‘Murderous Pleasures’: The (Female) Gothic and the Death Drive in Selected Short Stories by Margaret Atwood, Isabel Huggan and Alice Munro

2016 ◽  
pp. 217-230
2020 ◽  
Vol 31 (61) ◽  
pp. 408-428
Author(s):  
Carolina De Pinho Santoro Lopes

The objective of this paper is to analyze the interplay of narrative, memory, and identity in short stories by Canadian authors Margaret Laurence, Alice Munro and Margaret Atwood. The three works explored in the article are narratives told from the perspective of characters who delve into their own past to make sense of their present, thereby revealing the strong bond between the act of remembering and the construction of one’s self.


Author(s):  
James Gracey

This chapter focuses on The Company of Wolves, as a dark fantasy film about the horrors of the adult world and of adult sexuality glimpsed through the dreams of an adolescent girl. It analyses how The Company of Wolves amalgamates aspects of horror, the Female Gothic, fairy tales, werewolf films and coming-of-age parables. It also illustrates how The Company of Wolves is drenched in atmosphere and an eerily sensual malaise that boasts striking imagery immersed in fairy-tale motifs and startling Freudian symbolism. The chapter mentions Neil Jordan as the director of The Company of Wolves, his second film and his first foray into the realms of Gothic horror. It cites several short stories from Angela Carter's The Bloody Chamber from 1979 as the basis for The Company of Wolves.


2017 ◽  
Vol 7 (2) ◽  
pp. 177-192
Author(s):  
Lily Robert-Foley
Keyword(s):  

Aksara ◽  
2021 ◽  
Vol 32 (2) ◽  
pp. 191-208
Author(s):  
Aquarini Priyatna ◽  
Rasus Budhyono

Abstrak Artikel ini membahas dua cerita pendek, yakni Hair Jewellery karya Margaret Atwood dan The Blush karya Elizabeth Taylor. Kedua cerpen menunjukkan bagaimana tokoh perempuan menegosiasi dan mengupayakan subjektivitasnya dalam suatu konteks kultural dan sosial tertentu. Penelitian ini bertujuan untuk menunjukkan bagaimana subjektivitas perempuan ditampilkan melalui deskripsi fisik tokoh utama, perilaku serta pandangan tokoh tersebut terhadap dirinya, serta bagaimana tokoh mempersepsi tubuh dalam membentuk subjektivitasnya di dalam konteks budaya yang berkelindan. Dengan berfokus pada isu tubuh dan penubuhan para tokoh perempuan, isu kelas, relasi personal para tokoh perempuan, serta bagaimana mereka melakukan perlintasan yang terus-menerus antara ranah domestik dan publik, artikel ini berargumentasi bahwa kedua cerpen menampilkan tokoh perempuan yang berusaha merangkul dan membangun subjektivitas perempuan yang feminin dan feminis. Kedua cerpen menampilkan berbagai bentuk subjektivitas yang tidak ajek dan senantiasa berproses. Subjektivitas juga digambarkan berimplikasi kepatuhan, penolakan, dan transgresi terhadap norma gender. Kata kunci: cerpen, perempuan, subjektivitas, Elizabeth Taylor, Margaret Atwood Abstract This article examines two short stories, namely Hair Jewellery by Margaret Atwood and The Blush by Elizabeth Taylor. The two stories show how the female characters negotiate and develop their subjectivities within a certain cultural and social context. The article aims to elaborate on how woman’s subjectivity is presented through the physical descriptions of the main characters, their attitude and behavior toward themselves, and how their perception of how their body contributes to the formation of their subjectivity within a cultural and social context. By focusing on the issues of woman’s body and embodiment, the female characters’ personal relations, and the continuous traversion between domestic and public spheres, the article argues that both stories present women who strive to embrace and develop feminine and feminist woman’s subjectivity. Both stories present a varied forms of subjectivity, all of which is not fixed and is always in-process. Subjectivity is also portrayed to imply different degrees of acceptance, rejection, and transgression of gender norms. Keywords: short stories, women, subjectivity, Elizabeth Taylor, Margaret Atwood 


2020 ◽  

Kanadische Literatur der Gegenwart ist Weltliteratur – Literatur von globalem Format und Wirkung, prestigeträchtig ausgezeichnet (Nobelpreis für Alice Munro, Booker­Prize und Friedenspreis für Margaret Atwood), hochaktuell und kontrovers. In der Tat liegt der Erfolg der kanadischen Literatur im 21. Jahrhundert nicht zuletzt in ihrer transnationalen und multikulturellen Ausrichtung. Die kanadischen Autor*innen, deren Werke in diesem Band vorgestellt werden, zeichnen sich immer wieder durch das Überschreiten von Grenzen aus. Das können geografische Grenzen sein, wie im Fall der von ghanaischen Einwanderern abstammenden Esi Edugayan oder des singhalesisch­holländisch­stämmigen Michael Ondaatje, deren Figuren zwischen Kanada, den Vereinigten Staaten, Deutschland und Afrika angesiedelt sind. Es handelt sich aber auch um Gattungsgrenzen, etwa die noch immer misstrauisch beargwöhnte Frontlinie zwischen Autobiografie und Fiktion, auf der Sheila Heti zum Grenzgänger wird, oder sogar die zwischen Literatur und Popmusik, wie sich in der erstaunlichen Karriere von Leonard Cohen zeigt. Der vorliegende Band gibt einen Einblick in die Vielfalt der Literatur Kanadas, vom modernen Klassiker bis zur spannenden Neuentdeckung.


2018 ◽  
Vol 55 (2) ◽  
pp. 309-325
Author(s):  
Pilar Somacarrera

In his introduction to Scottish Literature and Postcolonial Literature, Michael Gardiner argues for bringing together these two separate bodies of texts which are intimately joined. Within the context of the “‘postcolonial’ spaces of Scotland and Canada” (Gittings, 1995: 135), in this article I offer a comparative reading from the standpoint of Sara Ahmed’s affect theory of the post-millennial short stories of A. L. Kennedy and Alice Munro, based on their shared belief in a transatlantic new humanism which privileges emotions.


2013 ◽  
Vol 6 ◽  
pp. 103-113 ◽  
Author(s):  
Mohammad Shahidul Islam Chowdhury

Alice Munro (1931—), Canadian author and winner of the Man Booker International Prize in 2009, has written a number of short stories. “The Bear Came Over the Mountain” is a story of love, romantic affairs, family relationship, enigma of romance and psychological disorientation. The story reveals family bond through mental depression and physical inability, which, to a large extent, are traumatic. Munro’s presentation of human relationship and family bond gets a new dimension from psychopathological point of view. The story reveals a bizarre relationship between two unacquainted families, members of which suffer from two different types of trauma: psychic hysteria and physical immobility. Munro shows the effect of such frenzy on individuals as well as on societal connection. This paper attempts to illustrate, from psychoanalytic point of view, the nature of traumatic pathology and its testimony in the lives of individuals and how its outcome can be a major device in understanding human relationship. Stamford Journal of English; Volume 6; Page 103-113 DOI: http://dx.doi.org/10.3329/sje.v6i0.13906


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