Conclusion

2019 ◽  
pp. 183-194
Author(s):  
Lisa Nanney
Keyword(s):  
Film Industry ◽  
First Century ◽  
The Other ◽  
Diverse Range ◽  
Twenty First Century ◽  
Insight Into

Though The Spanish Earth (1937) is likely the only film most readers will associate with the novelist Dos Passos, the other three film projects he undertook, both produced and unproduced, provide new insight into the cinematic aesthetics that inform the methods of his ground-breaking modernist novels. Although his later fiction incorporated fewer innovative adaptations of film devices into their styles, in novels such as Most Likely to Succeed (1954) he continued to address what he saw as the failure of the film industry to fulfil its artistic and cultural potential. But innovative filmmakers in the twenty-first century have frequently cited Dos Passos’s narrative devices and preoccupations as central influences, and current films exploring the power of monopolistic corporations and consumerism and blurring distinctions among genres echo the writer’s modernist themes and methods. The diverse range of Dos Passos’s own cinematic viewing throughout his life reflects his lifelong interest in new ways of telling a story.

The Younghusband-Waddell Collection and Its People: the Social Life of Tibetan Books Gathered in a Late-colonial Enterprise

Inner Asia ◽  
2012 ◽  
Vol 14 (1) ◽  
pp. 131-171
Author(s):  
Hildegard Diemberger
Keyword(s):  
Digital Technology ◽  
Social Life ◽  
First Century ◽  
The Political ◽  
Academic Institutions ◽  
Cultural Biography ◽  
The Social ◽  
Twenty First Century ◽  
New Perspective ◽  
Insight Into

AbstractIn this paper I follow the social life of the Tibetan books belonging to the Younghusband-Waddell collection. I show how books as literary artefacts can transform from ritual objects into loot, into commodities and into academic treasures and how books can have agency over people, creating networks and shaping identities. Exploring connections between books and people, I look at colonial collecting, Orientalist scholarship and imperial visions from an unusual perspective in which the social life and cultural biography of people and things intertwine and mutually define each other. By following the trajectory of these literary artefacts, I show how their traces left in letters, minutes and acquisition documents give insight into the functioning of academic institutions and their relationship to imperial governing structures and individual aspirations. In particular, I outline the lives of a group of scholars who were involved with this collection in different capacities and whose deeds are unevenly known. This adds a new perspective to the study of this period, which has so far been largely focused on the deeds of key individuals and the political and military setting in which they operated. Finally, I show how the books of this collection have continued to exercise their attraction and moral pressure on twenty-first-century scholars, both Tibetan and international, linking them through digital technology and cyberspace.

scholarly journals Intercultural adapturgy : twenty-first century women adapting Spanish golden age plays

2021 ◽  
Author(s):  
◽  
Mary Elaine Vansant
Keyword(s):  
Golden Age ◽  
Careful Consideration ◽  
First Century ◽  
Dramatic Literature ◽  
Contemporary Society ◽  
Spanish Golden Age ◽  
Adaptation Studies ◽  
Script Analysis ◽  
Twenty First Century ◽  
Insight Into

Transferring work from one culture to another through translation or adaptation is a delicate process which requires careful consideration of both the positionality of the adapter and the intertextual reaction of the adapted work's target audience. In addition to traditional adaptation theories like intertextuality, the theatrical field of dramaturgy offers helpful insight into the adaptation process, especially as it relates to plays. This dissertation examines the ways that the combination of adaptation studies and dramaturgy, which Jane Barnette calls adapturgy, can inform intercultural adaptaitons of dramatic literature to create performable and effective theatre experiences for twenty-first century audiences. I achieve this goal by first examining two adapted plays: A Little Betrayal Among Friends by Caridad Svich, adapted from La traicion en la amistad by Maria de Zayas y Sotomayor, and Fever/Dream by Sheila Callaghan, adapted from La vida es sueno by Pedro Calderon de la Barca. I look at how dramaturgical and adapation theories can be applied to these plays via script analysis and contextual questioning. Then, using the skills gleaned from those two examples, I create my own translation and adaptation of Los empenos de una casa by Sor Juana Ines de la Cruz, and I reflect on my adapturgical process of doing so. In creating both a translation, titled How to Build a Noble House, and an adaptation, titled With the Temptation, a Way of Escape, I both preserve the unique traits of the Spanish Golden Age for performance in the twenty-first century and amplify Sor Juana's comedic and social intentions for a contemporary society. I believe that both of these considerations, alongside a reflection on the adapter's positionality and the intentions of the producing organization and production team for a live production, are invaluable to both the field of adaptaiton studies and of dramaturgy.

scholarly journals DANTES LITTERÆRE ATMOSFÆROLOGI

1970 ◽  
Vol 41 (116) ◽  
pp. 33-48
Author(s):  
Dennis Meyhoff Brink
Keyword(s):  
Divine Comedy ◽  
First Century ◽  
The Other ◽  
Other Hand ◽  
Peter Sloterdijk ◽  
Twenty First Century ◽  
The One ◽  
Atmospheric Phenomena ◽  
Lauren Berlant

DANTE’S LITERARY ATMOSPHEROLOGY | The article argues that recent theories on affect and atmosphere by, for instance, Teresa Brennan, Lauren Berlant, and Peter Sloterdijk, can enter into an extraordinarily fruitful interchange with Dante’s Divine Comedy. On the one hand, these theories can direct our attention to the hitherto overlooked atmospheric phenomena that occur ubiquitously in Dante’s Comedy and provide us with concepts that render them legible as products of human emissions. On the other hand, the numerous descriptions of different atmospheres in Dante’s Comedy can contribute to overcoming the lack of linguistic specifications and distinctions which – according to theorists such as Brian Massumi and Peter Sloterdijk – characterizes today’s Western understanding of affective atmospheres and impedes its ongoing theorization. Based on readings of a selected number of atmospheres in Dante’s Comedy, the article argues that the Comedy not only anticipated insights that were not articulated theoretically until the twentieth and twenty-first century, butalso makes up an exceptional encyclopedia of affective atmospheres that have not yet been examined, neither by Dante researchers, nor by theorists of affects and atmospheres. Therefore, both camps have much to learn from Dante’s literary atmospherology, which the article aims to make explicit.

The Imagined War between Secularism and Religion

2017 ◽  
Author(s):  
Mark Juergensmeyer
Keyword(s):  
First Century ◽  
The Other ◽  
The Enlightenment ◽  
Twenty First Century ◽  
Charlie Hebdo

The case of the 2015 attack on the offices of the Charlie Hebdo satirical magazine in Paris illustrates the imagined war between secularism and religion that is in the background of many incidents of violence at the turn of the twenty-first century. The Enlightenment idea that there are two different worldviews—two distinctly different spheres of understanding about reality, one of them secular and the other religious—is inherently problematic. This dichotomy creates an arena of discord that is easily exploited by people who feel isolated and marginalized for whatever reason and look for someone to blame and some battle to join. It is a false conflict that extremists on both sides, religious and secular, have exacerbated.

Part I International Refugee Law— Reflections on the Scholarly Field, Ch.8 The Intersection of International Refugee Law and International Statelessness Law

2021 ◽  
Author(s):  
van Waas Laura
Keyword(s):  
First Century ◽  
Forced Displacement ◽  
Refugee Protection ◽  
Refugee Law ◽  
Durable Solutions ◽  
Twenty First Century ◽  
International Refugee Law ◽  
The Relationship ◽  
Insight Into ◽  
Stateless Person

This chapter focuses on the intersection of international refugee law and international statelessness law. While refugee law, policy, doctrine, and research evolved, it was not until after the turn of the twenty-first century that international statelessness law started to draw much attention and to begin to emerge as a field of its own. As global interest in statelessness grows, the interaction between statelessness and forced displacement has also come back under the spotlight. Thus, the chapter provides an insight into the relationship between statelessness and forced displacement. It starts by unpacking how statelessness can manifest itself as a cause or consequence of displacement, as well as how statelessness can be a complicating factor for refugee protection and durable solutions. The chapter then offers a brief overview of key norms relating to the protection of stateless persons and the prevention and resolution of statelessness, setting out the contours of international statelessness law. It also looks at the implications of the statelessness–displacement nexus by exploring the conceptual and practical questions that arise when a refugee is also stateless, and when a stateless person is also a refugee.

Jan Hasištejnský z Lobkovic: A Fifteenth-Century Czech Traveler to the Mediterranean World

2012 ◽  
Vol 46 (1) ◽  
pp. 72-78 ◽  
Author(s):  
Laura Lisy-Wagner
Keyword(s):  
Fifteenth Century ◽  
First Century ◽  
The Other ◽  
Multinational Group ◽  
Central European ◽  
Mediterranean World ◽  
The Mediterranean ◽  
Twenty First Century

In 1493, a Czech nobleman named Jan Hasištejnský z Lobkovic embarked on a pilgrimage to Jerusalem. As nearly all Central European pilgrims did, he traveled south through the Tyrol to Venice and joined a large, multinational group there before setting out across the Mediterranean. He remained nearly a month in Venice, meeting prominent political figures, visiting churches and cloisters, and admiring the realism of the painting and sculpture of the Venetian quattrocento. Among all the other marvels of Venice that he describes in his 1505 travelogue is the memory of his day trip to the island of Murano. “In this little town,” he writes, “there are, I think, close to seventy artisans or more, and all are glass makers.” He describes some of the fine works that he saw there, and eagerly adds, “and there is always a great quantity of these various things completed, so that whoever arrives wants to buy something of it.” In this moment, the fifteenth-century tourist is not that far removed from his counterpart in the twenty-first century.

Exploring Parliament

2018 ◽  
Author(s):  
Cristina Leston-Bandeira ◽  
Louise Thompson
Keyword(s):  
Case Studies ◽  
Real Life ◽  
First Century ◽  
Practical Case ◽  
Assisted Dying ◽  
Fresh Perspective ◽  
Twenty First Century ◽  
Insight Into ◽  
Law Making

Exploring Parliament offers a fresh perspective on an ancient institution. It provides a real-life insight into the inner workings, impact, and relevance of twenty-first century Parliament. Short academic and practitioner chapters are combined with relevant and practical case studies, to provide an introduction to Parliament's structures, people, and practices. As well as covering the broader structure of UK Parliament, this text explains the role of small parties in law-making, the design and space of Parliament, and offers illuminating case studies on highly topical areas such as the Backbench Business Committee, the Hillsborough Inquiry and recent pieces of legislation such as the Assisted Dying Bill.

scholarly journals Introduction: Postcolonial Reading Publics

2017 ◽  
Vol 4 (1) ◽  
pp. 1-10 ◽  
Author(s):  
Ankhi Mukherjee
Keyword(s):  
First Century ◽  
The Other ◽  
Special Issue ◽  
British India ◽  
Authorial Intention ◽  
Writing Theory ◽  
History Of ◽  
Twenty First Century ◽  
The Given ◽  
Discursive Context

AbstractIn this introduction to the special issue, “Postcolonial Reading Publics,” Mukherjee charts the history of reception of two texts, one a Bengali novel published in British India, the other a Shakespeare adaptation staged in twenty-first-century Kolkata, to examine the fortuitous ways in which reading publics baffle or exceed authorial intention and the given text’s addressable objects. Offering summaries of and continuities among the four essays that constitute the volume, the introduction ends with an analysis of the salience of this discursive context for postcolonial writing, theory, and critique in a world literary frame.

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