Medieval Combat in Colour: Hans Talhoffer’s Illustrated Manual of Swordfighting and Close-Quarter Combat from 1467, ed. and introduced by Dierk Hagedorn. Barnsley, S. Yorkshire: Greenhill Books, 2018, 319 pp., ill.

Mediaevistik ◽  
2020 ◽  
Vol 32 (1) ◽  
pp. 548-549
Author(s):  
Albrecht Classen

The late Middle Ages witnessed the creation of numerous fencing books, mostly in Germany, illustrating the many different techniques, weapons, styles, strategies, and the movements, as Patrick Leiske discussed only recently in his Höfisches Spiel und tödlicher Ernst (2018; see my review here in vol. 32). Some of the true masters and teachers of this sport and fighting technique were Johannes Liechtenauer, Peter von Danzig, Sigmund Ringeck, and Hans Talhoffer, whom Leiske also discusses in a separate chapter.

2020 ◽  
pp. 91-128
Author(s):  
Kristen B. Neuschel

This chapter explores warrior families and their material surroundings in the late Middle Ages, the late thirteenth through the fifteenth centuries, set in the contexts of the politics and warfare of the age as well as in that of the changing conditions of material life and the documentation that recorded it. It first considers changes in clothing and its ripple effects in the creation and use of other belongings and then treats the changes in metallurgy that permitted new varieties of armor as well as the production of swords in much greater number. The significance of swords must be weighed against the importance of and attention to these other goods that warrior bodies also carried and displayed. Often overlooked is the importance of tournament life for the way warriors invested in, and how they valued, armor. Finally, the chapter argues that written records barely capture the continued importance of a warrior's signature swords. Amid more belongings, and more swords, elites demonstrated their capacity to make a commonplace accoutrement, as swords increasingly were, into a signature belonging emblematic of their special status, by means of special decoration, deliberate collecting, or calculated display.


Author(s):  
Ariel Toaff

This introductory chapter provides an overview of the emergence of Jewish communities in the regions of central and northern Italy. The growth of these new communities, which archival documentation shows to have been surprisingly rapid and widespread, had its origin in the northward migration from Rome of Jewish merchants engaged in the money trade. This book explores the everyday life of the Jews of Umbria, which can act as a template for the reconstruction of the world-view of much of Italian Jewry in the late Middle Ages. Though many aspects of Christian society encroached on the Jewish way of life at this period, they rarely amounted to a brutal intrusion and were more usually felt as a constant and insidious influence, born of the unequal power-struggle between the opposing societies. The attempt to fit in brought with it not only a dawning awareness of the gulf that separated the Jews from their Christian counterparts but also a heightened sense of the divisions within the Jewish community itself. A true picture of Jewish community life in medieval Italy must therefore take account of the many pressures and contradictions acting from within and without.


2003 ◽  
Vol 54 (1) ◽  
pp. 23-46
Author(s):  
A. D. M. Barrell

2020 ◽  
Vol 23 (2) ◽  
pp. 423-446
Author(s):  
Sylvain Roudaut

Abstract This paper offers an overview of the history of the axiom forma dat esse, which was commonly quoted during the Middle Ages to describe formal causality. The first part of the paper studies the origin of this principle, and recalls how the ambiguity of Boethius’s first formulation of it in the De Trinitate was variously interpreted by the members of the School of Chartres. Then, the paper examines the various declensions of the axiom that existed in the late Middle Ages, and shows how its evolution significantly follows the progressive decline of the Aristotelian model of formal causality.


2014 ◽  
Vol 14 (2) ◽  
pp. 105
Author(s):  
José María Salvador González

As is well known, St. Francis of Assisi heroically embraced evangelical poverty, renouncing material goods and living in abject poverty, in imitation of Jesus Christ. Furthermore, through his writings and oral testimonies collected by his disciples, the saint fervently urged Christians to live to some degree voluntary poverty , of which Christ was the perfect model. By basing this reading on some Poverello’s quotations, this paper intends to show the potential impact that these exhortations from San Francisco to poverty may have had in the late medieval Spanish painting, in some iconographic themes so significantly Franciscan as the Nativity and the Passion of the Redeemer. Through the analysis of a large set of paintings representing both issues, we will attempt to put into light if the teachings of St. Francis on evangelical poverty are reflected somehow in Spanish painting of the late Middle Ages.


Sign in / Sign up

Export Citation Format

Share Document