scholarly journals The research trends of Arts, Humanities and Social Sciences Research at the University of Zululand, 1994 - 2008

Author(s):  
D Ocholla ◽  
J Mostert
2019 ◽  
Author(s):  
Shawn Graham

Please, you gotta help me. I’ve nuked the university. Failing Gloriously and Other Essays documents Shawn Graham’s odyssey through the digital humanities and digital archaeology against the backdrop of the 21st-century university. At turns hilarious, depressing, and inspiring, Graham’s book presents a contemporary take on the academic memoir, but rather than celebrating the victories, he reflects on the failures and considers their impact on his intellectual and professional development. These aren’t heroic tales of overcoming odds or paeans to failure as evidence for a macho willingness to take risks. They’re honest lessons laced with a genuine humility that encourages us to think about making it safer for ourselves and others to fail. A foreword from Eric Kansa and an afterword by Neha Gupta engage the lessons of Failing Gloriously and consider the role of failure in digital archaeology, the humanities, and social sciences.


E-psychologie ◽  
2021 ◽  
Vol 15 (4) ◽  
pp. 98-100
Author(s):  
Eva Kundtová Klucová

HUME Lab is a research infrastructure at the Faculty of Arts of Masaryk University University (FF MU). As a support facility, it helps with the implementation of experiment methodology within research in the humanities and social sciences. The laboratory services are available primarily to researchers from FF MU, but they are also open for any interested researchers across the university and beyond. Various projects using the HUME Lab equipment and services have been carried out in the past involving, for example, CEITEC, BUT, or various international research teams usually with the participation of FF MU researchers.


2014 ◽  
Vol 3 (3) ◽  
Author(s):  
Jorden Smith

Orozoco, Rebeca. It’s Our Nature. Illus. Menena Cottin. Toronto: Tundra Books, 2012. Print.Informative and educational, with beautiful minimalist illustrations, this book is an excellent resource for character education. The author correlates animal behaviours with values and behaviours children are learning: altruism, community, communication, generosity, responsibility, trust, commitment, solidarity, brotherhood, and tolerance.The connection implicit in the text, that animals and humans bear many similar valued traits, beautifully underlies this book. At first glance, it seems perfect for a budding biologist, but upon further exploration, it would be a wonderful book for any child. Reading the preface is a necessity to really understand the purpose of the book and the underlying message.  Due to its location directly opposite the publication information, I mistook it for a dedication and skipped in on my first read.The deceivingly simple artwork is fantastic and is a perfect partner for the abundant text. The inside cover is a vibrant orange but the artist uses muted tones in the illustrations. The font and text is a little dense. While I appreciate whitespace created by grouping the text together, it does not really increase the readability in this case.  Recommended: 3 out of 4 starsReviewer: Jorden SmithJorden is a Public Services Librarian in Rutherford Humanities and Social Sciences Library at the University of Alberta.  She is an avid fiction reader and subscribes to Hemingway’s belief that “there is no friend as loyal as a book.”


2016 ◽  
Vol 8 (1) ◽  
Author(s):  
Jody Mason

In the context of the 2015 meeting of the Federation for the Humanities and Social Sciences in Ottawa, Ontario, two academic associations––the Canadian Association of Commonwealth Literature and Language Studies (CACLALS) and the Association for Canadian and Québec Literatures (ACQL)––hosted a collaborative event to honour the work of Ottawa-based poet Cyril Dabydeen. Cyril read from God’s Spider, which was published by Peepal Tree Press in 2014.ACQL and CACLALS are grateful to the Federation for the Humanities and Social Sciences for their financial support of this event, and I am personally grateful to Dorothy Lane, then president of CACLALS, for her willingness to collaborate in order to bring the reading to fruition.As then Vice-President of ACQL, I was happy to introduce Cyril to a room full of scholars, writers, community members, and friends:“Born in Guyana, Cyril immigrated to Canada in 1970. His forty-five-year residence in Canada coincides neatly with the histories of both ACQL and CACLALS, both founded in the mid 1970s (1975 and 1973, respectively), and the coincidence speaks to the multiple ways in which Canada’s literary cultures have changed in the wake of Cyril’s arrival. Comprising a significant body of short stories, novels, and poetry, Cyril’s writing is particularly intriguing for its meditations on the intersections of Guyanese, Indian, and Canadian identities.As an anthologist, Cyril has also been an active shaper of literary culture: his Shapely Fire (an anthology of Black and Caribbean writing in Canada), Another Way to Dance (which collects the work of Asian poets in Canada), and Beyond Sangre Grande: Caribbean Writing Today have been important tools in the teaching of an increasingly diverse selection of writers in Canadian classrooms and are key compilations of contemporary diasporic writing. In addition to his active career as a poet who is widely recognized for his contributions to Canadian and Caribbean writing, Cyril is also a teacher: he has taught creative writing here at the University of Ottawa for many years.”Jody MasonAssociate ProfessorDepartment of English, Carleton University


Sign in / Sign up

Export Citation Format

Share Document