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Author(s):  
Valery Kondratiuk

The article examines the life and charitable activities of the famous Kuris family representative in the South of Ukraine – Lyubov Ivanovna Kuris. Based on the primary sources study, archival documentation and publications of the Lyubov I. Kuris' life period, Lybov Ivanivna's activity in Odesa region charitable societies, in her own noble estate in her homeland and in Kurisovo-Pokrovsky is covered.Particular attention is paid to Kuris family charity tracing and continuing charitable work from generation to generation. Research of the charitable activity basis and types in the south of Ukraine.It is established that Lyubov I. Kuris continued to carry out charitable activities after her husband's mother, Lyubov Stanislavivna Kuris, who worked fruitfully for the benefit of the Odessa Women's Charitable Society until her death.Among the Lyubov Ivanovna main merits is the construction and maintenance of educational institutions, churches, patronage, assistance to sick children and the needy. Lyubov Ivanivna Kuris was fascinated by the idea of public education spreading. As a trustee of Kurisovo-Pokrovsky, she did a lot for the village school and school garden. In 1862, her father Ivan Alexandrovich Gizhitsky founded the first local school in Ryasnopil, which he maintained at his own expense until 1869. Later, Lyubov I. Kuris tried to continue his work.However, the greatest cause in the field of charity Lyubov I. Kuris was her participation in the work of the Odessa Society for the Sick Children Care. She devoted almost 30 years of her life to this activity, having done many good deeds and invested in it her Christian love, charity and unquenchable energy.Lyubov I. Kuris' activity as the chairman of the society allowed to establish contacts and involve many famous and influential people of the city. The main achievement of the Society was the medical station for children and a children's kitchen "Drop of Milk" construction. By 1901, more than 1,500 children had undergone a treatment full course at the sanitary station. Lyubov I. Kuris was also a member of the Odessa Society of History and Antiquities, was a philanthropist, passing part of her husband's collection, antique exhibits, the museum for the benefit of society.


Author(s):  
Anastasia Melnychuk

Abstract. The article examines the problems of art education in the 1920s of Kyiv Art Institute in the context of interdisciplinary links and tasks of ideological education. The educational process in art educational institutions, such as Kyiv Art Institute, received its ideological and philosophical basis in the early Soviet period, according to which traditional approaches to art education were deconstructed, curricula were changed, new disciplines were introduced, etc. Understanding the essence of the educational process in this period is the key to understanding the artistic culture of the early USSR in general. In the course of this study, both general scientific methods, such as formal analysis, historical, biographical, typologically systematic, problem and logical, and empirical, as well as cultural and historical, which belongs to art history methods, were used. For the first time, this study highlights the origins and stages of formation of such disciplines as Anatomy, Social Pedology and Physiological Reflexology, which were taught at Kyiv Art Institute in the 1920s of the 20th century. The article makes up for an insufficiency in the data about the history of development and scientific and methodological approach in teaching these disciplines based on the autor’s processing of archival documentation kept in the funds of the Central State Archive Museum of Literature and Art of Ukraine. The aim of the article is to study the curriculum of the Kyiv Art Institute in the 1920s of the 20th century on the basis of primary sources, to analyze new approaches and interdisciplinary connections of the new curriculum, the place and significance of such disciplines as Anatomy, Social Pedology and Physiological Reflexology. The article is based on primary sources and archival data, such as abstracts of lectures on Ukrainian, Pedology, Anatomy, Philosophy, which were listened to by Professor O. K. Bohomazov, were found by the author of the article in the funds of the Central State Archive Museum of Literature and Art of Ukraine.


Author(s):  
Luigi Robuschi

Abstract The comparative analysis of the sources preserved at the Archivio del Gran Priorato di Lombardia e Venezia and the Archives of the Order of Malta in the National Library of Malta, have made it possible to quantify and identify the lands owned by the Order of Malta on the Venetian mainland – the Terraferma – between the 16th and the 18th centuries. The archival documentation, further corroborated by research in the Archives of Venice, Padua and Verona, uncovered a vast range of situations, yet to be studied and linked to the properties owned by the knights in Veneto. Furthermore, the documentation sheds some light not only on the knights to whom the Commanderies were assigned, but also on the vast number of people who actively participated in the life and administration of the properties owned by the Order of Malta in the Terraferma.


2021 ◽  
Vol 36 (2) ◽  
pp. 87-106
Author(s):  
Adi Sherzer

This article seeks to challenge conventional arguments about Israel’s ‘cultural militarism’ through a comparative analysis of Independence Day parades of the 1950s. Using media reports, newsreels, and archival documentation, it examines the parades and compares them to other cases from around the world. The discussion focuses on three features of the Israeli parades: the widespread civil criticism of the place of the military in Independence Day celebrations; the role of the crowds and their proximity to the marchers; and the partly militaristic character of the parades themselves. While the article does not deny the obvious militaristic connotations of soldiers marching in the streets, it stresses the unique relationship between the armed forces and society in Israel and argues that militarism alone is not a sufficient analytic framework for analyzing Israeli society.


Land ◽  
2021 ◽  
Vol 10 (9) ◽  
pp. 917
Author(s):  
Doris Pivac ◽  
Miodrag Roić ◽  
Josip Križanović ◽  
Rinaldo Paar

A systematic approach to the establishment of the Franciscan Cadastre, which has been performed in most Central European countries, has resulted in the following documents: cadastral maps, cadastral municipality boundary demarcation records, lists of land parcels, lists of building parcels and lists of possessors. The documentation, which is stored in various archives, is digitized and made available to users through catalogs. The availability of documentation was examined in this study using three services in the catalogs—discovery, view and download—of which the largest percentage of documents is available through the discovery service. Documents that are available through the discovery service are described by the metadata standards. In this study, we examined the applicability of geographic information metadata standards and metadata standards to archival documentation in catalogs in which cadastral documentation was found. We determined a lack of application of geoinformation metadata standards, as it was a cadastral dataset, which represented one of the fundamental spatial datasets. The semantic mapping of elements between the applied standards in the catalogs and the geoinformation metadata standard (ISO 19115) showed that it was possible to apply the ISO 19115 standard to documents resulting from the establishment of the cadastre.


2021 ◽  
Vol 72 (1) ◽  
pp. 193-213
Author(s):  
Ayelet Dayan ◽  
Ádám Bollók

AbstractThe present paper publishes the archaeological remains of a monastery church excavated in 1958 at Khirbet er-Ras (Kefar Truman), Israel. The description of the architectural remains, including the three-aisled basilica and the structures surrounding it, is based on the archival documentation. This is followed by the detailed description and analysis of the church's mosaic pavements, preserved in the nave and in both side-aisles, with special emphasis on the mosaic decoration of the nave's central panel, set as a carpet design made up of florets enclosed by outlined scales, whose Levantine parallels are reviewed. In contrast to the sixth-century CE date proposed in previous reports, the setting of the floor is here placed into the third quarter of the fifth century CE based on Leah Di Segni's palaeographic date of the mosaic's inscription located in front of the sanctuary area. Using this revised date as a springboard for further discussion, a less linear stylistic development of mosaic floors covered by floral semis ornaments embedded in plain and outlined scales is suggested.


Author(s):  
Servanne Woodward

A book review of Simon Davies’ biography of Bernardin de Saint-Pierre with archival documentation, also reframed on our society’s current interests (ecology ; vegetarianism ; religion and state ; education…), and including our modern trend of colonial history, as well as cultural history such as the birth of celebrity phenomena.


2021 ◽  
Author(s):  
Peter Conrad

On The Road To Virtue is a research project consisting of a thirty-minute documentary film and this supporting thesis paper. The entire project is built on the archival documentation of Meyer Brownstone from his visits to the Salvadoran refugee camps in Honduras in the 1980s. Through a cinematic examination of the visual and audio evidence, as well as Brownstone's commenting on it, we consider his memory of interacting with the refugees and contemplate their own efforts to retain agency in their lives. The film uses three primary vehicles — archival documentation, personal interviews, and enactments —to create a storytelling structure which encourages reflection on the direct testimony of the Salvadoran refugees and on Brownstone’s images, while assessing his evidentiary accounting of life in the refugee camps. The supporting paper and the film both reflect on his commitment to promoting human development in the camps and elsewhere, through the establishment of participatory democracy structures, the maintenance of sustainable living practices, and the insistence on free speech and movement. The film also conveys the fluid relationship between historical events and their contemporary remembrance while this thesis paper critically reflects on the implications of these ideas and the related artistic approaches used to present them in the film.


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