Critical Race Theory

Author(s):  
Marilyn Y. Byrd

This chapter is a qualitative, narrative case study that seeks to unveil the social identity diversity of leadership from the perspective a Black woman leader. Social identity diversity is a form of difference that marginalized groups, such as Black women, experience in predominantly White organizational and institutional settings as a result of intersectionality. Social identity diversity creates multiple dynamics for groups such as Black women who hold leadership positions in the aforementioned settings. This study highlights the need for more inclusive and cultural perspectives of leadership, which calls for more inclusive theoretical frameworks that consider the social identity diversity of the leader. Critical race theory is presented as a theoretical framework that is useful for explaining how systems of power sustain domination and oppression in organizational and institutional settings. Implications for an emerging social justice paradigm are given.

Author(s):  
Caron E. Gentry

This chapter argues that one of the central debates within Terrorism Studies will never be resolved: that of an agreed upon, objective definition. Several Terrorism Studies scholars believe that Terrorism Studies would be better off if it arrived at an objective definition for terrorism. Yet, this chapter demonstrates that how terrorism is largely understood is dependent upon various social structures, including gender, race, and heteronormativity. Thus, a thicker understanding of terrorism would acknowledge that it is an essentially contested concept or as an ‘utterance’. An agreed upon definition would present only a thin understanding, erasing the social structures that shape our understanding. Therefore, the chapter relies upon the concept of ‘aphasia,’ or calculated forgettings, from Critical Race theory. This concept holds that Western thought and society has purposefully forgotten how race and racialisation work to deny people of colour many things, including rationality, intelligence, and agency. Gender and heteronormativity operate in a similar way. Such operations infect all areas of life—the purpose of this chapter is to look at terrorism.


2021 ◽  
Vol 7 (2) ◽  
pp. 101-104
Author(s):  
Haider Ibrahim Khalil ◽  
Abdullah Mohd Nawi ◽  
Ansam Ali Flefil

The Emperor Jones is the best viewpoint of O’Neill’s plays in depicting the black white people. This play exposes the portraying of black white conflict as modernism ideology. This play is focused on the suffering and the oppression of people. In this study, the scholar uses the qualitative method as storytelling type. In theoretical framework, the critical race theory is related to this study to analyse the speech which tackles the plot, characters and setting according to the concepts of clash of cultures. This study/ this paper also shows the clashes of culture in American society. Furthermore, the implication of this paper will be presented/ indicate the social, educational, linguistic and cultural style. In fact, this paper will add something to American literature by generalizing this study to other studies about black white people. In sum, this paper is to reflect the philosophy of O’Neill in portraying the black white people. The scholar uses the critical race theory to explain the struggles/ conflicts among the human beings. The researcher also uses the qualitative approach and narrative technique to analyse data. In the same way, the data/ material is collected by textual methods and analyse by the narrative approach. This study can be generalized to another study about O’Neill’s perspectives in depicting the black white people. 


2020 ◽  
Vol 33 (4) ◽  
pp. 685-703 ◽  
Author(s):  
Stephen Cave ◽  
Kanta Dihal

Abstract This paper focuses on the fact that AI is predominantly portrayed as white—in colour, ethnicity, or both. We first illustrate the prevalent Whiteness of real and imagined intelligent machines in four categories: humanoid robots, chatbots and virtual assistants, stock images of AI, and portrayals of AI in film and television. We then offer three interpretations of the Whiteness of AI, drawing on critical race theory, particularly the idea of the White racial frame. First, we examine the extent to which this Whiteness might simply reflect the predominantly White milieus from which these artefacts arise. Second, we argue that to imagine machines that are intelligent, professional, or powerful is to imagine White machines because the White racial frame ascribes these attributes predominantly to White people. Third, we argue that AI racialised as White allows for a full erasure of people of colour from the White utopian imaginary. Finally, we examine potential consequences of the racialisation of AI, arguing it could exacerbate bias and misdirect concern.


2021 ◽  
Vol 102 (5) ◽  
pp. 18-23
Author(s):  
Antony Farag

In a post-truth world, it is imperative for educators to help students sift through the various views of both historical and current events. Critical race theory (CRT), a controversial theoretical framework directly critiquing white supremacy and incorporating the histories of historically marginalized communities, is a useful tool for helping students develop their own understanding of history and the world. However, research shows that social studies educators of white students are unprepared to use CRT. Antony Farag shares his research into white teachers’ use of CRT and describes what happened when his predominately white school attempted to launch an elective course build on critical race theory.


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