scholarly journals Creative Researches of Young Cameramen on the Creation of Graphic Image in Modern Uzbek Feature Films

2019 ◽  
Vol 9 (1) ◽  
pp. 5230-5236
Keyword(s):  
Film Industry ◽  
Scientific Article ◽  
Feature Films ◽  
Scientific Significance ◽  
Graphic Image ◽  
The Creation

In this scientific article the art of today’s Uzbek cinema, and its problems related to professionalism, their solutions and image decision on screen, and the graphic aspect of Uzbek private films has been analyzed. The scientific significance of the research is that the activities of the cameramen in the Uzbek private film industry, their role in the image decision have been thoroughly analyzed, the films that shot by them has been analyzed, and recommendations for eliminating identified shortcomings have been developed.

Soviet Art House

2021 ◽  
Author(s):  
Catriona Kelly
Keyword(s):  
Film Industry ◽  
Working Life ◽  
Film Production ◽  
Entire System ◽  
Technical Aspects ◽  
Soviet Film ◽  
Soviet Art ◽  
Feature Films

This book examines cinema in the Brezhnev era from the perspective of one of the USSR’s largest studios, Lenfilm. Producing around thirty feature films per year, the studio had over three thousand employees working in every area of film production. The discussion covers the period from 1961 to the collapse of centralized state facilities in 1986. The book focuses particularly on the younger directors at Lenfilm, those who joined the studio in the recruiting drive that followed Khrushchev’s decision to expand film production. Drawing on documents from archives, the analysis portrays film production “in the round” and shows that the term “censorship” is less appropriate than the description preferred in the Soviet film industry itself, “control,” which referred to a no less exigent but far more complex and sophisticated process. The book opens with four framing chapters that examine the overall context in which films were produced: the various crises that beset film production between 1961 and 1969 (chapter 1) and 1970 and 1985 (chapter 2), the working life of the studio, and particularly the technical aspects of production (chapter 3), and the studio aesthetic (chapter 4). The second part of the book comprises close analyses of fifteen films that are typical of the studio’s production. The book concludes with a brief survey of Lenfilm’s history after the Fifth Congress of the Filmmakers’ Union in 1986, which swept away the old management structures and, in due course, the entire system of filmmaking in the USSR.

The Career of Actress Hafsia Herzi: Crossing Borders, Challenging Barriers

Cinéma-monde ◽  
2018 ◽  
Author(s):  
Leslie Kealhofer-Kemp
Keyword(s):  
Film Industry ◽  
Global Dimension ◽  
French Film ◽  
Feature Films ◽  
International Attention

In 2007, Hafsia Herzi broke into the French film industry and gained international attention with her performance in Abdellatif Kechiche’sLa Graine et le mulet/The Secret of the Grain. Since then, Herzi has appeared in more than twenty feature films, and her projects and creative path reflect an overarching desire for mobility and diversity, including a notable global dimension. Consideration of Herzi’s professional trajectory as an example of a specific cinéma-monde path within the French film industry provides a productive way to think about these unique aspects of her career and sheds light on how global film roles (and the actress’s ability to speak French, English, and different dialects of Arabic) have enabled her to overcome the limitations of roles offered to her as a Maghrebi-French actress in France.

A Closer Look: Kelly Reichardt

2018 ◽  
Author(s):  
E. Dawn Hall
Keyword(s):  
Film Industry ◽  
Early Growth ◽  
Specific Model ◽  
Biographical Sketch ◽  
Independent Film ◽  
Childhood Education ◽  
Feature Films ◽  
Artistic Vision ◽  
Definition Of Success ◽  
Definition Of

This chapter focuses on Reichardt’s career, definition of success, and specific model of filmmaking. Included is a brief biographical sketch of Reichardt’s life, detailing issues related to family, childhood, education, and other filmmaking experiences in addition to her feature films and shorts. This biography gives way to a discussion of the filmmaker’s experiences in the independent film industry as a woman director and an artist who defines success as controlling her artistic vision. The overview of Reichardt’s early growth and experiences as a student and filmmaker, informs the production details and close readings of her feature films.

The Making of Modern Icons: Three Actresses of the Lianhua Film Company

2007 ◽  
Vol 6 (1) ◽  
pp. 43-73 ◽  
Author(s):  
Anne Kerlan-Stephens
Keyword(s):  
Social Status ◽  
Detailed Analysis ◽  
Chinese Woman ◽  
Private Lives ◽  
Feature Films ◽  
Modern Chinese ◽  
The Creation ◽  
Public Lives

AbstractBetween 1930 and 1937, the Lianhua Film Company was one of the major studios in China, and in many ways was a symbol of modernity. The policy of the Company towards its actors was quite new and contributed to the creation of a new social status for this group, especially for the women. This paper focuses on three female stars (Wang Renmei, Chen Yanyan and Li Lili,) who worked for the Lianhua Film Company. Through a detailed analysis of the photos published in its magazine, Lianhua Huabao, as well as feature films produced by the Company, we will study Lianhua's strategies to transform these women into professional actresses. Their image was created by the entanglement of three spheres: their private lives, their public lives and their fiction lives played on screen. We will consider the sometimes conflicting relationships between these spheres by looking at the visual sources (photos and feature films) in conjunction with the actresses' biographies and movie roles. This will underline the complexity and ambiguity of a process understood by the Lianhua Film Company not only as the making of professional actresses but also as the creation of a new, modern Chinese woman.

Vietnamese Cinema: First Views

1991 ◽  
Vol 22 (1) ◽  
pp. 33-62 ◽  
Author(s):  
John Charlot
Keyword(s):  
Film Industry ◽  
The United States ◽  
Film Festival ◽  
Feature Film ◽  
Staff Members ◽  
Feature Films ◽  
East Bloc ◽  
Department Staff ◽  
History Of ◽  
General Director

Vietnamese cinema has only recently become known outside of the East Bloc countries. The first public showing of a Vietnamese feature film in the United States was that of When the Tenth Month Comes at the 1985 Hawai'i International Film Festival in Honolulu. At the 1987 Festival, a consortium of American film institutions was formed with Nguyen Thu, General Director of the Vietnam Cinema Department, to organize the Vietnam Film Project — the first attempt to introduce an entire new film industry to America. The purpose of this article is to provide a brief description of Vietnamese cinema along with an appreciation of its major characteristics and themes. I base my views on my two visits to the Vietnam Cinema Department in Hanoi — for one week in 1987 and two in 1988 — on behalf of the Hawai'i International Film Festival. During those visits, I was able to view a large number of documentaries and feature films and to discuss Vietnamese cinema with a number of department staff members. I was able to obtain more interviews during the visits of Vietnamese to the Hawai'i International Film Festival in Honolulu. This article cannot claim to be an adequate introduction to the history of Vietnamese cinema, a task I hope will be undertaken with the aid of my informants and the sources I list as completely as possible.

‘Dégage—We’re Filming!’

2014 ◽  
Vol 7 (3) ◽  
pp. 330-350
Author(s):  
Nabil Mouline
Keyword(s):  
Film Industry ◽  
The State ◽  
Historical Documents ◽  
Large Sample ◽  
The Creation ◽  
Egyptian Cinema ◽  
Sociopolitical Issues

The Egyptian film industry has gone through dramatic changes since the early 2000s. One tangible consequence of such changes was the production—whether intentional or not—of protest films that expressed opposition to prevailing viewpoints and sought to break the taboo on key sociopolitical issues. Not only do these films serve as historical documents reflecting the state of society, but they also proved to be efficient tools of soft influence and mobilization, and they contributed to the creation of a new dynamic that inspired people to take to the streets on 25 January 2011. Based on the analysis of a large sample of blockbuster films, this article sheds light on the roles played by Egyptian cinema between 2001 and 2011.

scholarly journals Kino pamięci narodowej jako proteza: Filmy o żołnierzach wyklętych

2019 ◽  
Author(s):  
Elżbieta Durys
Keyword(s):  
Social Expectations ◽  
Delayed Release ◽  
Feature Films ◽  
The Creation ◽  
Documentary Filmmaking ◽  
Film Cycles

Cinema of national remembrance as a prosthesis: Polish films on cursed soldiersDespite the established position of historical cinema and the huge social expectations revealed by the reception of the long delayed release of Historia Roja (2016, dir. Jerzy Zalewski), Polish cinema, especially feature films, has only slightly contributed to the creation and preservation of the cursed soldiers phenomenon. In the article I focus on the contemporary films on cursed soldiers, both feature ones and documentaries, from the perspective of Alison Landsberg’s prosthetic memory. I will analyze the former using the Amanda Ann Klein’s concept of film cycles. I will describe the latter in the context of historical documentary filmmaking after 1989, referring to Mirosław Przylipiak’s findings. Kino pamięci narodowej jako proteza: Filmy o żołnierzach wyklętychMimo ugruntowanej pozycji kina historycznego i olbrzymich oczekiwań społecznych, które ujawniły reakcje na odwlekaną premierę Historii Roja (2016, reż. Jerzy Zalewski), polskie kino, zwłaszcza fabularne, w niewielkim stopniu przyczyniło się do współtworzenia fenomenu tzw. żołnierzy wyklętych. W artykule skupiam się na współczesnych filmach o żołnierzach wyklętych przez pryzmat koncepcji pamięci protetycznej Alison Landsberg, biorąc pod uwagę zarówno fabuły jak i dokumenty. Te pierwsze charakteryzuję, używając koncepcji cyklu filmowego Amandy Ann Klein. Te drugie opisuję, umieszczając je w nurcie dokumentalnych filmów historycznych po 1989 roku, przy czym odwołuję się do ustaleń Mirosława Przylipiaka.

scholarly journals CREATION OF TOPOLOGIES OF BUILDINGS AND STRUCTURES AND METHODS FOR THEIR EFFECTIVE PROCESSING AT THE DESIGN STAGE

2019 ◽  
pp. 396-403
Author(s):  
A.T. Marufiy ◽  
A.S.Kalykov
Keyword(s):  
Topology Design ◽  
Design Stage ◽  
Scientific Article ◽  
The Creation

The scientific article describes the methodology for improving the creation of topology (design schemes) of buildings and structures. Considered in detail the use of routines AutoLISP and BlackBox in creating the topology of buildings and structures. The proposed method of implementing the task.

scholarly journals Information system for recording the results of scientific activities of the Federal Penitentiary Service of Russia: issues of creation and prospects of application

2021 ◽  
Vol 235 (12) ◽  
pp. 71-78
Author(s):  
EVGENIYA G. TSARKOVA ◽  
Keyword(s):  
Information System ◽  
Web Application ◽  
Scientific Activity ◽  
Information Flows ◽  
Functional Requirements ◽  
Educational Organizations ◽  
Cross Platform ◽  
The Russian Federation ◽  
Scientific Significance ◽  
The Creation

The research is aimed at developing and implementing proposals for automating the activities of scientific and educational organizations of the Federal Penitentiary Service of Russia for accounting, collecting, processing and analyzing the information on the results of scientific and scientific&technical activities of scientific and educational organizations of the Federal Penitentiary Service of Russia.The practical and scientific significance of the work lies in the development and testing of algorithms, the study of information flows and structures at the creation of an information system for recording the results of scientific activities of scientific and educational organizations of the Federal Penitentiary Service of Russia – the information system «UIS Nauka» (UIS Science). The research methodology is based on the use of methods of systems analysis, modeling of information flows, the theory of complex systems. The study made it possible to formulate functional requirements for the system for recording the results of scientific activity and implement them in a prototype of the information system «UIS Nauka» in the form of a cross-platform, cross-browser web application. The creation of this system made it possible to provide the Federal Penitentiary Service of Russia with an effective tool for planning, coordinating, and recording the results of scientific activities. Key words: information system «UIS Nauka», scientific research, scientific and technical activities, the penal system of the Russian Federation.

scholarly journals Las aportaciones de los exiliados españoles a México y una nota sobre Buñuel

2014 ◽  
Vol 4 (1) ◽  
Author(s):  
Jonathan Godínez Páez
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
Film Industry ◽  
Panoramic View ◽  
Luis Bunuel ◽  
Look Back ◽  
Mexican Film ◽  
The Creation

RESUMEN El presente artículo brinda una mirada panorámica del exilio español a México tras el estallido de la Guerra Civil española en 1936. Se inicia con un recuento histórico de las vidas de los exiliados españoles, desde la llegada de los niños de Morelia y la creación de La Casa de España hasta su eventual adaptación al país que los recibió. Se discuten brevemente las dificultades a las que se enfrentaron los exiliados tras su llegada, para después puntualizar la manera en la que su integración repercutiría en la vida cultural, académica y científica del México de la época. Además de lo anterior se dedica un espacio a Luis Buñuel y sus aportaciones al cine mexicano. Independientemente de que la llegada de Buñuel a México se da por razones distintas a las de los exiliados su estancia en el país coincide con la de otros compatriotas exiliados. ABSTRACT This article offers a panoramic view of the Spanish exile to Mexico after the outbreak of the Spanish Civil War in 1936. It begins with a look back at the lives of the Spanish exiles; from the arrival of Los niños de Morelia and the creation of La Casa de España up until their eventual adaptation to the country that received them. The difficulties that the exiles faced after their arrival are briefly discussed to later point out how their integration influenced the cultural, academic and scientific Mexico of that time. In addition to what’s previously stated, there’s a space dedicated to Luis Buñuel and his contributions to the Mexican film industry. Aside from the fact that Buñuel’s arrival happens for different reasons from the exiles’, his residing in the country coincides with that of other exile countrymen.

Sign in / Sign up

Export Citation Format

Share Document