scholarly journals Problemi morali nel trattamento della preeclampsia e della corioamnionite

2008 ◽  
Vol 57 (3) ◽  
Author(s):  
Maurizio P. Faggioni
Keyword(s):  
19Th Century ◽  
Double Effect ◽  
Point Of View ◽  
Alternative Solution ◽  
Ethical Point ◽  
Principle Of Double Effect ◽  
Catholic Tradition ◽  
The 19Th Century ◽  
Difficult Situations

Fra le patologie della gravidanza la corioamnionite e la preeclampsia rappresentano situazioni difficili sia dal punto di vista clinico sia dal punto di vista etico. L’articolo affronta con particolare attenzione il problema dell’anticipazione del parto prima che il feto abbia raggiunto la soglia della viabilità. Vengono esaminate le posizioni principali della Tradizione cattolica e le risposte a specifici quesiti date dal Sant’Uffizio tra la fine del XIX secolo e l’inizio del XX. L’Autore ritiene che l’applicazione del principio del duplice effetto a queste situazioni non sia del tutto convincente e propone una soluzione alternativa nella individuazione del solo bene possibile. ---------- Chorioamnionitis and preeclampsy represent difficult situations among pregnancy pathologies both from a clinical and from an ethical point of view. The article treats with particular attention the issue of induced preterm parturition before fetus has reached the threshold of viability. The main positions of the Catholic Tradition and the answers given by the Holy Office at the end of the 19th century and the beginning of the 20th are examined. The author believes that the application of the principle of double effect to such situations is non completely convincing and he proposes as an alternative solution the identification of the only possible good.

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

scholarly journals Virginia Woolf and some aspects of the Russian novel of the 19th century

2018 ◽  
Vol 19 (11) ◽  
Author(s):  
Sonja Valčić
Keyword(s):  
19Th Century ◽  
Virginia Woolf ◽  
Emily Bronte ◽  
Point Of View ◽  
Wuthering Heights ◽  
Russian Novel ◽  
The 19Th Century

Tema ovog eseja je bazirana na citatu V. Woolf »The Russian Point of View«, tj. na citatu iz njena eseja, koji otvara jedan interesantan uvid u neke tendencije ruskih i engleskih romanopisaca 19. stoljeća. Engleski novelisti, po V. Woolf, čini se, teže objektivnijem prikazivanju društva, dok su ruski veći individualisti. Da se svi engleski pisci ne mogu klasificirati kao objektivni promatrači društva u kojem žive, potvrđuje Emily Bronte sa svojim romanom Wuthering Heights. Isto tako ruski novelisti 19. stoljeća otvaraju »mogućnosti« modernih interpretacija s tematikama moralnih sukoba koje onda pisci 20. stoljeća (engleski) proširuju na određen način, ili, bolje rečeno, sagledavaju s drugih točaka gledišta i stavljaju u određene okvire. Obrađeni su naročito V. Woolf i D. H. Lawrence, te su povučene neke paralele s Tolstojem i Turgenjevim.

From Maine de Biran to the ‘Motor Theory’ of speech

1996 ◽  
Vol 23 (3) ◽  
pp. 347-364
Author(s):  
Federico Albano Leoni ◽  
Francesca M. Dovetto
Keyword(s):  
Speech Perception ◽  
General Theory ◽  
20Th Century ◽  
19Th Century ◽  
Point Of View ◽  
Motor Theory ◽  
Ferdinand De Saussure ◽  
Articulatory Movements ◽  
Theory Of Language ◽  
The 19Th Century

Summary The basic idea of the modern Motor Theory of Speech Perception (Liberman et al. 1963) is that “the perception of speech is tightly linked to the feedback from the speaker’s own articulatory movements”. In this paper we try to show how the same idea was already formulated by the French philosopher Maine de Biran (1805) and taken up in the second half of the 19th century by psychologists (like Steinthal) and linguists (like Kruszewski and Paul). However, whereas in the 19th century the articulatory point of view was not only dominant, but also the only one incorporated in a general theory of language, in the 20th century the articulatory perspective is supplemented by the acoustic one (cf. Malmberg 1967). This was only hinted at by Ferdinand de Saussure in the Cours, but fully expressed in Jakobson & Halle (1956). In this respect, Liberman’s Motor Theory is to be considered much less original than it has been claimed.

scholarly journals Urodzony Jan Dęboróg, dzieje jego rodu, głowy i serca, przez niego samego opowiadane a rytmem spisane przez W. S. – patriotyzm w gawędzie Władysława Syrokomli (Ludwika Kondratowicza)

2020 ◽  
pp. 79-88
Author(s):  
Magdalena Zaród
Keyword(s):  
Seventeenth Century ◽  
19Th Century ◽  
Oral Tradition ◽  
Point Of View ◽  
The Public ◽  
National Tradition ◽  
Average Person ◽  
The 19Th Century ◽  
First Time

Ludwik Kondratowicz (Władysław Syrokomla) represented a patriotic attitude towards his homeland.His works written in the years 1823–1862 were primarily an expression of the public moodin the middle of the 19th century. It was Syrokomla’s gentleman’s tale Born Jan Dęboróg, the Historyof His Family, Heads and Hearts, Told by Him Himself and Written Down in the Form of Rhythmby W. S., written in the years 1847–1851 and published for the first time in 1853, that reflected thatlocal/regional patriotism. For many years it remained in the shadow of the great legacy of the mostoutstanding representatives of Romanticism and was therefore underestimated.What is important in this tale is a tradition, with various events and customs related to it, datingback to the seventeenth century and continued till Syrokomla’s times. Apart from the defense ofpeasants, national tradition and patriotism, Syrokomla also emphasized his own views, so this taleis also a confession of the author’s faith. The popularity of Born Jan Dęborog was determined notonly by the personal tone of the tale saturated with a wistful feeling, but also by the manner in whichthe action is presented – from the point of view of the average person. Syrokomla consciously gaveup his role as the guide of the nation and immersed himself in the oral tradition, thanks to which heenjoyed the obedience and reverence of his people.

scholarly journals Georg von Neumayer and geomagnetic research

2010 ◽  
Vol 1 (2) ◽  
pp. 77-87 ◽  
Author(s):  
W. Schröder ◽  
K.-H. Wiederkehr ◽  
K. Schlegel
Keyword(s):  
19Th Century ◽  
Point Of View ◽  
Gaussian Theory ◽  
The 19Th Century

Abstract. Neumayer was a prominent figure in the development of geophysics in the 19th century from a scientific as well as from an organisational point of view. In this paper we review and highlight his activities and efforts in geomagnetic research within five different aspects of geomagnetism: regional geomagnetic surveys, geomagnetic work in German naval observatories, geomagnetic investigations during the First Polar Year 1882/83, modifications of the Gaussian theory, and geomagnetic charts. In each field Neumayer was a researcher, a thinker, and a stimulating coordinator.

scholarly journals Śāntarakṣita on veridical perception

2010 ◽  
Vol 11 (1) ◽  
pp. 37-52
Author(s):  
Marie Louise Friquegnon
Keyword(s):  
Cognitive Science ◽  
19Th Century ◽  
Point Of View ◽  
Single System ◽  
Veridical Perception ◽  
Direct Experience ◽  
Level I ◽  
The 19Th Century

William Paterson UniversityŚāntarakṣita, an 8th century Indian Buddhist philosopher, united the Cittamātra and the Madhyamaka views into a single system. Consistently following Nāgārjuna, from the point of view of absolute reality he proclaimed all things to be empty and beyond conception. From the point of view of the conventional, he stated that we should understand everything as awareness. Nevertheless, when analysing Cittamātra views on perception, he found them all to be inadequate. Buddhism is usually described as based on two pillars, direct experience and inference. Given Śāntarakṣita’s sharp critique of the veracity of perception, upon which inductive premises are based, how are we to make sense of knowledge on the conventional level? I will attempt to answer this question through an analysis of the ideas of the 11th century philosopher Rongzom and the 19th century philosopherMipham. I will also show the relevance of Śāntarakṣita’s critique of perception today, by comparing it with contemporary Western cognitive science.

scholarly journals Archaeological Excursion into Proximal Colony

2016 ◽  
Vol 9 (3) ◽  
pp. 669 ◽  
Author(s):  
Aleksandar Palavestra
Keyword(s):  
19Th Century ◽  
Bosnia And Herzegovina ◽  
Point Of View ◽  
The Other ◽  
Theoretical Context ◽  
Other Hand ◽  
History Of ◽  
The 19Th Century

Austro-Hungarian rule in Bosnia-Herzegovina by the end of the 19th century, presided by Benjamin Kallay, the Empire’s Minister of Finance and governor of Bosnia and Herzegovina, strived to gain wider international justification for its years’ long project of “civilizing” Bosnia and Herzegovina, or particular “historizing” of this proximal colony. In the summer of 1894 the Austro-Hungarian government in Bosnia and Herzegovina organized the Congress of Archaeologists and Anthropologists in the Landesmuseum in Sarajevo. The aim of the Congress was to inform archaeologists and anthropologists about the results of archaeological investigations in the country, and to seek their advice in directing further work. The wider ideological, political, as well as theoretical context of this congress, however, was much more complex and layered, with the aim to present the constructed image of Bosnia and Herzegovina as a country of tamed and civilized European Orient of rich past and luxurious folklore. The participants of the Congress discussed the archaeological and anthropological data presented to them by the hosts, including the specially organized excavations at Butmir and Glasinac. It is interesting to analyze, from the point of view of the history of archaeological ideas, the endeavours of the participants to adapt the archaeological finds before them to the wishes of the hosts, and, on the other hand, to their favoured archaeological paradigms dominant at the time.

scholarly journals Orzecznictwo sądów amerykańskich w sprawach niewolnictwa – pomiędzy formalizmem a subwersją

2018 ◽  
Vol 3 (2) ◽  
pp. 70-96
Author(s):  
Jerzy Zajadło
Keyword(s):  
19Th Century ◽  
Rule Of Law ◽  
Point Of View ◽  
Theoretical Point ◽  
The Rule Of Law ◽  
The 19Th Century

Article discusses a dilemma of judge facing a possibility (or necessity) of applying judicial disobedience. From the philosophical as well as theoretical point of view, the most intriguing would be an instance of judicial disobedience when applied to a state of democracy and the rule of law. In order to (re-)construct such an instance, the article traces the reader back to the middle of the 19th Century, when the moral conscience of (at least) some of American judges drove them to searching for the sound justification of judicial disobedience when faced with problem of slavery.

God, Faith and the Theological Object — An Historical Dialectic

1966 ◽  
Vol 59 (3) ◽  
pp. 213-226
Author(s):  
Claude Welch
Keyword(s):  
19Th Century ◽  
Point Of View ◽  
The 19Th Century

What is the proper “object” for theological attention? It was the overwhelming judgment of Protestant thinkers in the 19th century that for theology God and faith belong inseparably together. Theology deals with God, but in so far as God is the object for theology, man as believer is also always given in his concrete choosing and affirming and apprehending that is faith. God is available as an “object” only from and with the point of view of a subject.

Marcel Proust : la Berma, figure de l’artiste, figure maternelle

2020 ◽  
Vol 65 (2) ◽  
pp. 203-220
Author(s):  
Mireille Naturel
Keyword(s):  
19Th Century ◽  
Marcel Proust ◽  
Point Of View ◽  
Social Challenge ◽  
The 19Th Century ◽  
Main Model ◽  
Family Matter

"Marcel Proust : The Berma, Actress’ Figure, Motherhood’s Character. La Berma is an actress in Proust’s novel À la recherche du temps perdu. Her main model is Sarah Bernhardt and she has the same beautiful voice, a golden voice. Both of them are famous for their role of Phèdre in Racine’s drama. Theatre represents firstly a family matter and a social challenge. The child discovers theatre outside theatre where he is not allowed to go, that is on posters from the Morris column. And the first approach is semiotic. Theatre is included in narration, through two performances that the hero attends. With them, we have an image of theatre in the 19th century, from a sociological and artistic point of view. In the first one, theatre is considered as a low art and actresses are immoral women. Theatre is a cruel world which leads from glory to death, brings rivalry between actresses. In the latter, theatre is above all a text; Proust is interested in gesture and costume. He is focused on the quality of interpretation in comparison with the role. He shows that interpretation is a real art, which can be compared to painting and music. Keywords: art, gesture, interpretation, verse, voice, Phèdre, Proust, Sarah Bernhardt."

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