scholarly journals Conference report: Doctors in performance, Tallinn, 1-3 September 2021

Trio ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 41-48
Author(s):  
Mieko Kanno
Keyword(s):  
Music Performance ◽  
Conference Report ◽  
Fourth Edition ◽  
Online Participation ◽  
Hybrid Event ◽  
Artistic Research

This report chronicles the author’s participation in the Doctors in Performance (DiP) Festival Conference, September 2021, at the Estonian Academy of Music and Theatre, Tallinn. It is the fourth edition of DiP since its inauguration in 2014 at the Sibelius Academy, Uniarts Helsinki. Since the start of the COVID-19 pandemic in Europe in early 2020, most conferenceshave been either postponed, cancelled or held online. This Conference is one of the first to be held as an in-person event as Europe starts to move towards a post-pandemic period. Some participants gathered in person (including the author), while parallel online participation was also enabled as a hybrid event. This report records the conference events as DiP enters into maturity with a focus on artistic research and music performance. It also describes the author’s impressions regarding issues of ‘liveness’ in varied categories, including spoken presentations, music performances, their online equivalents, live or prerecorded presentations and online or live participations.

scholarly journals Performance values - an artistic research perspective on music performance anxiety in classical music

2019 ◽  
Vol 03 (01) ◽  
pp. 1-15
Author(s):  
Francisca Skoogh ◽  
Henrik Frisk
Keyword(s):  
Classical Music ◽  
Psychological Treatment ◽  
Music Performance ◽  
Performance Anxiety ◽  
Not Given ◽  
Research Perspective ◽  
Music Performance Anxiety ◽  
The Impact ◽  
Western Classical Music ◽  
Artistic Research

Music performance anxiety (MPA) has been studied mainly within the field of psychology and has been defined as a sub-type of social anxiety. Musicians suffering from MPA are commonly referred to individual psychological treatment, but the condition is not yet researched from an artistic perspective. The hypothesis put forward in this article is that the issues concerning MPA are part of a complex system of interactions between performance values and perfectionism and that musicians in general are not given the necessary tools to tackle the anxiety. One of the challenges is that Western classical music performance has many built-in values that need to be problematized and researched in order to address the problems with MPA. Hence, MPA is not to be considered as solely an individual problem but should rather be seen as the result of a wider structural issue related to the commodification of classical Western music and its focus on perfection and virtuo­sity. This article gives an example from the field of artistic research on how it is possible for the performer herself to develop methods to understand and emotionally regulate the impact of perfectionism in Western classical music.

scholarly journals Conference report from 13th European Conference on Precision Agriculture (ECPA)

2021 ◽  
Vol 33 (1) ◽  
Author(s):  
A. Nyéki ◽  
A. J. Kovács ◽  
M. Neményi ◽  
G. Milics
Keyword(s):  
International Society ◽  
Public Service ◽  
Precision Agriculture ◽  
Conference Report ◽  
European Conference ◽  
Hungarian Society ◽  
University Instructors ◽  
Academic Researchers ◽  
The University ◽  
Hybrid Event

AbstractThis is a report on the 13th European Conference on Precision Agriculture (ECPA) that took place between 18 and 22, July at the location of the University of Public Service in Budapest, Hungary. The theme of the Conference was the “Adoption of innovative precision agriculture technologies and solutions”. Due to the pandemic, the conference was a hybrid event. The two societies—the International Society of Precision Agriculture and the Hungarian Society of Precision Agriculture—had contributed to the event. The international conference was mainly attended by academic researchers, university instructors, company executives and farmers. The event comprised five plenary and 22 scientific sessions.

When arts and science meet: Digital technology in artistic research

2021 ◽  
Vol 13 (2-3) ◽  
pp. 117-140 ◽  
Author(s):  
Giusy Caruso ◽  
Luc Nijs
Keyword(s):  
Teaching And Learning ◽  
Music Cognition ◽  
Music Performance ◽  
Digital Technologies ◽  
The Body ◽  
Artistic Practice ◽  
Use Of Technology ◽  
Performance Interpretation ◽  
Piano Composition ◽  
Artistic Research

In recent decades, advancements in digital technologies have become a rich source of inspiration for artists, who seek to leave the trodden paths and find novel ways of expression. In addition, digital technologies are increasingly implemented in the development of artistic skills, providing new means to develop the artists’ reflection on their own development. As such, they hold great potential to shape artistic research. Moreover, digital technologies offer possibilities to capture the learning process based on quantitative measurement, thereby becoming a potential interface between artistic and scientific approaches to investigating artistic growth. This contribution presents two artistic projects illustrating the potentialities of the art–science encounter. Embedded in the research paradigm of embodied music cognition, both projects explore the role of the body in music performance (interpretation and improvisation). The first project investigates the relation between gesture and interpretative intentions in a contemporary piano composition. The second project concerns the development of one’s musical language through kinemusical improvisation. A mixed methodology and the use of technology as ‘an augmented mirror’ to monitor artistic practice were applied. Both projects illustrate how the implementation of digital technologies may boost the evolution in artistic research and facilitate novel approaches to music teaching and learning.

New instruments for Music Exploration

2013 ◽  
Author(s):  
◽  
Kjell Tore Innervik
Keyword(s):  
Music Performance ◽  
Research Project ◽  
The Many ◽  
New Instruments ◽  
Artistic Research

This interdisciplinary artistic research project was a collaboration between the composer Ivar Froundberg, Music Technologist Aleksander Refsum Jensenius and percussionist Kjell Tore Innervik. A project to enhance the possibilities of music performance for the many and for the few located at the Norwegian Academy of Music.

scholarly journals PAULO ASSIS, Logic of Experimentation: Rethinking Music Performance through Artistic Research

2019 ◽  
Vol 19 ◽  
Author(s):  
Alejandro Brianza
Keyword(s):  
Music Performance ◽  
Artistic Research

Paulo de Assis es performer experimental,pianista e investigador en el campo delarte, con intereses transdisciplinares quecruzan composición musical, filosofía,epistemología y teoríapsicoanalítica. Es investigadoren el OrpheusInstitute en Gante, Bélgica,siendo el Directorde investigación del EUproject. Es Chair de laserie de conferencias internacionalesDeleuzeand Artistic Research–Deleuze y la investigaciónartística– y editorresponsable de la serie delibros Artistic Research,que edita Rowman &Little eld International.

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