Managing Expressive Activity

2020 ◽  
pp. 250-268
Author(s):  
Nancy E. Chrystal-Green ◽  
Ashley B. Knight
Keyword(s):  
2021 ◽  
Vol 12 (1) ◽  
pp. 347-360
Author(s):  
Julien Labia

A migrant camp is a ‘non-place’ where personal identity is put at risk. Music is a means of personal adaptation in camps, even if it means allowing little place for the real reasons for displacement of the very people shaping these new hybridizations of music. The present power of music in such a place is to create strong relationships, ‘shortcutting’ both narration and the longer time needed in order to create relationships. The kind of personal advantage it is for someone to be a musician is a topic surprisingly forgotten, obscured by theoretical habits of seeing music essentially as an expressive activity directed to an audience, or as being a communicative activity. Music has a performative power different from language, as a non-verbal art having a strong and direct relationship to the body. Musical interactions on the field give migrants the ability to balance their problematic situation of refugees, shaping a real present.


2005 ◽  
Vol 41 ◽  
pp. 56-66
Author(s):  
Anna Maria Luiselli Fadda

This paper investigates two important themes which have not hitherto been fully appreciated: how the Anglo-Saxons, during the whole lengthy process of their reception of Christianity, interpreted the meaning of those extraordinary events commonly called miracula, and what reflection on the vernacular was carried forward by the knowledge achieved for purposes of communication. Although the question of the vocabulary of ‘miracle’ in Antiquity and early Christian times has been dealt with elsewhere, any discussion of vernacular terminology is barely discernible and scarcely ever encountered. My intention is, therefore, to consider the intentional expressive activity of the Anglo-Saxons as a reflection of meaning on their language.


2015 ◽  
Vol 87 (2) ◽  
pp. 733-742 ◽  
Author(s):  
Luciana M.R. Antinarelli ◽  
Nícolas C. Pinto ◽  
Elita Scio ◽  
Elaine S. Coimbra

Leishmaniasis is a complex of diseases caused by Leishmania protozoa which treatment is restricted to a limited number of drugs that exhibit high toxicity, collateral effects and are often costly. There are a variety of tropical plants distributed in Brazil, and for many poor people the therapy for several diseases is based mainly on the use of traditional herbal remedies. In this work, the cytotoxic activity of 17 plant methanol extracts was evaluated on several Leishmania species and murine macrophages. Among them, the extract of Casearia sylvestris, Piptocarpha macropoda, Trembleya parviflora, Samanea tubulosa and Plectranthus neochilus showed a promissing leishmanicidal activity, exhibiting IC50 values below of 20 µg/mL against at least one species of Leishmania. Casearia sylvestris showed the most expressive activity against all promastigote forms of Leishmania species (IC50 values of 5.4 µg/mL, 5.0 µg/mL, 8.5 µg/mL and 7.7 µg/mL for L. amazonensis, L. braziliensis, L. chagasi and L. major, respectively), being more effective than the reference drug miltefosine. In spite of the cytotoxic effect on macrophages (CC50 value of 5.2 µg/mL), C. sylvestris exhibited a strong inhibition against intracellular amastigotes of L. braziliensis (IC50 value of 1.3 µg/mL). Further studies, including bio-guided fractionation will be conducted to identify the active compounds.


2011 ◽  
Vol 55 (4) ◽  
pp. 75-87 ◽  
Author(s):  
Natasha Lushetich

Can time be performed? Departing from the “processualist” view in which time is the expressive activity of any given thing, being, or phenomenon, the processes of pervasive temporalization and musicalization—characteristic of Fluxus intermedia—converge to produce concrete, lived time and perpetuate the dialectical interplay of continuity and discontinuity.


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