Ekspresi Wajah Manusia dalam Menanggapi Kehidupan  Sebagai Ide Pada Penciptaan Karya Seni Grafis

Heri Iswandi

doi:10.36982/jsdb.v5i2.1838

Ekspresi Wajah Manusia dalam Menanggapi Kehidupan Sebagai Ide Pada Penciptaan Karya Seni Grafis

Besaung : Jurnal Seni Desain dan Budaya ◽

10.36982/jsdb.v5i2.1838 ◽

2021 ◽

Vol 5 (2) ◽

Author(s):

Heri Iswandi

Keyword(s):

Mixed Media

Karya ini berjudul ‘Ekspresi Wajah Manusia dalam Menanggapi Kehidupan Sebagai ide Pada Penciptaan Karya Seni Grafis’. Ekspresi wajah yang timbul dari seseorang, berawal dari interaksi terhadap apa yang dilihatnya dan apa yang tersimpan di dalam pikirannya. Pada karya yang dibuat, visual ekspresi wajah manusia yang tergambar lebih dititikberatkan kepada Ninik Mamak. Ninik Mamak atau yang lebih dikenal dengan nama penghulu adalah pemimpin adat (fungsional adat) di Minangkabau. Jabatan Ninik Mamak adalah sebagai pemegang sako datuk (datuak) secara turun temurun menurut garis keturunan ibu dalam sistem matrilineal. Pencipta memilih ninik mamak sebagai objek pada tema yang diangkat. Karya yang diciptakan merupakan hasil dari peminjaman figur beberapa potret wajah ninik mamak di Minangkabau. Ninik mamak atau yang lebih dikenal dengan nama penghulu adalah pemimpin adat di Minangkabau. Jabatan ninik mamak sebagai pemegang sako datuk (datuak) secara turun temurun menurut garis keturunan ibu dalam sistem matrilineal. Ekspresi wajah yang terlahir dari ninik mamak ini nantinya akan menciptakan respon ketika menghadapi suatu konflik sosial yang terjadi dalam kehidupan. Di mana kebudayaan dan adat istiadat di Minangkabau mulai terkikis oleh perkembangan zaman modern. Hal ini bertujuan untuk introspeksi dan penyadaran kepada masyarakat terhadap prilaku sosial yang bersifat negatif melalui figur dan ekspresi wajah ninik mamak di Minangkabau. Penggarapan karya seni grafis yang dibuat menggunakan teknik hardboard cut, hand colouring, dan mixed media.

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Rewriting the Narrative

California History ◽

10.1525/ch.2019.96.4.54 ◽

2019 ◽

Vol 96 (4) ◽

pp. 54-77

Author(s):

Nicolas G. Rosenthal

Keyword(s):

Twentieth Century ◽

Native American ◽

American Indian ◽

Modern Society ◽

Mixed Media ◽

The State ◽

Historical Narratives ◽

Recent Scholarship ◽

Art Scene ◽

The 1960S

A vibrant American Indian art scene developed in California from the 1960s to the 1980s, with links to a broader indigenous arts movement. Native American artists working in the state produced and exhibited paintings, prints, sculptures, mixed media, and other art forms that validated and documented their cultures, interpreted their history, asserted their survival, and explored their experiences in modern society. Building on recent scholarship that examines American Indian migration, urbanization, and activism in the twentieth century, this article charts these developments and argues that American Indian artists in California challenged and rewrote dominant historical narratives by foregrounding Native American perspectives in their work.

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POTENSI SENI KRIYA ISTIMEWA DALAM PAMERAN “NEGARI NGAYOGYAKARTA HADININGRAT 2012”

CORAK ◽

10.24821/corak.v1i2.349 ◽

2013 ◽

Vol 1 (2) ◽

Author(s):

Edi Eskak

Keyword(s):

Performance Art ◽

Mixed Media ◽

First Century ◽

Creative Potential ◽

Works Of Art ◽

Arts Festival ◽

Digital Prints ◽

Wide Assortment

Arts Festival Negari Ngayogyakarta Hadiningrat 2012 undertaken in order to commemorate the first century of Hamengku Buwono IX as well as 2,5 century of Ngayogyakarta Hadiningrat, featuring the character or the privilege of Yogyakarta through works of art by artists with no exit from the corridors of copyrighted artistic distinctiveness. The works on display most of the particular character, specific and have their own specialty. Privileges of Yogyakarta with its dynamic, multicultural, and tolerant of the works reflected on display in the various mediums of expression and creation. A wide assortment of works of art displayed expression of both the traditional, conventional and non conventional, such as: painting, graphics, sculpture, video, film, animation, installation, performance art, digital prints, puppets, mixed media and others. Not to mention that the exhibition has a variety of craft works of art, such as the art which haselements of craftmanship. The uncommon art that relies on creativity ideas and handskills in this exhibition appear surprisingly with exceptional works that have creative potential prospective. These young artists, among other craft; Karyadi, Fitriasih Pudyo Atmaningrum, I Gde Suryawan, and I Gusti Ngurah Edi Basudewa.Keywords: potential, arts crafts, specialty, and Negari Ngayogyakarta Hadiningrat

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Fascist Pizza and the Lyceum Bakery: Remix, Mash-Up, and Student Generated Mixed Media in an Introductory Political Theory Course

SSRN Electronic Journal ◽

10.2139/ssrn.2206380 ◽

2013 ◽

Author(s):

Fran Moran

Keyword(s):

Political Theory ◽

Mixed Media

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Mixed Media

10.2307/j.ctt184qpx0 ◽

2015 ◽

Author(s):

Simone Murray

Keyword(s):

Mixed Media

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Human Orosomucoid: Dissociation of Tyrosines in the Systems Water-Low Aliphatic Alcohol

Collection of Czechoslovak Chemical Communications ◽

10.1135/cccc19971533 ◽

1997 ◽

Vol 62 (10) ◽

pp. 1533-1543

Author(s):

Vladimír Karpenko ◽

Jana Horálková ◽

Milan Kodíček

Keyword(s):

Human Serum ◽

Systems Analysis ◽

Titration Curve ◽

Relative Permittivity ◽

Structural Changes ◽

Aliphatic Alcohol ◽

Mixed Media ◽

Spectrophotometric Titration ◽

Electrostatic Effects

The influence of methanol, ethanol, propan-1-ol, and propan-2-ol on the dissociation of tyrosines of human serum orosomucoid (acid α1-glycoprotein) was studied. The content of alcohols was chosen so that their solutions had the same value of the relative permittivity. Then, the contribution of electrostatic effects was equal in all cases and the observed differences between aqueous and alcoholic solutions reflected other, nonelectrostatic effects in the studied systems. Analysis of the spectrophotometric titration curve revealed three kinds of tyrosine groups (n1, n2, n3), but only the values pK1 and pK2 could be calculated. The observed differences of pK values in aqueous and mixed media are discussed and compared with the structural changes of the orosomucoid molecule.

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Arts-Based Research: Merging Social Research and the Creative Arts

The Oxford Handbook of Qualitative Research ◽

10.1093/oxfordhb/9780190847388.013.27 ◽

2020 ◽

pp. 600-632

Author(s):

Gioia Chilton ◽

Patricia Leavy

Keyword(s):

Social Research ◽

Mixed Media ◽

Assessment Criteria ◽

Creative Arts ◽

Arts Based Research ◽

Poetic Inquiry ◽

Public Scholarship ◽

Literary Forms ◽

The Future ◽

Methodological Principles

Arts-based research (ABR) is a rapidly growing methodological genre. Arts-based research adapts the tenets of the creative arts in social research to make that research publicly accessible, evocative, and engaged. This chapter provides a retrospective and prospective overview of the field, including a review of some of the pioneers of arts-based research, methodological principles, and robust examples of arts-based research in different artistic genres. We include literary forms such as poetic inquiry and fiction, performative forms such as playbuilding, ethnodrama, ethnotheater and film, and visual forms such as photography, collage, art journaling, and mixed media. We note researches also use multiple art forms, and evolving and innovative forms of art. We provide suggestions for (contested) assessment criteria, such as utility, aesthetics, authenticity and valuing participatory and transformative approaches. The chapter closes with our thoughts regarding the future of the field, which includes ABR’s potential to improve public scholarship.

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A Study of Creative Artworks of Picture Books with Tableware Colored Using Mixed Media

Advanced Materials Research ◽

10.4028/www.scientific.net/amr.213.177 ◽

2011 ◽

Vol 213 ◽

pp. 177-181

Author(s):

Rui Lin Lin

Keyword(s):

Picture Books ◽

Professional Knowledge ◽

Mixed Media ◽

Practical Aspect ◽

Group Discussions ◽

Outdoor Activities ◽

Central Taiwan ◽

Class Teacher

The purpose of this study is to complete the creative artworks colored using mixed media for the picture books which come as free gifts with the children’s tableware by cooperating with companies in central Taiwan. The personification method was applied to the story marketing design to create a leading character, Baby Cow, with western imagery and eastern quality. The pictures were drawn by hands because it is warm and may imply children’s healthy and vigorous qualities. The design also focuses on several good friends of the leading character, with season changes and corresponding outdoor activities. Moreover, the researcher asked a class teacher from a technology university to guide her students from the design department to make their creative artworks for picture books through group discussions. The results of their designs not only solved the companies’ designing problem but also met the expected goal. And students were able to get to know the industry earlier. The purpose of combining practices with theories for curriculum learning was achieved. And the teacher had learned more about the practical aspect, which helped to improve her professional knowledge.

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