scholarly journals Bias Gender pada Film Korea Bergenre Drama Weightlifting Fairy Kim Bok Joo dan Strong Woman Do Bong Soon

PROPAGANDA ◽  
2021 ◽  
Vol 1 (2) ◽  
pp. 130-144
Author(s):  
Qorry Anggraini ◽  
Hasan Sazali ◽  
Abdul Karim Batubara
Keyword(s):  
Strong Woman

Penelitian ini berjudul “Bias gender pada film bergenre drama Weightlifting Fairy Kim Bok Joo dan Strong Woman Do Bong Soon”. Tujuan penelitian ini adalah untuk mengetahui bagaimana film Korea bergenre drama yang berjudul Weightlifting Fairy Kim Bok Joo dan Strong Woman Do Bong Soon mengonstruksi hingga merepresentasi gender. Teori yang digunakan untuk mengupas penelitian ini adalah Teori representasi, Analisis isi, dan Media. Objek penelitian adalah 16 Episode film Korea bergenre drama Weightlifting Fairy Kim Bok Joo dan 16 episode film Korea bergenre drama Strong Woman Do Bong Soon. Metode yang digunakan dalam penelitian ini adalah metode kualitatif dengan paradigma deskriptif. Teknik analisis yang digunakan adalah analisis isi. Hasil penelitian menunjukkan film Korea bergenre drama yang berjudul Weightlifting Fairy Kim Bok Joo dan Strong Woman Do Bong Soon merepresentasi gender dengan berbagai macam cara yang dipahami peneliti dengan ketiga teori yang digunakan serta pendekatan semiotika.

scholarly journals Women in a situation of homelessness and violence: a single-case study using the photo-elicitation technique

2021 ◽  
Vol 21 (1) ◽  
Author(s):  
Clara Isabel Posada-Abadía ◽  
Carolina Marín-Martín ◽  
Cristina Oter-Quintana ◽  
María Teresa González-Gil
Keyword(s):  
Single Case ◽  
Photo Elicitation ◽  
Single Case Study ◽  
Physical And Mental Health ◽  
Family Networks ◽  
New Family ◽  
Mother Child Relationships ◽  
Construction Of Self ◽  
Strong Woman

Abstract Background Violence against women places them in a vulnerable position with regard to homelessness. Although sometimes invisible, women’s homelessness is a complex reality shrouded in dramatic biographies that should be sensitively addressed to avoid revictimization. Methods With the aim of understanding the chaotic discourse of homeless women’s experiences of violence, a qualitative single-case study was conducted using the photo-elicitation technique. Data were analyzed in accordance with grounded theory. Results The participant’s discourse could be summarized in the following categories: “Living in a spiral of violence”, “Confronting vulnerability and violence”, “Being a strong woman”, “New family networks”, “Re-building mother–child relationships”, and “Nurturing spiritual wellbeing”. Conclusions Supporting homelessness women requires an approach that focuses on the prevention of re-victimization and the consequences of violence in terms of physical and mental health. Shelters are spaces of care for recovery and represent referential elements for the re-construction of self.

scholarly journals Representasi Perempuan dalam Film Siti

2019 ◽  
Vol 3 (1) ◽  
pp. 47
Author(s):  
Ganjar Wibowo
Keyword(s):  
Qualitative Approach ◽  
Roland Barthes ◽  
Gender Justice ◽  
Film Festival ◽  
Representation Of Women ◽  
Patriarchal Culture ◽  
Strong Woman

Film berjudul Siti yang disutradarai oleh Eddie Cahyono berhasil memenangkan ajang Festival Film Indonesia pada 2015. Film yang ditayangkan terbatas ini berkisah mengenai peran seorang ibu, istri, sekaligus pencari nafkah. Penelitian ini bertujuan untuk menggambarkan representasi perempuan dalam film Siti. Penelitian ini menggunakan pendekatan kualitatif dengan metode semiotika Roland Barthes. Dari film ini, setidaknya ada tiga hal yang bisa dikemukakan sebagai penekanan. Pertama, film ini tidak keluar dari sosok Siti (sosok perempuan yang lemah, tabah, dan kuat). Kedua, unsur lokalitas tetap dibangun tanpa dipermainkan. Ketiga, sajian sinematik yang minimalis dan sederhana menjadikan setiap pesan dalam film ini bisa tersampaikan dengan baik. Sekalipun film ini hadir dalam ruang kontradiktif satu sama lain, karena mengangkat dan menggambarkan sosok perempuan Jawa yang hidup dalam kesumukan budaya patriarkal, bukan berarti film ini membawa/menyuarakan paradigma feminis atau keadilan/ketidakadilan gender.Kata Kunci: Siti, perempuan Jawa, patriarkal, film The film titled Siti, directed by Eddie Cahyono, won Indonesian Film Festival in 2015. The limited screened film revolves around the role of a mother, wife, and breadwinner. This study aims to describe the representation of women in the film Siti. This study uses a qualitative approach with Roland Barthes's semiotic method. From this film, there are at least three things that can be put forward as emphasis. First, this film did not come out of the figure of Siti (a weak, steadfast and strong woman). Second, the element of locality is still built without being mocked. Third, a minimalist and simple cinematic presentation makes every message in this film well conveyed. Even this film is present in contradictory space with one another because raising and describing Javanese women who live in the patriarchal culture, it does not mean that this film brings out the feminist paradigm or gender justice/injustice.Keywords: Siti, Javanese women, patriarchy, film

Juana de Laban: A Brief Biography

1981 ◽  
Vol 13 (2) ◽  
pp. 4-11
Author(s):  
Robyn Baker Flatt
Keyword(s):  
Her Family ◽  
Private Person ◽  
Professional History ◽  
Strong Woman ◽  
Personal Collection

I knew Juana de Laban for about twenty-three years. She was my mentor and distinctly affected the course of my life. Throughout those years I was thrilled but perplexed as to why this very strong woman with so many prominent associations would choose to befriend me, and why our friendship kept recurring after periods of being apart. When at the end of her life she handed her personal collection to me for deposit in the Dallas Theater Center, I became the link between this dynamic individual and her final effort to remain part of the fabric of life. In retrospect, as her personal and professional history unfolds a clearer picture emerges.I have constructed this biography from her materials and from correspondence with her family, students, and colleagues. I must stress that Juana was an extremely private person. She almost never spoke of personal things. Many persons still living also wish to respect her privacy. Furthermore, her own notes are often in conflict as to dates and figures. This brief account, therefore, stands to be verified, expanded and perhaps corrected in time.

Resistance and Resilience in a Life Full of Professionals and Labels: Narrative Snapshots of Chris

2012 ◽  
Vol 50 (5) ◽  
pp. 426-435 ◽  
Author(s):  
Geert Van Hove ◽  
Susan L. Gabel ◽  
Elisabeth De Schauwer ◽  
Kathleen Mortier ◽  
Jos Van Loon ◽  
...  
Keyword(s):  
Professional Practices ◽  
Strong Woman ◽  
Insight Into

Abstract In this article, the authors relate the life of Chris through narrative snapshots. Chris asked the authors to tell her story. They decided that it could be used to provide an insight into the different ways people with labels are confronted with professional practices and rituals. Although Chris lived a “tough life,” her story is full of resilience and resistance. Chris will be kept in the authors' memory as a strong woman, a teacher, and a friend.

Strong Woman

2010 ◽  
Vol 152 (2) ◽  
pp. 92
Author(s):  
Tracey Gratch
Keyword(s):  
Strong Woman

scholarly journals “The Joys of Motherhood” of an African Woman: A Mirage

2021 ◽  
Vol 12 (2) ◽  
pp. 1167-1169
Author(s):  
Siva R, Et. al.
Keyword(s):  
Women Writers ◽  
Social Life ◽  
Western Country ◽  
African Women ◽  
African Woman ◽  
Buchi Emecheta ◽  
African Context ◽  
Male Dominated ◽  
African Women Writers ◽  
Strong Woman

Quest for identity is one phenomenon of postcolonialism that led way for the emergence of Women writers portraying the indigenous women of their society who were denied the authorial voice in the male-dominated society. Africa African woman literature has always been discussed elaborately not only among ‘White’ but also among fellow African women writers and critics across the globe. Emecheta was one such writer whose work has been criticized for writing after settled in the western country, UK (the colonizer). The readers from third world nations may agree with Emecheta’s call for the necessity to redefine Women’s identity under the African identity. Buchi Emecheta to that reverence has always through her strong woman characters never failed to express the state of the African women and their limitations in social life. Emecheta has always recorded her protagonists' struggle for equality in a male-dominated society. Through the study of her novel The Joys of Motherhood, an attempt is made to explore her perception of Motherhood and explain how she portrays it to the African context where traditions and communal ties are deeply rooted in the Nigerian Ibo society.  

scholarly journals Kelsea’s Objections against Men’s Stigma in Leading a Kingdom in Johansen’s The Queen of the Tearling

2019 ◽  
Vol 14 (1) ◽  
pp. 1-8
Author(s):  
Ikka Malia Chairun Nissa
Keyword(s):  
Qualitative Research ◽  
Female Character ◽  
Military Strategy ◽  
Strong Woman

Kelsea is a female character in a novel written by Erika Johansen entitled The Queen of The Tearling. When she is nineteen years old, she becomes a queen. Although she has the highest status in her kingdom, sometimes underestimated by men because she is a girl. The purpose of this research is to reveal Kelsea’s objections against men’s stigma in leading a kingdom. This is a qualitative research. The result of this research shows that Kelsea breaks the men’s stigma saying women are weak. Kelsea argues with the general of her army because he thinks women are bad in military strategy. Moreover, Kelsea proves that she has power to dismiss her uncle from her castle because he corrupts and takes the freedom of the women who satisfy him. In addition, Kelsea sets herself equal with her Queen Guards to learn how to fight with sword and wear armor because she will do something while those men die for her. As a conclusion, Kelsea acts as a strong woman with dignity.

scholarly journals Morality tales: Young women’s narratives on offending, self-worth and desistance

2019 ◽  
Vol 66 (3) ◽  
pp. 318-334
Author(s):  
Birgit Larsson
Keyword(s):  
Life History ◽  
Qualitative Study ◽  
Social Workers ◽  
Restorative Justice ◽  
Narrative Analysis ◽  
Female Offenders ◽  
Women's Narratives ◽  
Self Worth ◽  
Professional Responses ◽  
Strong Woman

This article emerges from a study of female offenders’ participation in police-facilitated restorative justice in one county in England. The qualitative study presented here is based on life history interviews with 12 women and focuses on three morality tales that emerged through narrative analysis: ‘offending as play’, ‘the strong woman’ and ‘work and a normal life’. The women used these tales to protect self-worth and justify ‘bad’ behaviour in order to counter professional responses which they viewed as stigmatising. The paper concludes with implications for practice with girls and women who offend, which may benefit police, probation and social workers.

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