The Elite-White-Male Dominance System

2017 ◽  
pp. 9-44
Author(s):  
Joe R. Feagin ◽  
Kimberley Ducey
Keyword(s):  
Author(s):  
Gray Cavender ◽  
Nancy C. Jurik

This chapter discusses Prime Suspect's treatment of social problems and socially marginalized individuals. First, it briefly addresses the history of social problems and social realism film and television, and then notes the departure from such formats in British television of the 1970s onward as well as the general avoidance of social issue programming in US television throughout the years. It then analyzes Prime Suspect's treatment of social issues, in particular, how moments within episodes offer insights into the experiences of socially marginalized persons. Although the series often disrupts the binary between good and evil and destabilizes the white male dominance of the genre, it does not offer comprehensive, modernist policy solutions to social problems.


2003 ◽  
Vol 25 (4) ◽  
pp. 25-49 ◽  
Author(s):  
BARBARA BERGLUND

Following on the heels of Chicago's Columbian Exposition, San Francisco's Midwinter Fair generated representations of identities, histories, and memories that promoted a vision of social order that spoke to the hopes and fears of both the city and the nation. The version of history articulated at the Fair's '49 Mining Camp exhibit looked back to the past with nostalgia to construct meaningful identities for the present. Through that gauzy lens, it fashioned masculine historical identities that sought to assuage race, class, and gender-based anxieties in the present by emphasizing white male dominance and downplaying the economic dislocations associated with the expansion of industrial capitalism.


2018 ◽  
Vol 15 (4) ◽  
pp. 773-800
Author(s):  
Carrie N. Baker

This article presents an analysis of how activists, politicians, and the media framed youth involvement in the sex trade during the 1970s, the 1990s, and the 2000s in the United States. Across these periods of public concern about the issue, similar framing has recurred that has drawn upon gendered and racialized notions of victimization and perpetration. This frame has successfully brought attention to this issue by exploiting public anxieties at historical moments when social change was threatening white male dominance. Using intersectional feminist theory, I argue that mainstream rhetoric opposing the youth sex trade worked largely within neoliberal logics, ignoring histories of dispossession and structural violence and reinforcing individualistic notions of personhood and normative ideas about subjectivity and agency. As part of the ongoing project of racial and gender formation in US society, this discourse has shored up neoliberal governance, particularly the build-up of the prison industrial complex, and it has obscured the state's failure to address the myriad social problems that make youth vulnerable to the sex trade.


2018 ◽  
Vol 25 (3) ◽  
pp. 310-324 ◽  
Author(s):  
Sadie E Hale ◽  
Tomás Ojeda

While it represents a common form of gender-based violence, misogyny is an often-overlooked concept within academia and the queer community. Drawing on queer and feminist scholarship on gay male misogyny, this article presents a theoretical challenge to the myth that the oppressed cannot oppress, arguing that specific forms of gay male subjectivities can be proponents of misogyny in ways that are unrecognised because of their sexually marginalised status. The authors’ interest in the doing of misogyny, and its effects on specific bodies and subjectivities, leads them to discuss the extent to which white gay male misogyny can function to reinforce a particular gender and racial hierarchy that continually confines queer femininities to the status of the abject other, for failing to exhibit their feminine credentials and for making gender trouble. The study also addresses how specific markers of femininity are depoliticised through the workings of this misogyny, exploring what femininity does when it is conceptualised outside a heteronormative framework. To address these ideas, the authors firstly propose a theoretical account of misogyny in order to understand its analytical status as a cultural mechanism within the psychic economy of patriarchy. Secondly, they use queer approaches to effeminacy and subject formation for making the case for gay male misogyny and its connections to femininity within white gay cultures, asking how misogyny might become an essential component of the performance of hegemonic masculinity. The article concludes with a discussion of the ways in which gay male misogyny reinforces white male dominance over women and queer femininities specifically, advocating for resistance to the reproduction of such patriarchal arrangements.


Author(s):  
Monika Gosin

The Introduction discusses the aims of and inspiration for the book, and outlines its methodological approach. It situates the book’s focus on conflict between African Americans and Cubans, generations of Cuban immigrants, and black and white Cubans in Miami within broader scholarly concerns related to the investigation of how race operates in multicultural America. Introducing the theoretical concept of “worthy citizenship” and its application to interethnic conflict, the chapter contextualizes the issue of conflict between groups of color as rooted in a larger foundational framework of an elite-white-male-dominance system. The chapter further contends that the day-to-day lived experiences of marginalized or racialized groups reveal possibilities for challenging the logic of worthy citizenship, offering alternative forms of identification and interethnic cooperation.


2017 ◽  
pp. 45-90
Author(s):  
Joe R. Feagin ◽  
Kimberley Ducey
Keyword(s):  

Author(s):  
Ana R. Alonso-Minutti

This chapter centers on the activities of Gatas y Vatas, an annual experimental music festival in New Mexico that features solo performances by local practitioners. Initiated by young female Hispanic musicians as an attempt to counteract the white male dominance of local music scenes, Gatas y Vatas has become a catalyst of female empowerment where participants experience liberation while defying gender norms in an all-inclusive environment. Alonso-Minutti examines how the practices fostered in the festival are tied to a locally perceived freedom granted by Albuquerque’s complex cultural makeup. To the “Gatas,” the city is a place where “everything is possible.” She argues that this sentiment of endless potential drives performers to experiment with sound, noise, technology, and the environment and to engage in activities that foster a feminist ideal rooted in a Hispanic connection. The result is a community-oriented experimental atmosphere that has reached levels of inclusion and female equality rarely seen in experimental music scenes.


2021 ◽  
Vol 77 (3) ◽  
Author(s):  
Hans S.A. Engdahl

This article involves a close reading of two African American authors, Zora Neale Hurston, an acclaimed novelist and Katie Cannon, an influential theological ethicist. Texts from Steve Biko on black consciousness and from James Cone on liberation theology are used as methodological tools in trying to ascertain the degree to which Hurston and Cannon espouse a black (womanist) consciousness. A strong resonance of black consciousness will indeed be found in Hurston’s and Cannon’s texts. The conclusion drawn is that not only is there a resonance of black consciousness, but both writers also give proof of a black womanist consciousness that reveals new knowledge. Cannon’s oeuvre also begs the question of epistemological privilege. In addition, an animated critique is registered between these women scholars and male colleagues, in the world of fiction (Richard Wright) and academia (white European males).Contribution: This article demonstrates a link from South African black consciousness (Biko) to black womanist thinkers in the United States (Hurston and Cannon). A connection is also made between male, black liberation theology (Cone) and black womanist thinking, while expounding the womanist approach, liberated from (white) male dominance, on par with all others.


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