The Imagined War between Secularism and Religion

2017 ◽  
Author(s):  
Mark Juergensmeyer
Keyword(s):  
First Century ◽  
The Other ◽  
The Enlightenment ◽  
Twenty First Century ◽  
Charlie Hebdo

The case of the 2015 attack on the offices of the Charlie Hebdo satirical magazine in Paris illustrates the imagined war between secularism and religion that is in the background of many incidents of violence at the turn of the twenty-first century. The Enlightenment idea that there are two different worldviews—two distinctly different spheres of understanding about reality, one of them secular and the other religious—is inherently problematic. This dichotomy creates an arena of discord that is easily exploited by people who feel isolated and marginalized for whatever reason and look for someone to blame and some battle to join. It is a false conflict that extremists on both sides, religious and secular, have exacerbated.

scholarly journals DANTES LITTERÆRE ATMOSFÆROLOGI

1970 ◽  
Vol 41 (116) ◽  
pp. 33-48
Author(s):  
Dennis Meyhoff Brink
Keyword(s):  
Divine Comedy ◽  
First Century ◽  
The Other ◽  
Other Hand ◽  
Peter Sloterdijk ◽  
Twenty First Century ◽  
The One ◽  
Atmospheric Phenomena ◽  
Lauren Berlant

DANTE’S LITERARY ATMOSPHEROLOGY | The article argues that recent theories on affect and atmosphere by, for instance, Teresa Brennan, Lauren Berlant, and Peter Sloterdijk, can enter into an extraordinarily fruitful interchange with Dante’s Divine Comedy. On the one hand, these theories can direct our attention to the hitherto overlooked atmospheric phenomena that occur ubiquitously in Dante’s Comedy and provide us with concepts that render them legible as products of human emissions. On the other hand, the numerous descriptions of different atmospheres in Dante’s Comedy can contribute to overcoming the lack of linguistic specifications and distinctions which – according to theorists such as Brian Massumi and Peter Sloterdijk – characterizes today’s Western understanding of affective atmospheres and impedes its ongoing theorization. Based on readings of a selected number of atmospheres in Dante’s Comedy, the article argues that the Comedy not only anticipated insights that were not articulated theoretically until the twentieth and twenty-first century, butalso makes up an exceptional encyclopedia of affective atmospheres that have not yet been examined, neither by Dante researchers, nor by theorists of affects and atmospheres. Therefore, both camps have much to learn from Dante’s literary atmospherology, which the article aims to make explicit.

Jan Hasištejnský z Lobkovic: A Fifteenth-Century Czech Traveler to the Mediterranean World

2012 ◽  
Vol 46 (1) ◽  
pp. 72-78 ◽  
Author(s):  
Laura Lisy-Wagner
Keyword(s):  
Fifteenth Century ◽  
First Century ◽  
The Other ◽  
Multinational Group ◽  
Central European ◽  
Mediterranean World ◽  
The Mediterranean ◽  
Twenty First Century

In 1493, a Czech nobleman named Jan Hasištejnský z Lobkovic embarked on a pilgrimage to Jerusalem. As nearly all Central European pilgrims did, he traveled south through the Tyrol to Venice and joined a large, multinational group there before setting out across the Mediterranean. He remained nearly a month in Venice, meeting prominent political figures, visiting churches and cloisters, and admiring the realism of the painting and sculpture of the Venetian quattrocento. Among all the other marvels of Venice that he describes in his 1505 travelogue is the memory of his day trip to the island of Murano. “In this little town,” he writes, “there are, I think, close to seventy artisans or more, and all are glass makers.” He describes some of the fine works that he saw there, and eagerly adds, “and there is always a great quantity of these various things completed, so that whoever arrives wants to buy something of it.” In this moment, the fifteenth-century tourist is not that far removed from his counterpart in the twenty-first century.

scholarly journals Introduction: Postcolonial Reading Publics

2017 ◽  
Vol 4 (1) ◽  
pp. 1-10 ◽  
Author(s):  
Ankhi Mukherjee
Keyword(s):  
First Century ◽  
The Other ◽  
Special Issue ◽  
British India ◽  
Authorial Intention ◽  
Writing Theory ◽  
History Of ◽  
Twenty First Century ◽  
The Given ◽  
Discursive Context

AbstractIn this introduction to the special issue, “Postcolonial Reading Publics,” Mukherjee charts the history of reception of two texts, one a Bengali novel published in British India, the other a Shakespeare adaptation staged in twenty-first-century Kolkata, to examine the fortuitous ways in which reading publics baffle or exceed authorial intention and the given text’s addressable objects. Offering summaries of and continuities among the four essays that constitute the volume, the introduction ends with an analysis of the salience of this discursive context for postcolonial writing, theory, and critique in a world literary frame.

The reciprocity between art and architecture

2019 ◽  
Vol 6 (4) ◽  
pp. 112-116
Author(s):  
Hakan Saglam
Keyword(s):  
Twentieth Century ◽  
Key Words ◽  
Contemporary Art ◽  
Modern Architecture ◽  
First Century ◽  
The Other ◽  
Arts And Crafts ◽  
Avant Garde ◽  
The Enlightenment ◽  
Art And Architecture

The concept of ‘Art’ in the modern meaning, evaluates within the Enlightenment’s seminal World of philosophy. Before the Enlightenment architecture and craft were instinctively united fields of creating, almost impossible to detach one from the other. From the beginning of twentieth century the avant-garde of modern architecture were aware of the growing schism between art and architecture and vice versa. The pioneers were writing manifestos, stating that art and architecture should form a new unity, a holistic entity, which would include all types of creativity and put an end to the severance between “arts and crafts”, “art and architecture”.  Approaching the end, of the first decade of the twenty first century, as communicative interests in all fields are becoming very important, we should once more discuss the relation/ interaction / cross over of art and architecture; where the boundaries of the two fields become blurred since both sides, art and architecture, are intervening the gap between. The aim of this paper is to discuss the examples of both contemporary art and architecture, which challenge this “in between gap.” Key words: Architecture, art, interaction, in between.

scholarly journals Some problems in Piketty: an internal critique

2019 ◽  
pp. 101-118
Author(s):  
Alan Tapper
Keyword(s):  
Income Inequality ◽  
Wealth Distribution ◽  
National Income ◽  
Wealth Inequality ◽  
First Century ◽  
The Other ◽  
Income Ratio ◽  
Twenty First Century ◽  
Distribution Trends

Thomas Piketty’s evidence on wealth distribution trends in Capital in the Twenty-First Century shows that – contra his own interpretation – there has been little rise in wealth inequality in Europe and America since the 1970s. This article relates that finding to the other principal trends in Piketty’s analysis: the capital/national income ratio trend, the capital-labor split of total incomes and the income inequality trend. Given that wealth inequality is not rising markedly, what can we deduce about the putative causes that might be operating upstream? Only the capital-labor split looks like a plausible explanation of the wealth inequality trend.

scholarly journals The Turn to Precarity in Twenty-First Century Fiction

2014 ◽  
Vol 21 (1) ◽  
pp. 10-29
Author(s):  
Jago Morrison
Keyword(s):  
Social Dynamics ◽  
Judith Butler ◽  
First Century ◽  
The Other ◽  
Cultural Shift ◽  
The Social ◽  
Biographical Study ◽  
Way Finding ◽  
Twenty First Century

Abstract Recent years have seen several attempts by writers and critics to understand the changed sensibility in post-9/11 fiction through a variety of new -isms. This essay explores this cultural shift in a different way, finding a ‘turn to precarity’ in twenty-first century fiction characterised by a renewal of interest in the flow and foreclosure of affect, the resurgence of questions about vulnerability and our relationships to the other, and a heightened awareness of the social dynamics of seeing. The essay draws these tendencies together via the work of Judith Butler in Frames of War, in an analysis of Trezza Azzopardi’s quasi-biographical study of precarious life, Remember Me.

Pentecostal and Charismatic

2019 ◽  
Author(s):  
Telford Work
Keyword(s):  
Twentieth Century ◽  
First Century ◽  
The Other ◽  
World Council Of Churches ◽  
Ecumenical Movement ◽  
The World ◽  
World Council ◽  
Twenty First Century ◽  
Charismatic Christianity

Accounts of Pentecostal ecumenism tend to take two basic shapes. In one, the story of Pentecostal and charismatic ecumenism is subsumed into the wider course of twentieth-century ecumenism, whose centre has been the World Council of Churches. The other regards Pentecostal and charismatic Christianity as an ecumenical movement in its own right, expressed in innumerable informal relationships and recently embodied in the Global Christian Forum. These two popular visions often keep Pentecostals, charismatics, and mainstream ecumenists talking past one another. An inventory of the gifts offered, gifts received, and gifts withheld or rejected among these parties in twentieth- and twenty-first-century ecumenism leads to a different interpretation of their interrelationship. The ecumenical movement at large and Pentecostal and charismatic Christianity itself are both among the renewing tides in Christ’s ecclesial ecumene. The most significant Pentecostal/charismatic contribution to ecumenism may be its own spirit, and vice versa.

Logicism in the Twenty‐first Century

2009 ◽  
Author(s):  
Bob Hale ◽  
Crispin Wright
Keyword(s):  
Higher Order ◽  
Second Order ◽  
Order Logic ◽  
First Century ◽  
The Other ◽  
Hume’S Principle ◽  
Main Assumption ◽  
Twenty First Century ◽  
Second Order Logic ◽  
Abstraction Principles

This article focuses on issues which neo-Fregeanism must address, even if the scope of its leading claims is restricted to elementary arithmetic. Many of these concern the capacity of abstraction principles—centrally, but not only, Hume's Principle itself—to discharge the implicitly definitional role in which the neo-Fregean casts them, and thereby to subserve a satisfactory apriorist epistemology for (at least part of) mathematics. Others concern the other main assumption that undergirds the specifically logicist aspect of the neo-Fregean project (and equally, of course, Frege's original project): that the logic to which abstraction principles are to be adjoined may legitimately be taken to include higher-order—at the very least, second-order—logic without compromise of the epistemological purposes of the project.

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