Cardano, Girolamo (1501–76)

2018 ◽  
Author(s):  
Eckhard Kessler
Keyword(s):  
Functional Analysis ◽  
Sixteenth Century ◽  
Moral Philosophy ◽  
Philosophy Of Nature ◽  
Arts And Sciences ◽  
The Arts ◽  
Medical Paradigm ◽  
And Mathematics ◽  
Almost All

The Renaissance Italian Girolamo Cardano is famous for his colourful personality, as well as for his work in medicine and mathematics, and indeed in almost all the arts and sciences. He was an eclectic philosopher, and one of the founders of the so-called new philosophy of nature developed in the sixteenth century. He used both the Aristotelian and the Neoplatonic traditions as starting points, and following the medical paradigm of organic being, he transformed the traditional Aristotelian universe into an animated universe in which, thanks to their organic functional order, all individual parts strive towards the conservation both of themselves and of the whole universe. As a result, they can be subjected to a functional analysis. In his more casual writings on moral philosophy, Cardano showed his orientation to be basically Stoic.

scholarly journals From STEM to PAVAM: A unified arts strategy for innovation, industrial and regional policy

2021 ◽  
pp. 095042222110440
Author(s):  
Henry Etzkowitz ◽  
Leila Maria Kehl ◽  
Tatiana Schofield
Keyword(s):  
Economic Development ◽  
Performing Arts ◽  
Industrial Sector ◽  
Policy Action ◽  
Arts And Sciences ◽  
The Arts ◽  
Entry Points ◽  
Comparative Case Studies ◽  
And Mathematics ◽  
The Uk

The potential of the arts and sciences for economic and social development is under conceptualized. However, the recent development of STEM (science, technology, engineering, and mathematics), justifying increased support for training in the sciences, shows a parallel pathway forward for the arts. The arts are increasingly relevant to the economy, amenable to policy influence as well as an area of human activity in their own right. The authors posit a unified arts framework: PAVAM (performing arts, visual arts, and music), complementing STEM as the basis for a strategy of arts-based interdisciplinary “industrial” policy making. The growing salience of the arts as an industrial sector in the UK and USA is shown. By identifying sources and pathways of value creation from the arts, clear entry points for policy action become identifiable to promote innovation, entrepreneurship, and economic development. Comparative case studies suggest a typology of the arts’ potential as sources of creativity, innovation, and regional economic development.

“He Creditted More the Printed Booke”: Common Lawyers' Receptivity to Print, c.1550–1640

2010 ◽  
Vol 28 (1) ◽  
pp. 39-70 ◽  
Author(s):  
Ian Williams
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Printing Press ◽  
Arts And Sciences ◽  
The Arts ◽  
Growing Body ◽  
The Common ◽  
Textual Material ◽  
Legal Arguments ◽  
Common Learning

The printing press was recognized by early modern commentators, just as it has been by historians, as an important invention that had profound effects on the arts and sciences. Legal historians have not missed the potentially transformative effects of printing—not only might lawyers found heterodox arguments upon the precise words of printed texts, rather than relying upon the “common learning,” but the absence of texts from the “common learning” in the printed canon meant legal historians themselves labored for many years under a misapprehension as to the nature of medieval English law. However, little work has been undertaken on the precise impact of printing upon the English legal profession, particularly in the shorter term. Common lawyers, particularly in the sixteenth century, were a group who increasingly relied upon, and cited, textual material as the foundation of their arguments on all points of law. Over the course of the sixteenth century, lawyers came increasingly to rely upon prior cases, and particularly prior judged cases, as the basis of legal arguments and of the correctness of those arguments. Advocates and judges were all faced with a large, and still growing, body of manuscript material, and a sizeable collection of printed works. Attitudes towards printed material is an important topic for historians of early modern law for suggesting which sources of legal ideas were given more prominence in the period.

Rhetoric, Commonplacing, and Poetics

2017 ◽  
Author(s):  
Andrew Hadfield
Keyword(s):  
Sixteenth Century ◽  
Moral Philosophy ◽  
Rhetorical Theory ◽  
Theory And Practice ◽  
Popular Work

Chapter 4 examines a variety of treatises and debates about rhetoric and its value, and whether the art of persuasion could be a dangerous tool in the hands of the unscrupulous or even whether it was a skill that risked corrupting the user, dangers that were identified by Quintilian, whose Institutio Oratoria (The Orator’s Education) shaped so much rhetorical theory and practice in the Renaissance. The chapter explores the practice of commonplacing, noting down particular maxims which could then serve as the basis of explorations of issues, a practice that, like rhetoric, generated anxiety about truth, falsehood, and lying. Particular attention is paid to Erasmus’s Colloquies and Lingua; William Baldwin’s A Treatise of Moral Philosophy, the most popular work of philosophy in sixteenth-century England; the use of commonplaces in Montaigne’s Essays; George Puttenham’s use of proverbs and figures in his Arte of English Poesie (1589); and Sir Philip Sidney’s understanding of poetry as lying in The Defence of Poetry.

The Poetry and Music of Science

2019 ◽  
Author(s):  
Tom McLeish
Keyword(s):  
School Leaver ◽  
Creative People ◽  
Creative Processes ◽  
Arts And Sciences ◽  
The Past ◽  
The Arts ◽  
The Two Cultures ◽  
Personal Accounts ◽  
Poetry And Music

‘I could not see any place in science for my creativity or imagination’, was the explanation, of a bright school leaver to the author, of why she had abandoned all study of science. Yet as any scientist knows, the imagination is essential to the immense task of re-creating a shared model of nature from the scale of the cosmos, through biological complexity, to the smallest subatomic structures. Encounters like that one inspired this book, which takes a journey through the creative process in the arts as well as sciences. Visiting great creative people of the past, it also draws on personal accounts of scientists, artists, mathematicians, writers, and musicians today to explore the commonalities and differences in creation. Tom McLeish finds that the ‘Two Cultures’ division between the arts and the sciences is not after all, the best classification of creative processes, for all creation calls on the power of the imagination within the constraints of form. Instead, the three modes of visual, textual, and abstract imagination have woven the stories of the arts and sciences together, but using different tools. As well as panoramic assessments of creativity, calling on ideas from the ancient world, medieval thought, and twentieth-century philosophy and theology, The Poetry and Music of Science illustrates its emerging story by specific close-up explorations of musical (Schumann), literary (James, Woolf, Goethe) mathematical (Wiles), and scientific (Humboldt, Einstein) creation. The book concludes by asking how creativity contributes to what it means to be human.

scholarly journals Ascertaining Consciousness in Identity Formation: Best Medical Practices in Dementia Care

2020 ◽  
Vol 4 (Supplement_1) ◽  
pp. 567-567
Author(s):  
Angel Duncan
Keyword(s):  
Identity Formation ◽  
The United States ◽  
Dementia Care ◽  
Medical Practices ◽  
Arts And Sciences ◽  
The Arts ◽  
Testing Case ◽  
Clinical Research Trials ◽  
Common Misconceptions

Abstract This session identifies common misconceptions about identity for persons living with Alzheimer’s disease and related dementias (ADRD). Going beyond diagnostic brain imaging and neurocognitive testing, case studies and research in creativity from around the United States highlights consciousness of persons living with ADRD. Reviewing and discussing artworks is aimed to set dialogue in the question of where memory deposits emerge when engaged in creativity. Through art therapy techniques, this type of self-expression may provide new avenues in treatment for dementia care. Exploring the arts from those with Mild Cognitive Impairment to late stage Alzheimer’s and other forms of dementia, such as frontotemporal dementia, consciousness seems to remain intact despite neural death. This session aims to discourage poor spending allocations and establishing meaningful care. From clinical research trials to creativity of self-expression, the importance of why the arts and sciences matter are demonstrated as effective modalities that enhance quality of life.

Hooke recommemorated

1996 ◽  
Vol 50 (1) ◽  
pp. 139-140
Keyword(s):  
Social Life ◽  
Royal Society ◽  
Early Years ◽  
Domestic Life ◽  
Robert Hooke ◽  
Arts And Sciences ◽  
Personal Interaction ◽  
The Arts ◽  
Christ Church ◽  
History Of

Richard Nichols, The Diaries of Robert Hooke, The Leonardo of London, 1635-1703 . Lewes, Sussex: The Book Guild, 1994, Pp. 185, £15.00. ISBN 0- 86332-930-6. Richard Nichols is a science master turned historian of science who celebrates in this book Robert Hooke’s contributions to the arts and sciences. The appreciation brings together comments from Hooke’s Diaries , and other works, on each of his main enterprises, and on his personal interaction with each of his principal friends and foes. Further references to Hooke and his activities are drawn from Birch’s History of the Royal Society, Aubrey’s Brief Lives , and the Diaries of Evelyn and of Pepys. The first section of the book, ‘Hooke the Man’, covers his early years of education at home in Freshwater, at Westminster school and at Christ Church, Oxford, where he soon joined the group of experimental philosophers who set him up as Curator of the Royal Society and Professor of Geometry at Gresham College, Bishopsgate. Hooke’s domestic life at Gresham College is described - his intimate relationships with a series of housekeepers, including his niece, Grace Hooke, and his social life at the College and in the London coffee houses.

The Flight from the Arts and Sciences: Trends in Degrees Conferred

Science ◽  
1990 ◽  
Vol 250 (4980) ◽  
pp. 517-521 ◽  
Author(s):  
S. E. Turner ◽  
W. G. Bowen
Keyword(s):  
Arts And Sciences ◽  
The Arts

Talent Developed: Conversations with Masters in the Arts and Sciences

1997 ◽  
Vol 20 (3) ◽  
pp. 306-317
Author(s):  
Rena F. Subotnik ◽  
Vladimir Feltsman
Keyword(s):  
Arts And Sciences ◽  
The Arts
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