Czech Family Stories of Communism

2021 ◽  
pp. 79-95
Author(s):  
Radmila Švarˇícˇková Slabáková
Keyword(s):  
1988 ◽  
Vol 33 (2) ◽  
pp. 174-174
Author(s):  
No authorship indicated
Keyword(s):  

1993 ◽  
Vol 82 (5) ◽  
pp. 34
Author(s):  
Tom Romano
Keyword(s):  

2011 ◽  
Vol 56 (1) ◽  
pp. 26-32 ◽  
Author(s):  
Marsha Hurst ◽  
Caroline Lieber ◽  
Linwood J. Lewis ◽  
Rachel Grob

2016 ◽  
Vol 5 (2) ◽  
pp. 154-159
Author(s):  
Elena Aleksandrovna Zaitseva ◽  
Anatoliy Vyacheslavovich Nuzhdin

One of the main aims and objectives of Modern Russian education is to make a human be ready for effective working and interacting in the multiethnic educational environment. Different aspects of the multiethnic education are registered in numerous Legal Acts of the Russian federation. Educators multiethnic competence comprises such aspects as knowing national, religious, gender and other peculiarities of students under training, respective attitude towards them; the ability to behave in terms of cultural conformity as well as the ability to organize meaningful dialogue in a multiethnic group and to use these cultural peculiarities to enrich students personal experience. Moreover, educators multiethnic competence also includes understanding of students ethnopsychological reactions which are conditioned by their cultural background and national identity. The trainee has to anticipate and to resolve a conflict in a multiethnic group. Cultural studies of different nationalities have to be organized in different ways: among the most popular methods we are bound to mention the historical studies of nations and the annexation of different ethnic communities to the Russian federation, the history of an ethnic group contribution to the heroic deeds during wars and while defending the homeland. One of the most effective ways of understanding and assimilating other peoples traditions and customs is to make students participate in different national festivals, religious holidays and feasts. Reading national poets and writers contributes greatly to the better acquisition of the material as well. There are some other methods to get acquainted with cultures for example, National days, learning national games, songs, poems; collective projects, competitions, contests; work with families and family celebrations of national holidays with national food, family stories about strong family traditions and customs; training exercises which cultivate students tolerance towards other nations and ethnic groups etc.


2021 ◽  
Vol 1 (1) ◽  
Author(s):  
Ida Fábián

This article is about a piece of research started in 2019 which focuses on the literary, cultural and sociological analysis of biographical and family stories by contemporary Jewish female authors from Eastern-Europe writing in German. This study investigates the relationship between the literary and lingual appearance of memories and the age, the Eastern-European origin, the socialization and the identity of the authors. The research also deals with the differences between the literary forms of the various generations of authors and the identifiable irony-fiction-reality correlation in the memories told.


Author(s):  
Marta Koval

Although Ukrainian emigration to North America is not a new phenomenon, the dilemmas of memory and amnesia remain crucial in Ukrainian-American émigré fiction. The paper focuses on selected novels by Askold Melnyczuk (What is Told and Ambassador of the Dead) and analyzes how traumatic memories and family stories of the past shape the American lives of Ukrainian emigrants. The discussion of the selected Ukrainian-American émigré novels focuses on the dilemmas of remembering and forgetting in the construction of both Ukrainian and American narratives of the past. The voluntary amnesia of the Ame- rican-born Ukrainians in Melnyczuk’s novels confronts their parents’ dependence on the past and their inability to abandon it emotionally. Memories of ‘the old country’ make them, similarly to Ada Kruk, ambassadors of the dead. The expression becomes a metaphoric definition of those wrapped by their repressed, fragmentary and sometimes inaccessible memories. Crucial events of European history of the 20th century are inscribed and personalized in the older generation’s stories which their children are reluctant to hear. For them, their parents’ memories became a burden and a shame. Using the concept of transgenerational memory, the paper explores the challenges of postmemory, and eventually its failure. 


2021 ◽  
Author(s):  
◽  
Iain Thomas Strathern

<p>This thesis reads Patricia Grace's Baby No-eyes, and Albert Wendt's The Adventures of Vela and The Mango's Kiss to highlight the essential nature of tātai tara (genealogical storying) in the decolonisation of Oceanian identity. Central to the thesis is a personal mythology, a kind of memoir that recounts some of the author's foundational stories in the form of prose and poetry. The first core chapter deals with a discussion of post-colonial 'skins', the things that we believe are part of ourselves that essentially come from being socialised in a colonial culture. The chapter “Skeletons”, explores the family secrets that give rise to shame that is intergenerational. Finally, Flesh and Blood demonstrates the powerful nature of reclaiming family stories as a way of re-education and healing. Ultimately, the thesis aims at an understanding of tātai tara, a process that happens whether we are aware of it or not, and how the individual is a creator of his or her own identity through the level of engagement with the stories.</p>


2021 ◽  
Author(s):  
◽  
Iain Thomas Strathern

<p>This thesis reads Patricia Grace's Baby No-eyes, and Albert Wendt's The Adventures of Vela and The Mango's Kiss to highlight the essential nature of tātai tara (genealogical storying) in the decolonisation of Oceanian identity. Central to the thesis is a personal mythology, a kind of memoir that recounts some of the author's foundational stories in the form of prose and poetry. The first core chapter deals with a discussion of post-colonial 'skins', the things that we believe are part of ourselves that essentially come from being socialised in a colonial culture. The chapter “Skeletons”, explores the family secrets that give rise to shame that is intergenerational. Finally, Flesh and Blood demonstrates the powerful nature of reclaiming family stories as a way of re-education and healing. Ultimately, the thesis aims at an understanding of tātai tara, a process that happens whether we are aware of it or not, and how the individual is a creator of his or her own identity through the level of engagement with the stories.</p>


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