It’s Our Nature by R. Orozoco

2014 ◽  
Vol 3 (3) ◽  
Author(s):  
Jorden Smith

Orozoco, Rebeca. It’s Our Nature. Illus. Menena Cottin. Toronto: Tundra Books, 2012. Print.Informative and educational, with beautiful minimalist illustrations, this book is an excellent resource for character education. The author correlates animal behaviours with values and behaviours children are learning: altruism, community, communication, generosity, responsibility, trust, commitment, solidarity, brotherhood, and tolerance.The connection implicit in the text, that animals and humans bear many similar valued traits, beautifully underlies this book. At first glance, it seems perfect for a budding biologist, but upon further exploration, it would be a wonderful book for any child. Reading the preface is a necessity to really understand the purpose of the book and the underlying message.  Due to its location directly opposite the publication information, I mistook it for a dedication and skipped in on my first read.The deceivingly simple artwork is fantastic and is a perfect partner for the abundant text. The inside cover is a vibrant orange but the artist uses muted tones in the illustrations. The font and text is a little dense. While I appreciate whitespace created by grouping the text together, it does not really increase the readability in this case.  Recommended: 3 out of 4 starsReviewer: Jorden SmithJorden is a Public Services Librarian in Rutherford Humanities and Social Sciences Library at the University of Alberta.  She is an avid fiction reader and subscribes to Hemingway’s belief that “there is no friend as loyal as a book.”

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Kim Frail

Siminovich, Lorena. I Like Vegetables: A Touch-and-Feel Board Book. Somerville: Candlewick Press, 2011. Print.“I Like Vegetables” is a dream come true for any nutritionally conscience parent, children’s librarian or teacher. The brightly hued collage illustrations are intriguingly textured with patterns and “touch & feel” inlays. Silky peas and rough-skinned carrots invite young readers to learn about vegetables. The layout is quite clever as it leverages contrast and comparison as a learning method. On one side of the page vegetables are depicted as they would appear growing in the garden while on the other side they are in the home being prepared for the dinner table. In addition, the nature side of the page illustrates the concept of opposites. For example, there are “tall” and “short” cornstalks. Orange carrot roots are “below” the ground, while the feathery green tops are “above”. The indoor side of the page features close-ups of vegetables against a wood-grain background that evokes a cutting board. Here children get a different perspective on the harvested veggies. We see shelled peas, open cornhusks and a cross-section of a pumpkin. The concluding series of images features an “empty” gardener’s basket next to a basket “full” of colourful vegetables on a blue and white gingham picnic tablecloth inlay.  This is primarily a picture book with only the names of the vegetables and the two opposing concepts appearing on each page. The typeset is Helvetica and is large and easy to read.  It is a sturdy board book and the inlays could not be easily ripped out or damaged. It is therefore a welcome addition to any toddler’s library. Other titles in the “I Like” series by Siminovich include: “I Like Toys “, “I Like Bugs” and “I Like Fruit”. “I Like Vegetables” is sure to engage children from ages 1-3. Highly recommended: 4 out of 4 stars Reviewer: Kim FrailKim is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta. Children’s literature is a big part of her world at work and at home. She also enjoys gardening, renovating and keeping up with her two-year old. 


2012 ◽  
Vol 1 (3) ◽  
Author(s):  
Debbie Feisst

Bedford, Martyn. Flip. Toronto: Doubleday Canada, 2011. Print. Martyn Bedford is a lecturer in creative writing at Leeds Trinity University College in the UK and is the award-winning author of five adult novels, including The Houdini Girl. Flip is his first foray into the genre of young adult fiction. Fourteen-year-old Alex Gray rushes home one December Friday night in an attempt to beat his curfew. Feeling a bit foggy upon waking the next morning, he realizes that not only is he in a strange bedroom but he does not recognize the clothes he is wearing. An unfamiliar voice calls for “Philip” to get ready for school, and when he descends the stairs to the breakfast table, he does not recognize the people seated, though they seem to recognize him. It’s now the middle of June. Upon looking into the mirror to wash his face, another boy stares back. Alex does not know if he has gone mad, or worse—if it is all real. Alex has no choice but to go through the day while trapped in another’s body, that of Philip Garamond. Nicknamed Flip, Philip is an athletic, sociable girl-magnet who goes to a posh school, and though he is Alex’s age, seems the complete opposite in every other way. For a while Alex even enjoys his new, fit body and the attention that comes with it. But where is Philip, and where is Alex’s body? Alex needs to figure out why his psyche has become trapped in Philip’s body and how he can get back into his own before it is too late. This is an excellent psychological thriller and not your average teen fare. The characters are realistic and the plot is action-packed, yet believable. Bedford dips into heavy topics like existentialism and concepts such as the soul and memory with adeptness. Body-swapping stories have no doubt been done before in teen fiction, but Bedford has given this tale a contemporary flair with a satisfying conclusion. Highly recommended: 4 out of 4 stars Reviewer: Debbie Feisst Debbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


2017 ◽  
Vol 6 (3) ◽  
Author(s):  
Virginia Pow

Cheng, Ardis. Simone in Australia.  Paper Bear, 2016.Once in a while you find a book that your children will not stop asking you to read to them. Meet Simone in Australia.  This delightfully illustrated book by Ardis Cheng, a local Calgarian author currently residing in Melbourne Australia - leaves nothing out. On each of the pages of Simone’s adventure with Jack, there is a new visual delight.  The story takes us through the different flora and fauna of the Australian region Jack calls home; we meet spiders in Jack's house, adventure down to the beach and enjoy the tiny fairy penguins.  The illustrations of animals of Australia including the kookaburra, echidna and wombat are a favorite page in our house.  Simone, is a delightful young girl who is visiting her friend Jack. Throughout story Jack and Simone are given the challenge of explaining similarities and differences between Jack’s home and Simone’s.  The book does an amazing job of highlighting what travel is for.  To learn about new places and people.  Often in the story, Simone will mention what she used to and while Jack teaching her about his home.  This contrast is done very well, and makes sure to never state one is better -- just that they are different. Simone in Australia is also lovely way of explaining travel to children in a manner that allows them to understand how new and different can also be exciting, challenging and fun to share with a friend.  This is a beautifully illustrated book that is great to read to children and children just starting to read themselves. It would be great addition to any personal or elementary school library.Highly Recommended: 4 stars out of 4Reviewer: Virginia PowVirginia is a Public Services Librarian at the Humanities and Social Science Library at the University of Alberta.  When not reading to children, she enjoys being outdoors, running and stand up paddle boarding.


2019 ◽  
Author(s):  
Shawn Graham

Please, you gotta help me. I’ve nuked the university. Failing Gloriously and Other Essays documents Shawn Graham’s odyssey through the digital humanities and digital archaeology against the backdrop of the 21st-century university. At turns hilarious, depressing, and inspiring, Graham’s book presents a contemporary take on the academic memoir, but rather than celebrating the victories, he reflects on the failures and considers their impact on his intellectual and professional development. These aren’t heroic tales of overcoming odds or paeans to failure as evidence for a macho willingness to take risks. They’re honest lessons laced with a genuine humility that encourages us to think about making it safer for ourselves and others to fail. A foreword from Eric Kansa and an afterword by Neha Gupta engage the lessons of Failing Gloriously and consider the role of failure in digital archaeology, the humanities, and social sciences.


E-psychologie ◽  
2021 ◽  
Vol 15 (4) ◽  
pp. 98-100
Author(s):  
Eva Kundtová Klucová

HUME Lab is a research infrastructure at the Faculty of Arts of Masaryk University University (FF MU). As a support facility, it helps with the implementation of experiment methodology within research in the humanities and social sciences. The laboratory services are available primarily to researchers from FF MU, but they are also open for any interested researchers across the university and beyond. Various projects using the HUME Lab equipment and services have been carried out in the past involving, for example, CEITEC, BUT, or various international research teams usually with the participation of FF MU researchers.


2014 ◽  
Vol 3 (4) ◽  
Author(s):  
Hanne Pearce

Gaiman, Neil, Fortunately, The Milk. Illus. Skottie Young. New York: HarperCollins, 2013. Print.Mum has left to present a paper on lizards at a conference leaving a young boy and his sister at home with Dad for a few days. In addition to frozen meals she leaves Dad a long list of things to do and remember, including the fact that they were running low on milk. On the second day of Mum’s absence the children are dismayed to realize that the refrigerator is now void of milk. Dad heads out to the corner store to remedy this unfortunate disruption to their breakfast, only to be gone an exceptionally long time. When Dad finally returns, he recounts the most unbelievable adventure he had on his way home with the milk, including an encounter with space aliens, pirates and a time travelling stegosaurus named “Dr. Steg”.I am familiar with Neil Gaiman’s works for adult readers and this was the first book I have read by him intended for children. I was delighted to see that his imaginative style shines as bright, or dare I say even brighter, in this juvenile genre.  The narrator tells the story in a very candid style and I particularly enjoyed the places where the children interrupt their father to dispute the details of his story.The black and white illustrations on nearly every page of the book have an edgy hand-drawn quality to them that complement the lighthearted nature of the story. Skottie Young has conveyed exceptional detail in his drawings, focusing not only on the zany cast of characters but also with the depth using background images. I enjoyed how his artistry weaved and wrapped itself around the text on the page.Fortunately, The Milk is an adventure tale born out of the commonplace that shows one can find adventure even in a simple jaunt down to the corner store. As an adventure story it has a narrative momentum that will appeal to those who enjoy movement and action. Readers like myself, who enjoy action alongside breaks of description and character development, may find these aspects a bit lacking. Overall, this is a fun story that when accompanied by the illustrations would make it easy to read together with the whole family, as even younger children would manage to follow along.Recommended: 3 out of 4 starsReviewer: Hanne PearceHanne Pearce has worked at the University of Alberta Libraries in various support staff positions since 2004 and is currently a Public Service Assistant at the Rutherford Humanities and Social Sciences Library. In 2010 she completed her MLIS at the University of Alberta. Aside from being an avid reader she has continuing interests in writing, photography, graphic design and knitting.


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Sarah Polkinghorne

Smyth, Fiona. The Never Weres. Toronto: Annick Press, 2011. Print. What would life be like for humanity’s final generation, those who would always be the youngest people on Earth, born just before a “barren virus” has rendered humans infertile? This question underpins the pre-teen sci-fi mystery The Never Weres, the first graphic novel from Toronto-based Fiona Smyth, veteran painter, cartoonist, and illustrator. Smyth’s exploration of the daily lives of teenagers Xian, Mia, and Jesse is a fresh extrapolation of the dystopian “world without children,” popularly identified with P.D. James’ Children of Men. Smyth interweaves her heroes’ world — from which parents are variously absent — with classic science fiction tropes such as robotics, genetics, and virtual online communities. Most pressingly, the ethical and practical implications of human cloning are central to the mystery as it unfolds. Smyth handles the issue evenly and rightly represents it as controversial. By focusing on a missing girl’s possible involvement with long-ago experiments, Smyth effectively provokes reflection about cloning’s impacts on human relationships. However, she has simplified the relevant ideas to the extent that readers may not be challenged much by them. The layouts of The Never Weres are at times confusing and may hinder readers’ progress. The book’s visual style conveys Smyth’s vision of a bleak, crowded, deteriorating Toronto somewhat better than it captures her spirited protagonists. Overall, despite some weaknesses, The Never Weres wraps a worthwhile science-positive message within an engaging mystery adventure. Recommended with reservations: 2 out of 4 stars Reviewer: Sarah PolkinghorneSarah is a Public Services Librarian at the University of Alberta. She enjoys all sorts of books. 


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