Chapter Summaries

Author(s):  
Matthew Lagrone

This chapter begins with reflections on some previously proposed historical timeframes for the formation of Noahide law. Earlier scholars located its origins variously: in the Bible, among Hittite legal scholars and during the Maccabean era. This chapter maintains, contrary to prior scholarship, that the concept of the Noahide is absent until the first century CE; that is, it is a rabbinic creation. While theology can discover the beginnings of the Noahide laws in the Torah, their historical starting point can only be established following the social, demographic and religious dislocations of the Second Temple’s destruction in 70 CE. For the rabbis, these laws originated prior to the Sinaitic revelation; they were the moral standard for the entire gentile world, and that world of course included the ancestors of those who would later accept the covenant at Sinai. Israelites before Sinai, then, were Noahides....

Author(s):  
David Novak

This chapter traces the origins of the Noahide laws in the history of Judaism. Earlier scholars located its origins variously: in the Bible, among Hittite legal scholars, and during the Maccabean era. The chapter maintains, contrary to prior scholarship, that the concept of the Noahide is absent until the first century CE; that is, it is a rabbinic creation. While theology can discover the beginnings of the Noahide laws in the Torah, their historical starting point can only be established following the social, demographic, and religious dislocations of the Second Temple's destruction in 70 CE. For the rabbis, these laws originated prior to the Sinaitic revelation; they were the moral standard for the entire gentile world, and that world of course included the ancestors of those who would later accept the covenant at Sinai. Israelites before Sinai, then, were Noahides. The Noahide laws were also considered obligatory for all time, and would be the measure by which gentiles would be judged.


1982 ◽  
Vol 18 ◽  
pp. 309-317 ◽  
Author(s):  
Anthony Fletcher

Their sense of national identity is not something that men have been in the habit of directly recording. Its strength or weakness, in relation to commitment to international causes or to localist sentiment, can often only be inferred by examining political and religious attitudes and personal behaviour. So far as the early modern period is concerned, the subject is hazardous because groups and individuals must have varied enormously in the extent to which national identity meant something to them or influenced their lives. The temptation to generalise must be resisted. It is all too easy to suppose that national identity became well established in England in the Tudor century, when a national culture, based on widespread literacy among gentry, yeomen and townsmen, flowered as it had never done before, when the bible was first generally available in English, when John Foxe produced his celebrated Acts and Monuments, better known as the Book of Martyrs. Recent work reassessing the significance of Foxe’s account of the English reformation and other Elizabethan polemical writings provdes a convenient starting point for this brief investigation of some of the connections between religious zeal and national consciousness between 1558 and 1642.


2020 ◽  
Vol 29 (2) ◽  
pp. 123-151
Author(s):  
Siegbert Riecker

Summary It would be too simple to attribute the current crisis in research on the Pentateuch to the demise of the Wellhausen paradigm (the documentary hypothesis) and the resulting diversity of methods. Rather, these are merely symptoms of a fundamental crisis in the source critical paradigm as a whole. The difficulties with the nature of sources, their literary scope and the criteria for their division are only part of the wider problem. The introduction of non-verifiable ‘redactors’ and ‘Fortschreibung’ (updating) to cope with anomalies of a hypothesis seems methodologically just as questionable as the reconstruction of the social-historical background of individual literary strata (‘pseudo historicism’). The increasingly complex diachronic overall models are lacking plausibility and credibility, especially since the reconstruction of several stages in the development of the text is practically impossible from an empirical perspective. The alternative to the classic paradigm of source criticism is a literary paradigm that returns to the starting point of the testimony of the biblical texts themselves. Of course, literary tensions and sources must not be ignored. However, systems of interpretation to explain inconsistencies should not be based on methods developed in the eighteenth and nineteenth centuries but on the ancient literary conventions of the Bible and its environment.


Author(s):  
Jennifer Otto

Philo of Alexandria and the Construction of Jewishness in Early Christian Writings investigates portrayals of one particular Jew, the first-century philosopher and allegorical interpreter of the Bible, Philo of Alexandria, in the works of three prominent early Christian thinkers, Clement of Alexandria, Origen, and Eusebius. It argues that early Christian invocations of Philo are best understood not as attempts to claim an illustrious Jew for the Christian fold, but as examples of ongoing efforts to define the continuities and distinctive features of Christian beliefs and practices in relation to those of the Jews. This study takes as its starting point the curious fact that none of the first three Christians to mention Philo refer to him unambiguously as a Jew. Clement refers to him twice as a Pythagorean. Origen, who mentions Philo by name only three times, makes far more frequent reference to him in the guise of an anonymous “someone who came before us.” Eusebius, who invokes Philo on many more occasions, most often refers to Philo as a Hebrew. These epithets construct Philo as a “near-other” to both Jews and Christians, through whom ideas and practices may be imported from the former to the latter, all the while establishing boundaries between the “Christian” and “Jewish” ways of life. The portraits of Philo offered by each author reveal ongoing processes of difference-making and difference-effacing that constituted not only the construction of the Jewish “other,” but also the Christian “self.”


Author(s):  
Ernest Van Eck

Marriage in the first-century Mediterranean world (1): Females in a male world This article is the first of a three-part series that aims to stimulate the hermeneutical debate in the church about marriage. Attention is given to four aspects of the cultural world of the Bible that are relevant for an understanding of the institution of marriage as presented in Biblical texts: marriage as embedded in the social institution of the family (kinship), the role of honor and shame, dyadic personality and the different marriage strategies that can be discerned throughout Biblical times. The article concludes with a few remarks on the effects the above “cultural scripts” had on the understanding of marriage as an institution and the position of women in marriage.


2003 ◽  
Vol 59 (2) ◽  
Author(s):  
G.J. Volschenk

Economy in the time of the Bible as a household based economyThe aim of this article is to describe the economy in the time of the Bible as a household economy. Firstly, the results of social scientific research indicated that the family institution was the primary socio-economic and political building block of the first century Mediterranean world. Secondly, the social scientific model of the pre-industrial city is used as interpretation framework for the first century Mediterranean economy. The article concludes with a reflection on the exploitation of peasants by urban elite and aristocrats. They were absent landowners who controlled the land and production on the land.


2019 ◽  
Vol 28 (1) ◽  
pp. 52-66
Author(s):  
Julie Bates

Happy Days is contemporaneous with a number of seminal contributions to the concept of the everyday in postwar France. This essay suggests that the increasingly constrained verbal and physical routines performed by its protagonist Winnie constitute a portrait of the everyday, and goes on to trace the affinities between Beckett's portrait and several formulations of the concept, with particular emphasis on the pronounced gendering of the everyday in many of these theories. The essay suggests the aerial bombings of the Second World War and methods of torture during the Algerian War as potential influences for Beckett's play, and draws a comparison with Marlen Haushofer's 1963 novel The Wall, which reimagines the Romantic myth of The Last Man as The Last Woman. It is significant, however, that the cataclysmic event that precedes the events of Happy Days remains unnamed. This lack of specificity, I suggest, is constitutive of the menace of the play, and has ensured that the political as well as aesthetic power of Happy Days has not dated. Indeed, the everyday of its sentinel figure posted in a blighted landscape continues to articulate the fears of audiences, for whom the play may resonate today as a staging of twenty-first century anxiety about environmental crisis. The essay concludes that in Happy Days we encounter an isolated female protagonist who contrives from scant material resources and habitual bodily rhythms a shelter within a hostile environment, who generates, in other words, an everyday despite the shattering of the social and temporal framework that conventionally underpin its formation. Beckett's play in this way demonstrates the political as well as aesthetic power of the everyday in a time of crisis.


2020 ◽  
Vol 59 (1-4) ◽  
pp. 611-621
Author(s):  
Sára Horváthy

SummaryEgeria, a 4th century pious woman from the south of present-day Spain, retold, after visiting Palestine with the Bible in hand, her observations to her sisters. If the linguistic aspects of her letters are quite well-known, much less is known about its stylistic value, inappropriately called “simple”.What seems to be boringly the same again and again, is in fact a constantly renewed and perfectly mastered “variation on a theme”, just as in a well-composed piece of music. Her apparent objectivity is indeed a wish to focus on what she considers the most important, namely to tell her community, as closely to reality as possible, what she observed during her pilgrimage. However, Egeria’s latin is also a testimony of the christian lexicon in construction and of the social changes that were in progress by that time.Linguistics and stylistics work together here, the choice of a word or a grammatical formula reveals hidden information about the proper style of an author who, despite her supposed objectivity, had real personal purposes.


2014 ◽  
Vol 55 (1-2) ◽  
pp. 131-144
Author(s):  
Suzanne Marie Francis

By the time of his death in 1827, the image of Beethoven as we recognise him today was firmly fixed in the minds of his contemporaries, and the career of Liszt was beginning to flower into that of the virtuosic performer he would be recognised as by the end of the 1830s. By analysing the seminal artwork Liszt at the Piano of 1840 by Josef Danhauser, we can see how a seemingly unremarkable head-and-shoulders bust of Beethoven in fact holds the key to unlocking the layers of commentary on both Liszt and Beethoven beneath the surface of the image. Taking the analysis by Alessandra Comini as a starting point, this paper will look deeper into the subtle connections discernible between the protagonists of the picture. These reveal how the collective identities of the artist and his painted assembly contribute directly to Beethoven’s already iconic status within music history around 1840 and reflect the reception of Liszt at this time. Set against the background of Romanticism predominant in the social and cultural contexts of the mid 1800s, it becomes apparent that it is no longer enough to look at a picture of a composer or performer in isolation to understand its impact on the construction of an overall identity. Each image must be viewed in relation to those that preceded and came after it to gain the maximum benefit from what it can tell us.


2020 ◽  
Author(s):  
César Costa Vitorino

The book “In search of explanations about African words: an investigation in some Brazilian dictionaries and / or glossaries (1889-2006)” raises controversial and relevant questions about the usefulness of Africanism for Brazil and the delimitation between Afro-Brazilian and africanists studies. The work is one of the results of the work that the author has been developing throughout his long and rich academic life. The author shows enthusiasm for the study of Brazilian Africanism, especially in what concerns on the relationships that are established between words and culture.It shows the participation of African languages in the constitution of the Brazilian Portuguese lexicon, since it considers that studies in this area have been taking place very slowly. Therefore, this work intends to promote the production of future researches that discuss about the social place of African words in Brazilian Portuguese. It makes a point of which we should have no doubt in affirming - unequivocally and systematically - that one can speak of Brazilian Africanism. It takes as a starting point the analysis of dictionaries and glossaries (1889-2006), while taking a retrospective look.It reflects, with such observation, about what is classified as Africanism in the Brazilian Portuguese lexicon. It suggests the need to draw a line between Afro-Brazilian and Africanists studies. Finally, it is expected that such a work can bring new look and perspectives. It is even verified that, in his text, there is a lot of work for everyone. That´s why this work in this book is considered by the author as a singular value.


Sign in / Sign up

Export Citation Format

Share Document