Trawling through the archives: a snapshot of the early years of the Australian and New Zealand Society of Indexers

2020 ◽  
Vol 38 (1) ◽  
pp. 57-74
Author(s):  
Madeleine Davis
Keyword(s):  
2014 ◽  
Vol 41 (1) ◽  
pp. 1-16 ◽  
Author(s):  
B. J. Gill

In December 1884 Charles Francis Adams (1857–1893) left Illinois, USA, by train for San Francisco and crossed the Pacific by ship to work as taxidermist at Auckland Museum, New Zealand, until February 1887. He then went to Borneo via several New Zealand ports, Melbourne and Batavia (Jakarta). This paper concerns a diary by Adams that gives a daily account of his trip to Auckland and the first six months of his employment (from January to July 1885). In this period Adams set up a workshop and diligently prepared specimens (at least 124 birds, fish, reptiles and marine invertebrates). The diary continues with three reports of trips Adams made from Auckland to Cuvier Island (November 1886), Karewa Island (December 1886) and White Island (date not stated), which are important early descriptive accounts of these small offshore islands. Events after leaving Auckland are covered discontinuously and the diary ends with part of the ship's passage through the Dutch East Indies (Indonesia), apparently in April 1887. Adams's diary is important in giving a detailed account of a taxidermist's working life, and in helping to document the early years of Auckland Museum's occupation of the Princes Street building.


Author(s):  
J.F.L. Charlton

Seeds mixtures for New Zealand pastures developed from British practices with sowing of multi-species seeds mixtures during early years of settlement. Breeding and seed production of ryegrasses and clovers in the 1930s led to use of simple mixtures, still the most commonly used. Since the mid 197Os, new species have been released, and are now becoming more popular. Advantages and some potential problems of species mixtures are outlined, and simple concepts of compiling seeds mixtures are explained, with particular reference to seeding rate and sowing time. Keywords species, seeds mixtures, pasture renewal, sowing rates, seedling establishment, competition


Literacy ◽  
2011 ◽  
Vol 45 (3) ◽  
pp. 126-133 ◽  
Author(s):  
Claire McLachlan ◽  
Alison Arrow
Keyword(s):  

2011 ◽  
Vol 12 (4) ◽  
pp. 385-398 ◽  
Author(s):  
Maggie Haggerty

This article outlines ways in which video can further our understanding of how different modes of communication and meaning-making shape learning and learners in the early years. It focuses on a dramatic play and writing episode videoed during a three-year action research study investigating children's use of different semiotic modes in the curriculum of a New Zealand kindergarten. It highlights the capacity of video to enable closer attention to be paid to the pedagogical significance of modes such as the visual, gestural, mimetic, spatial and kinaesthetic as well as the verbal. It explores how differences in media (e.g. computer, video, book, screen) interact with differences in mode, and the ways in which the collaborative viewing of video recordings of ‘everyday’ episodes in early childhood settings, by teachers, researchers and parents, can serve as a platform for inquiry about children's meaning-making processes.


2021 ◽  
Author(s):  
◽  
Kay Hancock

<p>Ready to Read is a graded instructional reading series that has been provided free-of-charge since 1963 by the New Zealand government for students in the first three years of school. It has therefore been a key part of the reading experiences of New Zealand children for over fifty years. There is a commonly held belief that there is a distinction between instructional reading materials (the materials that are used to help children learn to read) and children’s literature – that the manipulation of text involved in developing instructional materials necessarily detracts from their literary appeal. The Ready to Read instructional reading series, however, was developed with the dual aims of helping children learn to read and want to read.  The series also reflects the vision of the Department of Education of “New Zealand materials for New Zealand students.” The Ready to Read materials were (and are) written and illustrated by New Zealanders, and trialled in New Zealand schools before publication, meaning that teachers and children have input into the materials. The materials include contributions by some of New Zealand’s leading writers for children, including Margaret Mahy and Joy Cowley. They have a unique status in the history of New Zealand children’s books as being among the first picture books for young New Zealand readers, and the very first that acknowledged Māori children as part of the reading audience. Moreover, as a “home-grown” reading series, seeking to reflect the interests and experiences of New Zealand children, the materials provide a unique insight into New Zealand society and changes in social attitudes, in particular the emergence of biculturalism.  While there is a significant body of research into the New Zealand School Journal, little attention has been paid to the Ready to Read materials (which are for younger readers). Price (2004) has written a short history of the early years of the Ready to Read series and McLachlan (1996) has investigated the visual representation of Māori in Ready to Read and the School Journal. This research seeks to fill this significant gap. This thesis explores how and why the series developed as it did from 1963-1988. It investigates the cultural and educational contexts, the literary aspects of the materials, and the beliefs about children as readers that underpinned its development.  The “home-grown” nature of the Ready to Read materials, their literary qualities, their depiction of children’s lives, and the place of the series in the early reading experiences of New Zealand children make it indisputably a significant aspect of New Zealand children’s literature. It is hoped that this examination of the first twenty-five years of the Ready to Read series will be of interest to a wide audience, including educators, publishers, and researchers, and that it may serve as a starting point for further investigation. While this research is of immediate significance to a New Zealand audience, it also has international relevance in its description of an approach to the development of meaningful, engaging instructional texts for beginning readers that is unparalleled in the world.</p>


2021 ◽  
Author(s):  
◽  
Kim Therese Chenery

<p>The development of ‘family-centred care’ began in the United Kingdom during the 1950s and 1960s in response to ‘expert’ concern for the child as an ‘emotional’ being. John Bowlby’s maternal deprivation thesis suggested that constant maternal attention in the early years of life would ensure emotionally healthy future members of society. Application of this theory to the hospital children’s ward indicated that young children should not be without their mothers for long periods of time. This theory and the subsequent release of the Platt Report in the United Kingdom in 1959 provided the necessary ‘scientific’ justification allowing mothers greater access to the historically restrictive hospital children’s wards. Influenced by trends in the United Kingdom the tenets of the separation thesis were reflected in New Zealand government policy towards child care and the care of the hospitalised child. However, the wider societal context in which these changes were to be accepted in New Zealand hospital children’s wards has not been examined. This study explores the development of ‘family-centred care’ in New Zealand as part of an international movement advanced by ‘experts’ in the 1950s concerned with the psychological effects of mother-child separation. It positions the development of ‘family-centred care’ within the broader context of ideas and beliefs about mothering and children that emerged in New Zealand society between 1960 and 1980 as a response to these new concerns for children’s emotional health. It examines New Zealand nursing, medical and related literature between 1960 and 1990 and considers both professional and public response to these concerns. The experiences of some mothers and nurses caring for children in one New Zealand hospital between 1960 and 1990 illustrate the significance of these responses in the context of one hospital children’s ward and the subsequent implications for the practice of ‘family-centred care’. This study demonstrates the difference between the professional rhetoric and the parental reality of ‘family-centred care’ in the context of one hospital children’s ward between 1960 and 1990. The practice of ‘family-centred care’ placed mothers and nurses in contradictory positions within the ward environment. These contradictory positions were historically enduring, although they varied in their enactment.</p>


2021 ◽  
Author(s):  
Jenny Ritchie

© 2017, Springer Science+Business Media B.V. Pedagogies that reflect the eco-cultural literacies of local Indigenous peoples have potential to foster young children’s empathy for our planet as well as for other humans and for more-than-human kin such as mountains, rivers, forests, plants, fish, insects and animals. This article explores some ways in which early years educators can implement pedagogical strategies that encompass the eco-cultural literacies of local Indigenous peoples. These pedagogical strategies are illustrated through data gathered from children, teachers and families in two early childhood centres that participated in a wider study of early childhood care and education settings in Aotearoa (New Zealand). The data show how these pedagogical approaches can generate dispositions of respect and restraint with regard to use of resources whilst introducing children to traditional Indigenous sustainability practices. Eco-cultural literacies provide a counter-narrative to dominant discourses that perpetuate the exploitation of our planet and her resources whilst confining the focus of education to predetermined, narrow literacy and numeracy standards. In drawing upon ancient wisdoms, there are implications for how early childhood care and education settings internationally can engage in localised eco-cultural literacies that offer hope for sustainable futures.


2021 ◽  
Author(s):  
◽  
James Grosvenor Morgan

<p>Since the early years of colonisation, rural settlements in New Zealand have undergone much change. The built infrastructure that once supported close-knit rural communities has become largely obsolete, degenerating into disrepair. Within this context of rural decline, my thesis explores the relation between rural buildings and communal living. In so doing, I offer a conceptualisation of a new rural facility, as an incubator for new communal experience, appropriate for bringing rural and urban dwellers together. My focus is specifically community centred on rural halls within Taranaki's Stratford District. In offering a critical analysis of their demise, I contend that rural halls in New Zealand have undergone this change through processes of urbanisation. Urban dwelling has given rise to a lack of agricultural knowledge, providing a disassociation between urban residents and their earlier ties to the landscape and farm practices. The development of new forms of social life has aided an increase in the degree of physical separation between individuals and their neighbors. The traditional physical sense of belonging to a close-knit rural community has been transformed if not destroyed. Belonging to a community is, I contend, a vital psychological requirement for humans. My theoretical stance is that buildings can and do support a sense of community. From a regenerative perspective, there is arguably a trend of moving back to rural environments as people seek out alternative ways of dealing with the overbearing issue of contemporary urban living. The built rural infrastructure may be of importance to New Zealand's current and future generations. This thesis explores the possibility for a reinterpretation/adaptation of rural New Zealand halls in expressing physical rural 'communal life' in a contemporary context. Critical Regionalist and Adaptive Reuse architecture theories are utilised to test this contention. The design ventures a new archetype, a new hub for a rural settlement that will include new facilities, whilst extending and reworking the traditional social roles of rural halls. Through fostering a renewed form of communal life and providing an environment that fuses rural and urban skill-sets, this facility is intended to breath new life into these former rural communities and in particular, the abandoned rural halls.</p>


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