Social Bookmarking in Digital Libraries

Author(s):  
Tom Kwanya

This chapter elucidates the concept of social bookmarking, its benefits in digital libraries as well as the implications of its use on the intellectual property rights of the creators of the bookmarked works. The author concludes that digital libraries can use social bookmarking as a means of increasing access to and sharing of information resources; improve web searching; as well as to enhance collaboration in the creation and use of information. Since social bookmarks are, by and large, public descriptions of and pointers to the original resources, digital libraries do not infringe the intellectual property rights of their creators. Nonetheless, the libraries should watch against copying large volumes of content from the original resource as this may be construed as an intellectual competition with the bookmarked resource. Digital libraries are advised to develop and apply social bookmarking policies to streamline their use of social bookmarks.

Author(s):  
Tom Kwanya

This chapter elucidates the concept of social bookmarking, its benefits in digital libraries as well as the implications of its use on the intellectual property rights of the creators of the bookmarked works. The author concludes that digital libraries can use social bookmarking as a means of increasing access to and sharing of information resources; improve web searching; as well as to enhance collaboration in the creation and use of information. Since social bookmarks are, by and large, public descriptions of and pointers to the original resources, digital libraries do not infringe the intellectual property rights of their creators. Nonetheless, the libraries should watch against copying large volumes of content from the original resource as this may be construed as an intellectual competition with the bookmarked resource. Digital libraries are advised to develop and apply social bookmarking policies to streamline their use of social bookmarks.


2018 ◽  
Vol 12 (1) ◽  
pp. 114
Author(s):  
Mohammad Niqresh

The study aims at identifying the concept of digital library, it also tries to shed the light on the most significant intellectual issues by presenting its definition, development, functions (selection and acquisition of information resources from the web, sources indexing, communication and management of intellectual property rights, production of electronic resources and its availability, and digital resources maintaining), characteristics, and the purpose of turning into digital library, passed by the proposed stages of digital library transition, Types of Intellectual Property (Copyright, Patents, Trademarks, Commercial Secrets), it also discusses copyrights and intellectual property, the problems and challenges of digital library, and finally the future of digital library. Many researchers agree that the main objective of the digital library is to accomplish all the functions of the traditional library, but in the form of electronic digital libraries which are only an extension for jobs that are performed and the resources that are accessible in digital library. The study concluded that digital libraries emerged as an obligatory result of revolution of the third millennium which is called the communications revolution, as libraries are able to prove that they are able to stand and cope with all the modern technology, where there is no conflict between the new and modern trends in libraries issue, but it also benefits from both of them concerning their evolution instruments in service for beneficiaries in every time and place.


2003 ◽  
Vol 28 (3) ◽  
pp. 15-22 ◽  
Author(s):  
Bruce Royan

The Scottish Cultural Resources Network is a nationwide collaboration of institutions from many curatorial domains, which has built a massive and sustainable multimedia digital library including tens of thousands of resources for the study and appreciation of art. This paper traces the history and governance of SCRAN, with examples of how it manages the creation of digital content. It goes on to describe issues of intellectual property rights and organisational sustainability and discusses what future such a service may have. Finally, it introduces a number of SCRAN-based digital libraries, including Resources for Learning in Scotland, the AMICO Library™, and the British History Library, as well as portal services such as Netwide Search.


2019 ◽  
Vol 22 (01) ◽  
pp. 37-54
Author(s):  
Elly Hernawati

Copyright is one of the Intellectual Property Rights components and should be paid attention to. Even more in technology era that developing, copyright protection needed to be enhanced, so that the right of creator, Copyright holder or owner of relevant rights can be protected and urge people to create. Indirectly, good and healthy business climate could be fostered.  Not all people have skill to create, that is why those people who have skill to create must be protected and even awarded, hoping that people urged to create. One of the creations that protected are song and music. In creating song or music, creator involve recording producer, music director or arranger. Regarding the creation, creator holds moral and economy rights, while parties involved hold the relevant rights to it. Collective Management Agency is an agency that help creator or relevant rights owner in managing and distributing the creation which is song or music that being commercialized. Yet the creator must be the member of the agency beforehand. Commercialization of a song or music by user can rise problem. Protection to the song or music is for the whole thing, including lyric, notation, arrangement and song title. The utilization of a song or music should be still protecting the parties that hold the copyright and the relevant right to it.


2008 ◽  
pp. 279-290
Author(s):  
H. Sasaki ◽  
Yasushi Kiyoki

The principal concern of this chapter is to provide those in the digital library community with the fundamental knowledge on the intellectual property rights and copyrights regarding multimedia digital libraries. The main objects of our discussion are the multimedia digital libraries with content-based retrieval mechanisms. Intellectual property rights are the only means for database designers to acquire their incentive of content collection and system implementation in database assembling. We outline the legal issues on multimedia digital libraries and retrieval mechanisms. As the protection of intellectual property rights is a critical issue in the digital library community, the authors present legal schemes for protecting multimedia digital libraries and retrieval mechanisms in a systematic, engineering manner.


Author(s):  
Manuel Kellerbauer

In the context of the establishment and functioning of the internal market, the European Parliament and the Council, acting in accordance with the ordinary legislative procedure, shall establish measures for the creation of European intellectual property rights to provide uniform protection of intellectual property rights throughout the Union and for the setting up of centralised Union-wide authorisation, coordination and supervision arrangements.


2001 ◽  
Vol 30 (3) ◽  
pp. 13-23
Author(s):  
Marcos André Gonçalves ◽  
Edward A. Fox

Digital Libraries (DLs) are extremely complex information systems that support the creation, management, distribution, and preservation of complex information resources, while allowing effective and efficient interaction among the several societies that benefit from DL content and services. In this paper, we focus on our experience facing challenges of building, maintaining, and developing the Networked University Digital Library (<A HREF="http://www.nudl.org/">www.nudl.org</A>), an extension of the Networked Digital Library of Theses and Dissertations (<A HREF="http://www.ndltd.org/">www.ndltd.org</A>). NUDL is a worldwide initiative that addresses making the intellectual property produced in universities more accessible, stimulating international collaboration across all disciplines. We detail technological aspects of our solutions and research activities carried out to provide powerful and enriched services for the communities served by this initiative.


NOTARIUS ◽  
2019 ◽  
Vol 12 (1) ◽  
pp. 118
Author(s):  
Widowati Maria Teresa ◽  
Budi Santoso

With the enactment of Law Number 28, 2014 About Copyright the creation of art in the form of a logo or distinctive sign is used as a brand in the trade of goods/services or used as a symbol of the organization, entity, or legal entities can not be recorded. Logo that cannot be registered as creation may be registered as trademarks and obtain trademarks protection. Associated with the unregistered logo in the List of Works does not reduce the copyrights protection of the logo, because the protection of the logo as Creation appears declaratively. Consequences of the unlisted logo in the List of Works are logo will not get an official passage on Creation. The government needs to tighten substantive and material checks on all works listed in the field of Intellectual Property Rights and the government may take the initiative to carry out dissemination and counselling accessible to the public especially for business practitioner. Keywords : Logo, Legal Protection, Copyrights AbstrakDengan diberlakukannya Undang-undang Nomor 28 Tahun 2014 Tentang Hak Cipta, seni lukis yang berupa logo atau tanda pembeda yang digunakan sebagai merek dalam perdagangan barang/jasa atau digunakan sebagai lambang organisasi, badan usaha, atau badan hukum tidak dapat dicatatkan. Logo yang tidak dapat dicatatkan sebagai Ciptaan dapat didaftarkan sebagai Merek dan mendapatkan perlindungan Merek. Terkait dengan tidak dicatatkannya logo dalam Daftar Ciptaan tidak mengurangi perlindungan Hak Cipta atas logo, karena perlindungan logo sebagai Ciptaan muncul secara deklaratif. Konsekuensi dari tidak dapat dicatatkannya logo dalam Daftar Ciptaan adalah Ciptaan logo tidak akan mendapatkan petikan resmi atas Ciptaan. Pemerintah perlu untuk memperketat pemeriksaan substantif maupun materiil terhadap seluruh karya yang didaftarkan di seluruh bidang Hak Kekayaan Intelektual dan dapat mengambil inisiatif untuk melakukan diseminasi dan penyuluhan yang dapat diakses secara mudah bagi masyarakat pada umumnya dan pelaku bisnis pada khususnya. Kata kunci : Logo, Perlindungan Hukum, Hak Cipta 


Author(s):  
Marius Schneider ◽  
Vanessa Ferguson

On 13 September 1962 in Libreville, Gabon, twelve Heads of State and Government adhered to the Agreement on the creation of the African and Malagasy Office of Industrial Property (OMAPI). The departure of Madagascar, the attribution of new competences in the area of copyright, and the need to interlink intellectual property with development soon created a need for a revised agreement. This led to the revision of the agreement in Bangui, Central African Republic on 2 March 1977 and to the creation of the African Intellectual Property Organization (OAPI, an acronym of Organisation Africaine de la Propriété Intellectuelle). A new revision of the agreement took place on 24 February 1999 to ensure the conformity of the agreement to the dispositions of the Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS), to which all the Member States are party. This new agreement entered into force on 28 February 2002. Today the OAPI has seventeen Member States and represents more than 100 million inhabitants.


2021 ◽  
pp. 336-347

This chapter begins by defining intellectual property rights as the protection of the ‘creation’ of the mind and describing many different rights that are protected by both statute and common law. It divides intellectual property into two broad categories: industrial property and copyright. It also explores the various statutory and common law intellectual property regimes that have their own idiosyncratic criteria in order to qualify for the protection they offer. The chapter distinguishes relevant intellectual property rights for pharmaceutical product marketing authorisation holders from ‘traditional’ intellectual property rights to regulatory exclusivities. It explores the characteristics of regulatory exclusivities that are akin to other intellectual property rights but have their own unique criteria for qualification and enforcement.


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