scholarly journals Sarah's submissiveness to Abraham: A socio-historic interpretation of the exhortation to wives in 1 Peter 3:5-6 to take Sarah as example of submissiveness

2004 ◽  
Vol 60 (1/2) ◽  
Author(s):  
Fika Janse Van Rensburg
Keyword(s):  
1 Peter ◽  
The Past ◽  
Role Of Women ◽  
Holy Women ◽  
The Way

In 1 Peter 3:5-6 the author of First Peter refers to the holy women of the past who were submissive to their own husbands, and then refers to Sarah who obeyed Abraham and called him master. A socio-historic interpretation of this exhortation to wives in 1 Peter 3:5-6, using Sarah's submissiveness to Abraham as example of submissiveness, is given. This is done in order to approximate the reception of this tradition in First Peter, and the way the letter’s first hearers/readers’ (specifically the women) understood the author’s exhortation, and to establish what the implications of this exhortation are for the role of women in churches today.

scholarly journals Individualism as a Cultural Syndrome in Recent American Cinema

2017 ◽  
Vol 9 (2) ◽  
pp. 114-122
Author(s):  
Nina A Tsyrkun
Keyword(s):  
Moral Responsibility ◽  
Cultural Constructs ◽  
American Cinema ◽  
The Past ◽  
Individualism And Collectivism ◽  
The Face ◽  
Survival Condition ◽  
The Way

The article explores the balance of the two basic cultural constructs - individualism and collectivism - and the way it is represented in the American cinema of 2015-2016 as exemplified by a number of films set in the past, present and future. The author comes to the conclusion that in the face of a global peril the idea of individual moral responsibility inevitably leads to the role of collectivism as the essential survival condition.

Narratives of human trafficking: Defining policy, practice and positioning in a contested field

2021 ◽  
Author(s):  
◽  
Bryony Cornforth-Camden
Keyword(s):  
Human Trafficking ◽  
Migrant Workers ◽  
Sex Trafficking ◽  
Policy Practice ◽  
Local Responses ◽  
The Past ◽  
Crime Type ◽  
Counter Narrative ◽  
The Way

<p><b>This research uses narrative criminology to investigate the way the problem of human trafficking is narrated in New Zealand and international settings. It draws on accounts from professionals who are responsible for defining and responding to human trafficking, and reports, policy, and other guiding documents. The main issue driving this research is the contested nature of human trafficking. Human trafficking is a crime type that has been highly politicised resulting in shifts and changes to the way the problem of trafficking has been approached over the past 20 years, with differing trends coming to the fore and dominating trafficking practices at different times. The internationally dominant approaches which emphasise prostitution, harsh criminal responses, and border security have come under criticism for having harmful impacts for migrant workers. This research aims to understand how human trafficking is defined, what discourses are drawn on, and how international narratives may be influencing local responses with the overall aim of identifying new and less problematic ways of conceptualising human trafficking and responding to migrant exploitation.</b></p> <p>This thesis finds that different ways of narrating human trafficking are constitutive of different trafficking realities. Narratives determine the shape the problem takes, who is involved, what the causes and solutions are, who responds, and who are classed as victims and perpetrators. This research concludes that as narratives structure reality and action, in order to change how we deal with certain problems, the way the problem is narrated must also change.</p> <p>The findings of this thesis reflect current challenges in the wider international anti-trafficking field of how to avoid positioning western states and systems as outside of the problem of trafficking, issues with broadening definitions of victimhood, and questions of the role of international versus local bodies in defining problems involving migration and crime. As well as reflecting these current challenges, the findings from this research provide insights for moving forwards by proposing an alternative narrative. This counter narrative is created through drawing together components of narratives identified in this research. It avoids the issues of western exceptionalism, narrow forms of victimhood, and a focus on sex trafficking, and provides a different method for conceptualising migration, exploitation, and harm.</p>

Women and the Faith in Icons in Early Christianity

2013 ◽  
Author(s):  
Judith Herrin
Keyword(s):  
Early Christianity ◽  
Social Experience ◽  
Late Antique ◽  
Human Relations ◽  
Christian Church ◽  
Funerary Art ◽  
Mediterranean Culture ◽  
Role Of Women ◽  
The Way

This chapter discusses the place of icons in worship, their character, and the way they came to symbolize the holy and mediate between earth and heaven. In particular, as icons became a vivid focus of devotion, they began to embody human relations with God the Creator and Ruler of the entire Christian world. It is argued that women played a notable part in this developing cult of icons. The chapter concentrates on some features of Late Antique Mediterranean culture, shared by Jews and Gentiles, pagan and Christian alike. These provided a common social experience within which the artistic evolution of the Christian church took place. In particular, the first part of this chapter is devoted to a discussion of funerary art, for this represents one of the most striking ways whereby Christians transmitted pagan rituals and artistic forms to their new faith. The second part examines some of the reasons for the preservation of these forms, once assimilated to a Christian mode, when they came under attack in the East. It asks how much that response informs us about the role of women in the cult of icons.

Conclusion

2017 ◽  
Author(s):  
Peter Lambert ◽  
Björn Weiler
Keyword(s):  
Future Research ◽  
Cultural Transfer ◽  
Community Or ◽  
The Past ◽  
Political Debates ◽  
Historical Culture ◽  
Role Of Women ◽  
Recurrent Patterns

This chapter summarises key findings of the volume: the variety of media employed in the production of the past; the usefulness of historical culture as a concept that enables comparisons across cultures and periods; and the insights it offers into wider intellectual, cultural and political debates within a community or culture. The chapter further suggests three potential avenues for future research: the role of women as producers and agents of historical culture; the nature and operation of cultural transfer in the production of historical culture; and the question whether recurrent patterns in the fashioning of the past can be detected across geographical, cultural and chronological boundaries.

Veronicas and Artists

2017 ◽  
Keyword(s):  
Contemporary Art ◽  
Religious Images ◽  
The Public ◽  
The Past ◽  
History Of Art ◽  
The Status ◽  
History Of ◽  
The Way ◽  
Contemporary Artists

Chapter One deals with several central issues with regard to understanding the role of religious motifs in contemporary art. Besides being a repetition of imagery from the past, religious motifs embedded in contemporary artworks become a means to problematise not only the way different periods in the history of art are delimited, but larger and seemingly more rigid distinctions as those between art and non-art images. Early religious images differ significantly from art images. The two types are regulated according to different sets of rules related to the conditions of their production, display, appreciation and the way images are invested with the status of being true or authentic instances of art or sacred images. Chapter One provides a discussion of the important motif of the image not made by an artist’s hand, or acheiropoietos, and its survival and transformation, including its traces in contemporary image-making practices. All images are the result of human making; they are fictions. The way the conditions of these fictions are negotiated, or the way the role of the maker is brought to visibility, or concealed, is a defining feature of the specific regime of representation. While the cult image concealed its maker in order to maintain its public significance, and the later art image celebrated the artist as a re-inventor of the old image, contemporary artists cite religious images in order to reflect on the very procedures that produce the public significance and status of images.

Role and Prospects of Women Entrepreneurs in the Agriculture Sector of India

2022 ◽  
pp. 250-260
Author(s):  
Faran Ahmad Qadri ◽  
Saima Shadab ◽  
Arifa Khan
Keyword(s):  
Women Entrepreneurs ◽  
Agriculture Sector ◽  
The Past ◽  
Role Of Women ◽  
The Government

This chapter mainly focuses on the role and prospects of women entrepreneurs (or women agri-entrepreneurs) in India's agriculture sector. India has witnessed unprecedented growth in the total number of entrepreneurs and innovations over the past many years. Despite this appreciable growth, the role of women entrepreneurs remains devitalised and underutilised, which requires proper attention by the government and other stakeholders of the country. However, over the past many years, the government has taken various crucial initiatives to promote the role of women entrepreneurs, especially in the agriculture sector. As a result, there has been a remarkable transformation in the share and contribution of women entrepreneurs engaged in the agriculture sector. Therefore, the chapter examines the trend and pattern of women agri-entrepreneurs in India and highlights their challenges.

Women in the history of linguistics

2020 ◽  
pp. 1-30
Author(s):  
Wendy Ayres-Bennett ◽  
Helena Sanson
Keyword(s):  
Language Acquisition ◽  
Central Section ◽  
Future Directions ◽  
The Past ◽  
Early Stages ◽  
Challenges And Opportunities ◽  
History Of Linguistics ◽  
History Of ◽  
Role Of Women

This Introduction outlines the need for a ‘true history’ (Lerner 1976) of the role of women in the history of linguistics, which considers them on their own terms, and challenges categories and concepts devised for traditional male-dominated accounts. We start by considering what research has already been conducted in the field, before exploring some of the reasons for the relative dearth of studies. We outline some of the challenges and opportunities encountered by women who wished to study the nature of language and languages in the past. The geographical and chronological scope of this volume is then discussed. In a central section we examine some of the major recurring themes in the volume. These include attitudes towards women’s language, both positive and negative; women and language acquisition and teaching; and women as creators of new languages and scripts. We further explore women as authors, dedicatees, or intended readers of metalinguistic texts, as interpreters and translators, and as contributors to the linguistic documentation and maintenance. We consider how women supported male relatives and colleagues in their endeavours, sometimes in invisible ways, before reviewing the early stages of their entry into institutionalized contexts. The chapter concludes with a brief section on future directions for research.

History Repeating Itself. The function of turning points and continuity in three historical narratives on operetta

2017 ◽  
Vol 29 (1) ◽  
pp. 102
Author(s):  
Mikael Strömberg
Keyword(s):  
Turning Points ◽  
Source Material ◽  
Historical Narrative ◽  
Historical Narratives ◽  
Complex Relationship ◽  
Narrative Strategy ◽  
The Past ◽  
History Of ◽  
The Way

The article’s primary aim is to discuss the function of turning points and continuity within historiography. That a historical narrative, produced at a certain time and place, influence the way the historian shapes and develops the argument is problematized by an emphasis on the complex relationship between turning points and continuity as colligatory concepts within an argumentative framework. Aided by a number of examples from three historical narratives on operetta, the article stresses the importance of creating new narratives about the past. Two specific examples from the history of operetta, the birth of the genre and the role of music, are used to illustrate the need to revise not only the use of source material and the narrative strategy used, but also how the argument proposed by the historian gathers strength. The interpretation of turning points and continuity as colligatory concepts illustrate the need to revise earlier historical narratives when trying to counteract the repetitiveness of history.

Indigenous approaches to the past: ‘Creative histories’ at the Hyde Park Barracks, Sydney

2020 ◽  
Vol 9 (1) ◽  
pp. 83-102 ◽  
Author(s):  
Kiera Lindsey
Keyword(s):  
Visual Art ◽  
The Other ◽  
Cultural Relations ◽  
Form And Function ◽  
The Past ◽  
Cultural Responses ◽  
And Function ◽  
The Way

This article discusses a recent art project created by the Wiradjuri and Kamilaroi artist Jonathon Jones, which was commissioned to commemorate the opening of the revitalized Hyde Park Barracks in Sydney in early 2020. Jones’ work involves a dramatic installation of red and white crushed stones laid throughout the grounds of the barracks, merging the image of the emu footprint with that of the English broad convict arrow to ‘consider Australia’s layered history and contemporary cultural relations’. This work was accompanied by a ‘specially-curated programme’ of performances, workshops, storytelling and Artist Talks. Together, these elements were designed to unpack how certain ‘stories determine the ways we came together as a nation’. As one of the speakers of the Artist Talk’s programme, I had a unique opportunity to experiment with what colleagues and I have been calling ‘Creative histories’ in reference to the way some artists and historians are choosing to communicate their research about the past in ways that experiment with form and function and push disciplinary or generic boundaries. This article reflects upon how these two distinct creative history projects – one visual art, the other performative – renegotiate the complex and contested pasts of the Hyde Park Barracks. I suggest that both examples speak to the role of memory and creativity in shaping cultural responses to Australia’s colonial past, while Jones' programme illustrates how Indigenous artists and academics are making a profound intervention into contemporary understandings of how history is ‘done’ in Australia.

How Berlusconi will be remembered: notoriety, collective memory and the mediatisation of posterity

Modern Italy ◽  
2015 ◽  
Vol 20 (1) ◽  
pp. 91-109 ◽  
Author(s):  
Stephen Gundle
Keyword(s):  
Mass Media ◽  
Collective Memory ◽  
Collective Consciousness ◽  
The Past ◽  
Personality Cult ◽  
The Mass Media ◽  
Silvio Berlusconi ◽  
The Way

This article explores the ways in which Silvio Berlusconi might figure in collective memory. It approaches this from a number of angles. First, consideration is given to the way political figures of the past have resonated culturally and the role of institutions including the mass media in this. Second, Berlusconi's own efforts to situate himself in relation to a shared past are explored, with reference to the place of three nostalgic appeals that figured with varying intensity at different points in his career. Third, Berlusconian aesthetics are investigated to explore the relative roles of kitsch and glamour. It is shown that kitsch gained the upper hand and that this also manifested itself in the monarchical aspects that his personality cult took on. Finally, Berlusconi is considered as a possible subject for a biopic and a discussion is offered of the way his life and career might be presented in different variants of this genre. Overall, it is suggested that expectations that he will be damned by history fail to take account both of the way he imposed himself on the collective consciousness and of the generic requirements of the mass media.

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