scholarly journals La novela de la Intervención y el Segundo Imperio mexicano. Una polémica silenciada

La Colmena ◽  
2019 ◽  
pp. 43
Author(s):  
Gerardo Francisco Bobadilla-Encinas
Keyword(s):  
Jose Zorrilla ◽  
Ignacio Manuel Altamirano

Desde la perspectiva de la semiótica literaria y cultural, se reconocen, contextualizan y explican las características composicionales y estilísticas de la novela de la Intervención y el Segundo Imperio mexicano (1868-1906), mismas que fueron articuladas por un grupo de escritores adscritos a la poética nacionalista de Ignacio Manuel Altamirano —Juan Antonio Mateos, Vicente Riva Palacio, Ireneo Paz, Victoriano Salado Álvarez, Juan de Dios Peza— al término de la lucha con el invasor franco-austriaco. Dicha resolución ética y estética fue una respuesta artística a lo planteado por José Zorrilla en Drama del alma. Algo sobre México y Maximiliano (1867), obra con la cual entabló un debate o polémica silenciosa. Con este trabajo se da forma y sentido dentro de la historia literaria mexicana a un corpus que, mencionado y reconocido, permanecía amorfo hasta ahora.

scholarly journals José Zorrilla y los mitos fundacionales del romanticismo hispánico: sentido y estructura de la azucena silvestre: leyenda religiosa del siglo IX (1845)=José Zorrilla and the foundational myths of the Spanish Romanticism: sense and structure of la azucena silvestre: leyenda religiosa del siglo IX (1845)

2019 ◽  
pp. 23
Author(s):  
Claudia Lora Márquez
Keyword(s):  
Nineteenth Century ◽  
Narrative Style ◽  
Jose Zorrilla

<p align="left"><strong>Resumen</strong></p><p>José Zorrilla publica en 1845 <em>La azucena silvestre: leyenda religiosa del siglo IX. </em>Utilizando la leyenda como cauce narrativo, el poeta vallisoletano actualiza el mito fundacional del monasterio catalán de Montserrat acomodándolo a los principios ideológicos del pensamiento reaccionario español decimonónico: tradición, nación y religión.</p><p align="left"><strong> </strong><strong>Abstract</strong></p><p>José Zorrilla publishes in 1845 <em>La azucena silvestre: leyenda religiosa del siglo IX. </em>Using the legend as narrative style, the poet from Valladolid brings up to date the foundational myth of the Catalonian monastery of Montserrat streghtening the most important ideological principles of nineteenth-century Spain’s reactionary ideology: tradition, nation and religion.  </p>

scholarly journals Ignacio Manuel Altamirano, Clemencia y la ecocrítica.

Sincronía ◽  
2021 ◽  
Vol XXV (79) ◽  
pp. 186-204
Author(s):  
Mariana Guadalupe Bueno Ibarra ◽  
Keyword(s):  
Open Space ◽  
Natural World ◽  
Mexican Literature ◽  
Active Part ◽  
Fundamental Importance ◽  
Nature In Literature ◽  
Xix Century ◽  
Ignacio Manuel Altamirano

Ignacio Manuel Altamirano’s narrative has been one of the testimonies more remarkable of Mexican literature of the XIX century. Its study suggests many ways of approach to one of the more important historic and cultural time living in Mexico. The actual work analyses from the perspective of the ecocritic theory the fundamental importance of space and nature in literature. Clemencia is a novel that inscribes in the romanticism, nature develop in an open space with notables descriptions about mountains, plants, and gardens. The Ecocritics based its study in a natural perspective and about how it comes an active part in the narration; it gives a testimony of a concrete époque and reveals the relation between human / no-human. It is in Clemencia where this characteristic works in a space, where the natural world has and gives transcendental importance, a poetic scenery, nature, conforms for the nineteenth landscape in Guadalajara city.

Panorama y panóptico en México y los mexicanos de José Zorrilla

2009 ◽  
Vol 62 (2) ◽  
pp. 163-177 ◽  
Author(s):  
Christina Karageorgou-Bastea
Keyword(s):  
Jose Zorrilla

Jose Zorrilla y la retorica de la muerte

1989 ◽  
Vol 57 (4) ◽  
pp. 437
Author(s):  
John Dowling
Keyword(s):  
Jose Zorrilla

Indian Saints and Nation-States: Ignacio Manuel Altamirano’s Landscapes and Legends

2004 ◽  
Vol 20 (1) ◽  
pp. 47-68 ◽  
Author(s):  
Edward Wright-Rios
Keyword(s):  
Twentieth Century ◽  
Native American ◽  
American Culture ◽  
Popular Religion ◽  
National Character ◽  
Native American Culture ◽  
Nation States ◽  
Religion And Modernity ◽  
Urban Rural ◽  
Ignacio Manuel Altamirano

Analyzing the costumbrista sketches of Ignacio Manuel Altamirano as a single multi-faceted work, and comparing his treatment of popular Catholicism in different communities, this study represents a new reading of the author’s writings. It proposes that Altamirano’s juxtaposition of religion and modernity across urban-rural and ethnic continua reveals the author exploring the possibilities of Indian-centered nationalism rooted in what he describes as the innately American, independent spirit of rural indigenous Catholic practice. In short, camou- flaged in a traditional, eclectic genre, Altamirano identified the foundations of the national character in Indian popular religion long before twentieth-century indigenismo looked to contemporary Native American culture for inspiration.

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