The Determinants for the Emergence of a Dominant Design in the Electronic Display Industry

2020 ◽  
Vol 23 (6) ◽  
pp. 1093-1117
Author(s):  
In-Hwan Yoon ◽  
Chul-Ho Jung
Romanticism ◽  
2008 ◽  
Vol 14 (1) ◽  
pp. 57-67
Author(s):  
Mark Sandy

Attaining prominence in the post-war era, Saul Bellow is one of the most widely read and intellectually eclectic novelists of the Jewish American School.1 Bellow's frequent references to Romanticism form a dominant design within his culturally diverse fiction.2 Taken from Bellow's Herzog, my title indicates the two levels on which Bellow's Romantic allusions operate. At one level, this ‘webbed’ pattern of ‘golden lines’ suggests how Bellow interlaces his own prose with the poetry and philosophy of British Romanticism to govern readers' responses to his portrayal of epiphanies. On another, Herzog's moment of inter-connected vision signals Bellow's investment in a Coleridgean and Wordsworthian imagination that reveals the all-pervasive spirit of the ‘[o]ne Life within us and abroad’3. This metaphysical dimension to Bellow's web of ‘golden lines’ finds a further affinity with Shelley's later notion of the ‘web of being’.4


Author(s):  
Rohit Kuthe ◽  
Nilesh Sonkusare ◽  
L. H. Patil

This paper talks about an innovative and rather an interesting manner of intimating the message to the people using the wireless electronic display on the screen. This will help us in passing any message almost immediately without any delay just by sending an SMS which is better and more reliable than the old traditional way of passing the message on a screen. Our aim is to reduce the amount of paper work and make use the possible technological resources.  In this paper, we are trying to implement our system in such a way that it can display message send from the authorized user to the various receiving ends. So spreading of important message or screen will take place within the very short span of time to respective mobile application. Means user or registered person will be able to send the message from anywhere and this message will be displayed on a screen at the respective place.


Screen Bodies ◽  
2020 ◽  
Vol 5 (2) ◽  
pp. 46-62
Author(s):  
Yunying Huang

Dominant design narratives about “the future” contain many contemporary manifestations of “orientalism” and Anti-Chineseness. In US discourse, Chinese people are often characterized as a single communist mass and the primary market for which this future is designed. By investigating the construction of modern Chinese pop culture in Chinese internet and artificial intelligence, and discussing different cultural expressions across urban, rural, and queer Chinese settings, I challenge external Eurocentric and orientalist perceptions of techno-culture in China, positing instead a view of Sinofuturism centered within contemporary Chinese contexts.


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