The “wound” metaphor in the border narratives of Ana Castillo and Graciela Limón

Author(s):  
Sonia Farid

This paper explores the manifestations of the wound metaphor in two Mexican-American border novels: The Guardians (2007) by Ana Castillo and The River Flows North by Graciela Limón (2009). This will be done by analyzing the metaphor as tackled by Anzaldúa and Fuentes then examining the detrimental impact of the border on characters that are affected by it in one way or another whether through attempting to cross to the United States, crossing back to Mexico, or living in border towns.

Author(s):  
Gabriela González

The concluding chapter explains how race had served defenders of slavery by providing them with an excuse to hold men and women in bondage. For their inhumane treatment of Africans during the Age of Enlightenment to be justified, their humanity needed to be ideologically stripped away—scientific racism served that purpose. Racist theories also kept other groups in subaltern positions. Mexicans with mestizo, mulatto, and Indian genealogies experienced racialization in the United States. Simply put, Americans, proud of their liberal political heritage and their democratic institutions, needed to see oppressed groups as somehow sub-human in order to reconcile their political beliefs with the nation’s less than egalitarian realities. It is for this reason that the politics of redemption practiced by Mexican immigrant and Mexican American activists merits attention.


2020 ◽  
Vol 52 ◽  
pp. 127-146
Author(s):  
KRISTINA F. NIELSEN

Abstract (Spanish/English)Forjando el Aztecanismo: Nacionalismo Musical Mexicano del Siglo XX en el siglo XXI en Los ÁngelesHoy en día, un creciente número de músicos mexico-americanos en los Estados Unidos tocan instrumentos indígenas mesoamericanos y réplicas arqueológicas, lo que se conoce como “Música Azteca.” En este artículo, doy a conocer cómo los músicos contemporáneos de Los Ángeles, California, recurren a los legados de la investigación musical nacionalista mexicana e integran modelos antropológicos y arqueológicos aplicados. Al combinar el trabajo de campo etnográfico con el análisis histórico, sugiero que los marcos musicales y culturales que alguna vez sirvieron para unir al México pos-revolucionario han adquirido una nuevo significado para contrarrestar la desaparición del legado indígena mexicano en los Estados Unidos.Today a growing number of Mexican-American musicians in the United States perform on Indigenous Mesoamerican instruments and archaeological replicas in what is widely referred to as “Aztec music.” In this article, I explore how contemporary musicians in Los Angeles, California, draw on legacies of Mexican nationalist music research and integrate applied anthropological and archeological models. Pairing ethnographic fieldwork with historical analysis, I suggest that musical and cultural frameworks that once served to unite post-revolutionary Mexico have gained new significance in countering Mexican Indigenous erasure in the United States.


Author(s):  
Michael R. Woods ◽  
Susana V. Rivera-Mills

AbstractThis sociolinguistic study explores linguistic attitudes of Salvadorans and Hondurans living in the United States towards the use of voseo, a distinguishing feature of Central American Spanish. Using sociolinguistic interviews and ethnographic observations, the Central American experience in Oregon and Washington is examined regarding linguistic attitudes toward voseo and tuteo and how these influence Salvadoran and Honduran identity in U.S. communities that are primarily Mexican-American. Initial findings point to participants developing ethnolinguistic masks and an expanded use of tú as a strategic approach to integration into the established Mexican-American community, while at the same time maintaining a sense of Central American identity.


Polar Record ◽  
1973 ◽  
Vol 16 (104) ◽  
pp. 701-705
Author(s):  
Daniel Wilkes

The T-3 ice island case involved two trials in the United States of a Mexican-American, Mario Escamilla, for allegedly causing the death of a Negro coworker, Bennie Lightsey, on an ice island then at lat 84°45.8'N, long 106°24.4'W, on the High Seas, about 240 km north of Ellesmere Island on 16 July 1970. A federal judge in Virginia allowed Escamilla's first trail to proceed without definitively deciding on objections to jurisdiction, for he expected a ruling on this point on appeal. Issues raised by that trial are covered elsewhere (Pharand, 1971; Wilkes, 1972).


Author(s):  
Natalie Mendoza

Abstract This article argues that historical narrative has held a significant role in Mexican American identity formation and civil rights activism by examining the way Mexican Americans in the 1930s and 1940s used history to claim full citizenship status in Texas. In particular, it centers on how George I. Sánchez (1906–1972), a scholar of Latin American education, revised historical narrative by weaving history and foreign policy together through a pragmatic lens. To educators and federal officials, Sánchez used this revisionist history to advocate for Mexican Americans, insisting that the Good Neighbor policy presented the United States with the chance to translate into reality the democratic ideals long professed in the American historical imagination. The example of Sánchez also prompts us to reexamine the historiography in our present day: How do we define the tradition and trajectory of Mexican American intellectual thought in U.S. history? This article posits that when Sánchez and other Mexican Americans thought about their community’s collective identity and civil rights issues through history, they were contributing to a longer conversation driven by questions about identity formation and equality that first emerged at the end of the U.S. War with Mexico in 1848. These questions remain salient in the present, indicating the need for a historiographic examination that will change how we imagine the tradition of intellectual thought in the United States.


2010 ◽  
Vol 1278 ◽  
Author(s):  
L. E. Rendon ◽  
M. E. Lara ◽  
S. K. Rendon ◽  
M. Rendon ◽  
X. Li

AbstractConcrete biodeterioration is defined as the damage that the products of microorganism metabolism, in particular sulfuric acid, do to hardened concrete. In Canada and in the northern part of the United States, sewer failures from concrete biodeterioration are almost unknown. In the southern part of the United States and in Mexico, however, it is a serious and expensive problem in sewage collection systems, which rapidly deteriorate. Also, leaking sewage systems result in the loss of groundwater resources particularly important in this arid region. Almost every city in the Mexican-American border region, who's combined population is more than 15 million people, faces this problem. The U.S. cities have made some provision to face these infrastructure problems, but the Mexican cities have made less effort. We recommend here the Mexican norm (NMX-C-414-ONNCCE-2004) [1] to be reviewed, or at least that a warning be issued as a key measure to avoid concrete biodeterioration.


Author(s):  
Verónica Castillo-Muñoz

This chapter examines the impact of Mexican migration to the United States during the era of the Bracero Program (1942–64). It addresses the question of why migration to border towns increased during the 1940s in spite of U.S. immigration restrictions. Existing oral histories collected by the Bracero History Archive of migrant and local Baja families enriched the author's understanding of the ways in which families migrated and looked for work and performed gender roles in Mexico and in the United States. The memories of braceros provided a window into the daily lives and struggles experienced by millions of Mexican workers who migrated to the United States, stories often suppressed in official records.


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