Private Troubles and Public Issues

Author(s):  
Gray Cavender ◽  
Nancy C. Jurik

This chapter discusses Prime Suspect's treatment of social problems and socially marginalized individuals. First, it briefly addresses the history of social problems and social realism film and television, and then notes the departure from such formats in British television of the 1970s onward as well as the general avoidance of social issue programming in US television throughout the years. It then analyzes Prime Suspect's treatment of social issues, in particular, how moments within episodes offer insights into the experiences of socially marginalized persons. Although the series often disrupts the binary between good and evil and destabilizes the white male dominance of the genre, it does not offer comprehensive, modernist policy solutions to social problems.

2019 ◽  
Vol 18 (4) ◽  
pp. 615-629 ◽  
Author(s):  
Sophie Danneris ◽  
Dorte Caswell

When looking at clients with a long history of unemployment and substantial health and/or social problems, stories of success (in terms of moving from being on cash benefits to getting a job) are limited. Thus, when a client does manage to gain employment or enter education, it represents an unusual1story of success seen from a political, organisational and individual perspective. In this article, we investigate empirically what can be learnt about current active labour market policies from these client cases. Methodologically this is explored through interviews with former clients who have managed to find a job despite dealing with complex health or social issues, and interviews with their former caseworkers. Thus, the article aims to provide insights into the crucial elements in making the move from vulnerable unemployed to being ready for a job, as well as finding it and keeping it.


Author(s):  
Neal King ◽  
Rayanne Streeter ◽  
Talitha Rose

Crime film and television has proliferated such influential variations as the Depression-era gangster film; the post–World War studies in corruption known as film noir; the pro-police procedural of that time; and then the violent rogue-cop stories that eventually became cop action in the 1980s, with such hits as television’s Miami Vice and cinema’s Die Hard. Mobster movies enjoyed a resurgence with the works and knockoffs of Scorcese (Goodfellas) and Tarantino (Reservoir Dogs), resulting in such TV series as The Sopranos, and with a return to “blaxploitation” with the ’hood movies of the early 1990s. Recent developments include the neo-noir erotic thriller; the rise of the corrupt cop anti-hero, paralleled by the forensic procedural, often focused on baroque serial killers; and the near disappearance of black crime movies from cinema screens. Such developments may owe to shifts in relations between real policing, real crime, and citizens, but they may owe more directly to shifts in the movie/television industries that produce them. Such industry shifts include freewheeling depictions of social problems in early cinema; carefully controlled moralism over the 1930s established by such industrial regulators as the Production Code in Hollywood and the British Board of Film Censors; further repression of subversion as anti-Communism swept through Hollywood in the 1950s; then a return of repressed violence and cynicism in the 1970s as Hollywood regulation of depictions of crime broke down; and a huge spike in box office and ratings success in the 1980s, which resulted in the inclusion of more heroes who are not both white and male. The rise of the prime-time serial on television, enhanced by the introduction of time-shifting technologies of consumption, has allowed for more extended storytelling, usually marketed in terms of “realism,” enabling a sense of unresolved social problems and institutional inertia, for which shows like The Wire have been celebrated. The content of such storytelling, in Western film and television, tends to include white male heroes meeting goals (whether success as criminals or defeat of them as cops) through force of will and resort to violence. Such stories focus on individual attributes more than on social structure, following a longstanding pattern of Hollywood narrative. And they present crime as ubiquitous and both it and the policing of it as violent. The late 1980s increase in the depiction of women of all races and men of color as heroes did little to alter those patterns. And gender patterns persist, including the absence of solidarity among women and the absence of women from stories of political corruption or large-scale combat.


Al-Burz ◽  
2019 ◽  
Vol 11 (1) ◽  
pp. 88-97
Author(s):  
Aysha Wahab

Brahui fiction has its dimensions, beside Novel, Short Story and Drama, the fourth part of Brahui fiction is known as “Inshaeya”. The word inshaeya can be translated as Essay. It can be describing as the shortest form of Short Story. the Brahui essay is a part of fiction. The purpose of writing this title is to identify social issues of the community in inshaeya. the history of shortest short story in Brahui commenced from 1960. When “Shirookh” published by Mr. Kamil-ul- Qadri, the decade of 60ties opened corridor for Brahui Inshaeya, after Qadri the local writers had worked on inshaeya. it is a part of Brahui fiction now. This paper has it objected to identified the inshaeya that the social problems have been addressed in. a qualitative research methodology has been adopted to complete this paper, the mod of this paper by topic is descriptive research. And the secondary source of data has been used and it has limited with the work of Mr. Kamil-ul-Qadri, Haji Abdul Latif Bangulzai, Prof. Khudaedad Gul, Mr. Arif Zia and Mr. Ghamkhwar Hayat in premises of Sarawan. This ends with the question why the work on ishaeya is slow in Brahui then the Short Story.


2019 ◽  
Vol 5 (5) ◽  
pp. 550-562

Drawn upon field research in two peri-urban villages of Hanoi in 2014 and short re-visits recently, the research examines the widespread of gambling and other social issues in Hanoi’s urbanizing peri-urban communities which happened concurrently with the phenomenon of “land fever,” and at the time local villagers received compensation from land appropriation. The article aims to understand the impact of urbanization on these communities and the interface between urbanization and the increase of social problems. It argues that gambling, drug use, and other social problems have been existing in Vietnamese rural communities long before; however, when urbanization came, some people have higher chances to engage in these activities. Those are villagers who want to transform quickly into entrepreneurs or bosses by joining the “black credit” market and gambling. Together with middle-aged and old farmers who greatly relied on agricultural production and face difficulties in transforming their occupation, they formed the group of losers in the urbanization process. Received 6th January 2019; Revised 26th April 2019; Accepted 15th May 2019


2020 ◽  
Vol 2 (3) ◽  
pp. 192-197
Author(s):  
Sevinch Eshonkulova ◽  

This article is dedicated to Alisher Navoi's "History of the Prophet and the Ruler", which depicts the faith, patience and high qualities of the prophets in art. The article analyzes and interprets universal values, issues of faith, issues of good and evil, as well as the narration of the history of the prophets -the continents of the byte, rubai andfour verses at the end of these stories. The work "History of the Prophet and the Ruler" shows that the flower of literature is a masterpiece of spirituality and art


Author(s):  
Olga Lomakina ◽  
Oksana Shkuran

The article analyzes methods of explication of the traditional and widely used stable biblical expression «forbidden fruit». The study is based on a diachronic section – from the interpretation of the biblical text to the communicative intention of dialogue participants in the media space illustrating nuclear and peripheral meanings. The analysis includes biblical texts that realize the archetypal meaning of the biblical expression «forbidden fruit» in which it is called the tree of knowledge of good and evil. The secularized interest in the kind of tree, on which forbidden fruits grew, is motivated by a realistic presentation of a sad history of the first people’s fall in the Book of Genesis. Scientific hypotheses have their origins since the Middle Ages, when artists recreated the author’s story of eating the forbidden fruit. For religion, the variety of the fruit is not of fundamental importance, however, visualization in the works of art has become an incentive for the further use of the biblical expression with a new semantic segment. Modern media texts actively represent the transformation of the biblical expression«forbidden fruit» for different purposes: in advertising texts for pragmatic one, in informative, educational, ideological texts for cognitive one, in entertaining textsfor communicative one, lowering the spiritual and semantic value register of the modern language. Therefore, the process of desemantization and profanization of the biblical expression results in the destruction of national stereotypes in Russian people’s worldview.


Author(s):  
Wakoh Shannon Hickey

Mindfulness is widely claimed to improve health and performance, and historians typically say that efforts to promote meditation and yoga therapeutically began in the 1970s. In fact, they began much earlier, and that early history offers important lessons for the present and future. This book traces the history of mind-body medicine from eighteenth-century Mesmerism to the current Mindfulness boom and reveals how religion, race, and gender have shaped events. Many of the first Americans to advocate meditation for healing were women leaders of the Mind Cure movement, which emerged in the late nineteenth century. They believed that by transforming their consciousness, they could also transform oppressive circumstances in which they lived, and some were activists for social reform. Trained by Buddhist and Hindu missionaries, these women promoted meditation through personal networks, religious communities, and publications. Some influenced important African American religious movements, as well. For women and black men, Mind Cure meant not just happiness but liberation in concrete political, economic, and legal terms. The Mind Cure movement exerted enormous pressure on mainstream American religion and medicine, and in response, white, male doctors and clergy with elite academic credentials appropriated some of its methods and channeled them into scientific psychology and medicine. As mental therapeutics became medicalized, individualized, and then commodified, the religious roots of meditation, like the social justice agendas of early Mind Curers, fell away. After tracing how we got from Mind Cure to Mindfulness, this book reveals what got lost in the process.


Author(s):  
Don Garrett

This chapter analyzes Spinoza’s ethical theory in the context of his philosophical naturalism, his doctrine that the actual essence of each thing is its striving for self-preservation (conatus), and his psychology of the emotions as it concerns both “bondage to the passions” and the active emotions such as intellectual joy. It explains how Spinoza’s ethical precepts are expressed chiefly through demonstrated propositions about good and evil, virtue, the guidance of reason, and “the free man.” Particular attention is given to questions about (1) the meaning of ethical language, (2) the nature of the good, (3) the practicality of reason, (4) the role of virtuous character, (5) the requirements for freedom and moral responsibility (especially in light of his necessitarianism), and (6) the possibility and moral significance of altruism. The chapter concludes by briefly assessing the significance of Spinoza’s ethical theory and its place in the history of ethics.


Author(s):  
Nicola Wilson

This chapter explores why working-class fictions flourished in the period from the late 1950s through to the early 1970s and the distinctive contributions that they made to the post-war British and Irish novel. These writers of working-class fiction were celebrated for their bold, socially realistic, and often candid depictions of the lives and desires of ordinary working people. Their works were seen to herald a new and exciting wave of gritty social realism. The narrative focus on the individual signalled a shift in the history of working-class writing away from the plot staples of strikes and the industrial community, striking a chord with a post-war reading public keen to see ordinary lives represented in books in a complex and realistic manner. The cultural significance of such novels was enhanced as they were adapted in quick succession for a mass cinema audience by a group of radical film-makers.


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