Mentoring as a spatial practice

Author(s):  
Clare Brooks
Keyword(s):  
Meridians ◽  
2007 ◽  
Vol 8 (1) ◽  
pp. 130-143
Author(s):  
Ronni Armstead
Keyword(s):  

Author(s):  
Thomas Apperley ◽  
Kyle Moore

Haptic media studies emphasize the centrality of touch in the experience of digital media. This article considers how the haptic effect created by relationship between touch, gesture and spatial practice in Pokémon GO cements new possibilities for ambient play and co-presence. The app effectively draws on the genealogies of Nintendo’s handheld Pokémon games, but through the shift to smartphone devices the app creates new forms of ambient play, co-presence and communication that are realized through the publicness of the touch, gesture and comportment which make up the haptic effect of the app. By making the smartphones camera an integral part the game, Pokémon GO suggests the wider relevance of the communicability of feeling and gesture by extending ambient play and co-presence into social media, allowing players to (re)-experience the feeling and touch of Pokémon GO through affective resonance. This suggests that the tactility and touch of the haptic affect are embedded in a matrix of embodied experiences that are revealed through how photography and social media become sites for extending and ambient play.


2022 ◽  
Author(s):  
Hilde Heynen

Making Home(s) in Displacement critically rethinks the relationship between home and displacement from a spatial, material, and architectural perspective. Recent scholarship in the social sciences has investigated how migrants and refugees create and reproduce home under new conditions, thereby unpacking the seemingly contradictory positions of making a home and overcoming its loss. Yet, making home(s) in displacement is also a spatial practice, one which intrinsically relates to the fabrication of the built environment worldwide. Conceptually the book is divided along four spatial sites, referred to as camp, shelter, city, and house, which are approached with a multitude of perspectives ranging from urban planning and architecture to anthropology, geography, philosophy, gender studies, and urban history, all with a common focus on space and spatiality. By articulating everyday homemaking experiences of migrants and refugees as spatial practices in a variety of geopolitical and historical contexts, this edited volume adds a novel perspective to the existing interdisciplinary scholarship at the intersection of home and displacement. It equally intends to broaden the canon of architectural histories and theories by including migrants' and refugees' spatial agencies and place-making practices to its annals. By highlighting the political in the spatial, and vice versa, this volume sets out to decentralise and decolonise current definitions of home and displacement, striving for a more pluralistic outlook on the idea of home.


2005 ◽  
Vol 35 (3) ◽  
pp. 444-459 ◽  
Author(s):  
Kevin Durrheim

This article argues (a) that the content of racial representations in South Africa has changed historically, and (b) that these representations are grounded in concrete patterns of spatio-temporal interactions between blacks and whites that have characterised different historical epochs. These arguments are developed by means of a consideration of racial interactions and representations in four historical periods: the early Cape colony, the frontier, apartheid and the contemporary post-apartheid period. The bulk of the discussion concerns the kinds of representations that are being developed and perpetuated in the present desegregated context, where whites experience displacement at the hands of blacks, and blacks experience whites running away from them.


2018 ◽  
Vol 22 (4) ◽  
pp. 449-459
Author(s):  
Kin-Ling Tang

This article argues that in order to understand the resistance potentials of taking space movements, the temporal dimensions and spatial practices implied cannot be neglected, or else there would be a tendency to be overoptimistic about resistance in these movements. Using the Umbrella Movement that took place in Hong Kong in 2014 as a case study, this article notes that representational space and spatial practice by protesters were guided by a dualistic view of the public and the private, which in turn is the dominant ideology in neoliberalism, and that their acts of resistance were not able to go beyond the confines of conceived space. In the movement, protesters reclaimed public spaces through privatizing them. Based on the work of Lefebvre, this article argues that only with a radical critique of neoliberal values embedded in capitalism including the public-private dualism can any real transformations of everyday life and hence revolution be possible.


2019 ◽  
pp. 23-34
Author(s):  
Carl Fraser
Keyword(s):  

Author(s):  
Eric B. White

Chapter 5 focuses on technicities of African American vanguardists, including Langston Hughes, Gwendolyn Bennett, Ralph Ellison and Amiri Baraka. These writers joined the civil rights lawyer and writer Pauli Murray in recognising illegal rail travel and other appropriations of infrastructure as signifyin(g) spatial practices. Building on research by sociologists, historians of technology and literary critics, the chapter uses a techno-bathetic framework to explore how railroads became signifyin(g) machines for the everyday technicities of black life throughout the twentieth century. The long-running crises sparked by the Scottsboro trials encouraged African American avant-gardes to formulate a vernacular, counter-servile technicity that served as a hinge between rhetorical and spatial practice. When Ellison claimed that ‘[o]ur technology was vernacular’, the shared valences he identifies between language, technology and strategies of adaptation and appropriation elides closely with Rayvon Fouché’s conception of ‘black vernacular technological creativity’ and Henry Louis Gates, Jr’s definition of motivated signifyin(g). African American vanguardists dragged the invisible and over-determined rail networks, and the spaces that framed them, back into plain sight, and made them the targets of sustained attack. The chapter argues that by doing so, these writers practiced a nuanced vernacular technicity articulated across the longue durée of industrial modernity.


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