distinctive memory silos.


2019 ◽  
Vol 13 (1) ◽  
pp. 1-17
Author(s):  
Laila Afifah ◽  
Mudatsir Najamuddin ◽  
Bintan Humaeira

Marketing is a significant point in agriculture. Without marketing, products that have been resulted may be difficult to sale. Marketing is not just a method to sell products as many as possible for benefits, but it is also the way to keep the existence of produced products on the market. The company also needs to communicate the product and the company itself to the customers, especially in the situation of fierce competition. One of the marketing successes is influenced by the promotions. Many products are not successful in the market because of the promotions failure although in terms of quality are well-established if compared with the other products (simamora, 2003: 284). Promotion program that currently favored by business is by using social media as a way to promote their products especially in companies with low budget. One of companies that uses social media to promote the products is Royal Sandwich. Royal Sandwich is one of the UKM (small and medium enterprises) in the field of convenience food. The aims of this study are: 1) Recognizing various promotion conducted by the Royal Sandwich. 2) Analyzing the effectiveness of promotion media of the fried sandwich product by Royal Sandwich based on the impact of communication. 3) Analyzing the effectiveness of promotion media of the fried sandwich product by Royal Sandwich based on the impact of sale.


2021 ◽  
Vol 34 (3) ◽  
pp. 103-115
Author(s):  
Katixa Agirre

This article explores the way Basque language cinema is adapting to streaming platforms, focusing on the case of the three Basque language films that have made it to Netflix: Loreak (2014), Handia (2017) and Errementari (2018). Firstly, it explains Netflix particularities and its emphasis on diversity, among other reasons that could explain the platform’s interest in these particular films. Secondly, it describes the way these aforementioned films have landed on Netflix and the impact this exhibition has had. I base my research on in-depth interviews with directors Jon Garaño and Paul Urkijo as well as producer Xabi Berzosa to know the insights of the process. More broadly, the article discusses the impact that becoming available on Netflix and other SVOD platforms might have for Basque cinema, especially when it comes to production and transnational distribution. On the other hand, I will also point at the challenges that this new landscape poses for the Basque audiovisual industry, and non-hegemonic languages in general. The streaming revolution, of which Netflix is currently the epitome, is changing the production, distribution, exhibition and consumption model globally, and policy makers and Basque institutions should take this transformation seriously. Loreak, Handia and Errementari should not just become happy exceptions.


2021 ◽  
Vol 5 (2) ◽  
pp. 61
Author(s):  
Ahmad Husni Hamim ◽  
Vidia Ayundhari

ABSTRACTIntegrity is one competency that civil servants must have. In this Covid-19 pandemic, civil servants’ integrity becomes an observable focus. The Work from Home (WFH) system may highly change the way how they work at home. The research aims at scrutinizing integrity inferences of civil servants during the pandemic. WhatsApp, as an application used by them to communicate, has become a significant medium to observe the patterns. Netnography method is used to observe civil servants’ community behavior on social media. From the inferences observation, it is discovered that they have demonstrated forms of integrity, such as responsibility and professionalism. The civil servants are also getting more solid, helping, and relying on each other. When conflict occurs, they will retain the right principle. On the other hand, some would balance the situation. Consistency and discipline sensed from how civil servants perceiving all-online-formats. To sum up, performing online duties during Work from Home (WFH) has shown forms of integrity among civil servants. ABSTRAKIntegritas merupakan salah satu kompetensi yang harus dimiliki seorang ASN. Dalam situasi pandemi Covid-19, integritas ASN menjadi sebuah fokus yang patut diobservasi. Sistem Work from Home (WFH) mau tidak mau mengubah cara kerja seorang ASN ketika berada di rumah. Tujuan dari penelitian ini untuk mengamati inferensi integritas ASN selama pandemi. WhatsApp, sebagai aplikasi yang digunakan para ASN untuk berkomunikasi menjadi media yang signifikan dalam mengamati pola-pola integritas tersebut. Metode netnografi digunakan untuk mengamati perilaku komunitas ASN pada media sosial. Dalam pengamatan inferensinya, ditemukan bahwa ASN telah menunjukkan bentuk-bentuk integritas seperti, tanggungjawab dan profesionalisme. Para ASN juga semakin solid, saling membantu, dan mengandalkan satu sama lain. Setiap sebuah konflik terjadi, mereka akan mempertahankan prinsip yang benar. Di sisi lain, ada yang menyeimbangkan situasi. Konsistensi dan kedisiplinan juga terlihat dari bagaimana ASN memandang format serba daring. Dapat disimpulkan bahwa performa dalam menyelesaikan tugas-tugas daring menunjukkan berbagai bentuk integritas para ASN.


Glimpse ◽  
2021 ◽  
Vol 22 (2) ◽  
pp. 83-98
Author(s):  
Obiageli Pauline Ohiagu ◽  

This chapter provides a Nigerian perspective to the global COVID-19 public health crisis that began in 2019. Two approaches were used to explain the impact of COVID-19 on the media in Nigeria and the effect of the latter on the spread/containment of the virus. The pandemic directly limited the operations of the media in many ways: socially, economically, and otherwise. On the other hand, both mainstream and social media was instrumental in curtailing the spread of COVID-19 through information, education, and infotainment.


2018 ◽  
pp. 310-326
Author(s):  
Frank Molendijk

Social media has become an integral part of society compared to only ten years ago and has changed the way we communicate. On the other hand organizations are increasingly working in teams. Key in teamwork is communication, according to Salas et al. communication is invaluable in teamwork. However what is the influence of social media on teamwork with this major adjustment in the way we communicate? This chapter introduces a conceptual model to measure the influence of social media on teamwork aspects.


2020 ◽  
Vol 13 ◽  
pp. 119-126
Author(s):  
Agnieszka Nymś-Górna

The article is a review. The purpose of this text is to review the ideas about the impact of popular culture on children and adolescents. Due to the great possibilities of popular culture, this influence is ambiguous and predictable. The concepts therefore only show certain tendencies. Children and adolescents are certainly special recipients of popular culture content. The dynamics of their development affects the way content is perceived. On the other hand, however, they can be not only passive recipients, but also active recipients who, by processing the incoming content, may derive additional benefits from it. For this reason, popular culture becomes an educational space with great potential, which, however, must be skillfully disposed of in order to achieve the intended effects of work.


2019 ◽  
Author(s):  
Tama Leaver

While social media is, by definition, about connecting multiple people, many discussions about social media platforms and practices presume that accounts and profiles are managed by individual users with the agency to make fully-informed choices about their activities. When discussing children, especially younger children, their agency is at times characterised as partial, or emerging, but with the presumption that with sufficient time they will eventually reach the same (presumed) status and ability as adult users (Livingstone & Third, 2017). At the other end of life, at the moment of death, the social media traces and online presences that persist after a user has passed away also present challenges in terms of agency. While there is an increasing push to include some sort of instructions about digital property in wills, these instructions are currently few and far between. Some platforms have deployed algorithmic solutions which have begun to address the reality of deceased users, but these are, at best, partial and largely insufficient responses. With these two figures in mind, I argue that the very young—from conception to birth and early infancy—and the recently deceased both act as liminal figures where the question of their (lack of) agency on social media highlights some of the ongoing challenges in presuming that social media traces can always be the responsibility of users with full, or even partial, agency. Rather, using a range of examples, I argue in this chapter that more encompassing ways of thinking about the relationship between social media, networked selves and identities, are needed. Drawing on work from the creative industries, I suggest that the term co-creation can be reframed to emphasise the way that social media almost always entails creating other people’s identities as much as our own. Parents and carers are the first arbiters and co-creators of a young person’s life, making a large number of important choices about what sort of private or public online presence a newly born baby will have, how that presence will develop over time, on which platforms, and under which circumstances. Parents, in effect, can choose to name their children into being online, and in doing so must navigate the parental joys of sharing whilst balancing this against the rights of the child to, amongst other things, privacy in the present and future. At the other end of life, but in functionally similar ways, the loved ones left behind by the recently deceased will often need to make decisions about which social media profiles and traces persist after that user has died, how these traces will be (re)framed, and what online spaces will persist (if any), possibly in the form of online memorials. Moreover, both ends of life are now situated in an online context where real identities and real names, which persist over time, are both expected and demanded by the policies and practices of online platforms. The use of real names on social media amplifies the impact and longevity of social media traces, whether early or late in life. In outlining the challenges inherent in framing the very young, and the recently deceased, online, I argue in this chapter that a broader sense of agency and impact is needed across all life-stages on social media. A wider lens in terms of the way users contribute to the stories of each other on social media may well assist us all in making decisions about online material that inevitably impact the lives and legacies of other people.


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